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On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell
- Author(s):
- Sérgio Dias Branco (see profile)
- Date:
- 2021
- Group(s):
- Film-Philosophy, Film Studies, Philosophy
- Subject(s):
- Art and philosophy
- Item Type:
- Conference paper
- Conf. Title:
- Film-Philosophy III
- Conf. Org.:
- University of Warwick
- Conf. Loc.:
- Coventry, UK
- Conf. Date:
- 6 July 2010
- Tag(s):
- Film studies, Philosophy and the arts
- Permanent URL:
- http://dx.doi.org/10.17613/rkm6-sj76
- Abstract:
- Nöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of particular films, he also criticises his conception of film as essentially connected with photography. The aim of this paper is to provide some thoughts on this exchange between Carroll and Cavell, or more precisely, to compose a conversation between them based on their positions and what they entail. Perhaps their views are ultimately reconcilable.
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution-ShareAlike
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