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Epilogue, Chinese Shakespeares: Two Centuries of Cultural Exchange (Columbia University Press, 2009, 2011, 2015). Modern Language Association Aldo and Jeanne Scaglione Prize for Comparative Literary Studies
- Author(s):
- Alexa Alice Joubin (see profile)
- Date:
- 2011
- Group(s):
- GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
- Subject(s):
- Shakespeare, William, 1564-1616, Globalization, Motion pictures, Literature--Adaptations, Translating and interpreting
- Item Type:
- Book chapter
- Tag(s):
- Hong Kong, Richard III, Hamlet, Shakespeare, Adaptation, Sinophone literature, Film, Global Shakespeare, Translation
- Permanent URL:
- http://dx.doi.org/10.17613/dfzb-9292
- Abstract:
- The epilogue tackles the ramifications of these new modes of inscribing temporally and visually ambiguous articulations of Shakespeare and China into a global vernacular in theater (Lin Zhaohua’s Richard III) and cinema (Feng Xiaogang’s The Banquet). A paradox of infatuation with Asian visuality and rejection of ethnic authenticity emerged in the asymmetrical cultural flows.
- Notes:
- http://cup.columbia.edu/book/chinese-shakespeares/9780231148498
- Metadata:
- xml
- Published as:
- Book chapter
- Status:
- Published
- Last Updated:
- 3 years ago
- License:
- Attribution-NonCommercial-ShareAlike
- Share this:
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