• Street Queens: New Orleans Brass Bands and the Problem of Intersectionality

    Author(s):
    Kyle DeCoste (see profile)
    Date:
    2017
    Subject(s):
    African-American popular music, Black feminist theory, Ethnomusicology, Intersectionality, Jazz, Popular Music Studies
    Item Type:
    Article
    Tag(s):
    New Orleans, Popular music
    Permanent URL:
    http://dx.doi.org/10.17613/7drk-qw03
    Abstract:
    The members of the all-female Original Pinettes Brass Band contest the male domination of the New Orleans brass band scene. Playing music on male-gendered instruments, they queer the normative relationship between instruments and musicians and carve out a space for female musicianship. This essay deconstructs their songs and performance decisions as agential and subjective sites of black feminist thought put into action to subvert the brass band patriarchy. The Pinettes force us to view the New Orleans brass band scene as an intersectional site where gender is a central element in the construction and consolidation of power relationships.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    1 year ago
    License:
    All Rights Reserved
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