• « Rimbaud et son “fidèle trio”. Histoire d'une disparition graphique », Cahiers de littérature française, n°18, Paroles et images, p. 11-35 (DOI : 10.15122/isbn.978-2-406-10062-1.p.0011) ;

    Author(s):
    Maroncelli Roberta
    Editor(s):
    Marisa Verna (see profile)
    Date:
    2020
    Group(s):
    LLC 19th-Century French
    Subject(s):
    19th-century French poetry
    Item Type:
    Article
    Tag(s):
    Rimbaud, image and poetry
    Permanent URL:
    http://dx.doi.org/10.17613/fwxb-3q81
    Abstract:
    Between 1870 and 1888, in the letters and sketches of his correspondance, Rimbaud is portrayed as an eternal traveller. The places of his wanderings change (countryside, cities, imaginary places), so does his representation by Verlaine, Delahaye and Nouveau. From reality to imagination, the sketches fix Rimbaud in his friends’ memory. Yet his representation gradually fades away and becomes, through his absence, the very symbol of space.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    11 months ago
    License:
    All Rights Reserved
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