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La fotografía estereoscópica en Canarias durante el siglo XIX
- Author(s):
- Juan Antonio Fernández Rivero, María Teresa García Ballesteros (see profile)
- Date:
- 2018
- Group(s):
- History of Art
- Subject(s):
- Nineteenth century, Photography, History
- Item Type:
- Article
- Tag(s):
- Canary islands, Canary Islands-History of photography, Olds photograhs, Spain, Stereoscopic photography, Stereoviews, 19th-century studies, History of photography, Photography (history and studio)
- Permanent URL:
- http://dx.doi.org/10.17613/9qw4-vr72
- Abstract:
- Stereoscopic photography begins in the Canary Islands at the end of the 1850s, not only by photographers and news from Peninsular Spain but also through the important English colony. The names of Piazzi Smyth and Jessica Duncan, of photographers such as Luis Marín del Corral, Manuel Sapera, Rafael and Bartolomé Belza or Juan González Méndez and Alberto Boisier, are linked to their practice throughout the 19th century. The twentieth century begins with stereoscopic photographs due to amateur photographers such as Hungarian Hopp Ferenc or Canaries Tomás Gómez Bosch or Leopoldo Prieto. We close this tour with the number 83 of the series that José Codina dedicated to the Archipelago.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 4 years ago
- License:
- Attribution-NonCommercial
- Share this:
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