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"Global Shakespeare Criticism beyond the Nation State." Chapter 25 of The Oxford Handbook of Shakespeare and Performance, ed. James C. Bulman (Oxford: Oxford University Press, 2017), pp. 423-440
- Author(s):
- Alexa Alice Joubin (see profile)
- Date:
- 2017
- Group(s):
- Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
- Subject(s):
- Shakespeare, William, 1564-1616, Literature--Adaptations, Postcolonialism, Drama, Comparative literature, Motion pictures, Critical theory
- Item Type:
- Book chapter
- Tag(s):
- Shakespeare in performance, intercultural theatre, Shakespeare, Global Shakespeare, Comparative drama, Film
- Permanent URL:
- http://dx.doi.org/10.17613/M6ZZ74
- Abstract:
- To move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of performance and the myth of global Shakespeare; (2) diaspora and racial tensions; (3) art in post-national space; (4) the ethics of quoting Shakespeare and world cultures; and (5) the production and dissemination of knowledge through archives.
- Metadata:
- xml
- Published as:
- Book chapter
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- Attribution-NonCommercial-ShareAlike
- Share this:
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