• “Unstuck in time”: Harry Partch's Bilocated Life

    Author(s):
    Jake Johnson (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    Musicology, 20th-century American music, Contemporary music, Narrative and time
    Item Type:
    Article
    Tag(s):
    musicology, Harry Partch, Time and temporality, Queer Studies
    Permanent URL:
    http://dx.doi.org/10.17613/M6FC2Q
    Abstract:
    In a letter dated to 1960, Harry Partch describes living two lives simultaneously—one in modern America and another in ancient Greece. Furthermore, throughout his life, Partch exhibited striking dualities in both his music and personal life. Partch’s affinity for Greek themes and modalities in his music and musical theory is well known, but less known is his feeling of bilocation between Greek and modern life. Using writings by Vonnegut, Woolf, and Stephen Hawking, I examine methods of constructing history that support Partch’s temporal irregularity and, in so doing, foster new ways of understanding Partch and his music. With a particular focus on corporeality within his late work Revelation in the Courthouse Park, I explore how Partch leaned on his sense of bilocation to cope with his decidedly outsider status, how that in turn helped him deal with reality, and how biographers might tackle this most perplexing issue.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    2 years ago
    License:
    All Rights Reserved
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