• I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)

    Author(s):
    Reba Wissner (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Film Studies, Music and Sound
    Subject(s):
    Film, Film music, Sound studies, Television, Television studies
    Item Type:
    Article
    Permanent URL:
    http://dx.doi.org/10.17613/M6XP0D
    Abstract:
    Franz Waxman composed over 150 film scores, the most famous of which is Billy Wilder’s film noir Sunset Boulevard (1950). The film plot bears a striking resemblance to Rod Serling’s teleplay for The Twilight Zone, “The Sixteen-Millimeter Shrine” (1959). Waxman, composer of the film, was approached to compose a score for a television episode that was what many term a shortened version of Wilder’s film for the small screen, but with supernatural elements. This article serves to remedy the dearth of literature on this topic and to form an examination of the ways that Waxman conceived of music to accompany films with similar themes but on different screens. Through this comparison of the two scores, a clearer picture of Waxman’s approaches to composing music for moving images will be presented.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    1 week ago
    License:
    All Rights Reserved

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