• 'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta

    Author(s):
    José Angel García Landa (see profile)
    Date:
    1988
    Group(s):
    Narrative theory and Narratology
    Subject(s):
    English literature
    Item Type:
    Conference paper
    Conf. Title:
    X Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (AEDEAN)
    Conf. Org.:
    AEDEAN
    Conf. Loc.:
    University of Zaragoza (Spain)
    Conf. Date:
    16-19 Dec. 1986
    Permanent URL:
    http://dx.doi.org/10.17613/M6NK0W
    Abstract:
    Este artículo examina dos obras narrativas tardías de Samuel Beckett, "Mal Vu Mal Dit" y "Worstward Ho", situándolas en el desarrollo de la estética metaficcional y autorreflexiva del autor. Los rasgos minimalistas de estas obras se ven como una modalidad de autorreferencialidad narrativa y estética. _____________________________________________________________ This paper examines two of Samuel Beckett's late narrative works, "Ill Seen Ill Said" and "Worstward Ho", setting them in the context of the author's developing metafictional and self-reflexive aesthetics. The minimalist features of the works are analyzed as a mode of narrative and aesthetic self-referentiality.
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    Published as:
    Conference proceeding    
    Status:
    Published
    Last Updated:
    10 months ago
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