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'Unnullable Least': Vacío y metaficción en el Beckett de los ochenta
- Author(s):
- José Angel García Landa (see profile)
- Date:
- 1988
- Group(s):
- Narrative theory and Narratology
- Subject(s):
- English literature
- Item Type:
- Conference paper
- Conf. Title:
- X Congreso de la Asociación Española de Estudios Anglo-Norteamericanos (AEDEAN)
- Conf. Org.:
- AEDEAN
- Conf. Loc.:
- University of Zaragoza (Spain)
- Conf. Date:
- 16-19 Dec. 1986
- Permanent URL:
- http://dx.doi.org/10.17613/M6NK0W
- Abstract:
- Este artículo examina dos obras narrativas tardías de Samuel Beckett, "Mal Vu Mal Dit" y "Worstward Ho", situándolas en el desarrollo de la estética metaficcional y autorreflexiva del autor. Los rasgos minimalistas de estas obras se ven como una modalidad de autorreferencialidad narrativa y estética. _____________________________________________________________ This paper examines two of Samuel Beckett's late narrative works, "Ill Seen Ill Said" and "Worstward Ho", setting them in the context of the author's developing metafictional and self-reflexive aesthetics. The minimalist features of the works are analyzed as a mode of narrative and aesthetic self-referentiality.
- Metadata:
- xml
- Published as:
- Conference proceeding
- Status:
- Published
- Last Updated:
- 5 years ago
- License:
- Attribution
- Share this:
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unnullable.pdf