El modo del género narrativo: Diversas interpretaciones
- Author(s):
- José Angel García Landa (see profile)
- Date:
- 1986
- Group(s):
- Narrative theory and Narratology
- Subject(s):
- Narratology
- Item Type:
- Article
- Tag(s):
- narratology, Narrative structure, stylistics, Narrative mode, Narrativity
- Permanent URL:
- http://dx.doi.org/10.17613/M6MP0M
- Abstract:
- Entendemos aquí por “modo” en sentido amplio la mayor o menor filtración de la información narrativa a través de la actividad del narrador, siguiendo la analogía macroestructual con el modo verbal introducida por Genette. Al comparar distintas teorías de la narración contemporáneas, observamos una serie de recurrencias a la hora de oponer modos de presentación de la historia directos, inmediatos o “dramáticos” a modos de representación más distanciadores, mediatizados, que ofrecen la información narrativa al lector de una manera ya más procesada, filtrada o valorada. Proponemos una clasificación preliminar de estas modalidades de (re)presentación. ________________________________________________________________________________ English abstract: Modes of Mood in Narrative. — Narrative modality can be defined in general terms as the greater or lesser filtering of narrative information through the narrator's activity; the term "mood" was proposed by Genette as a macrostructural analogue to verbal mood. From a comparison of a number of contemproary theories of narrative, a number of recurrences stand out as regards the opposition between direct, immediate or "dramatic" modes of presentation, on one hand, and, on the other, more distancing or mediating modes, which provide the reader with information already processed, filtered or evaluated. The paper proposes a preliminary classification of these modes of narrative (re)presentation.
- Notes:
- Written 1985.
- Metadata:
- xml
- Published as:
- Journal article
- Status:
- Published
- Last Updated:
- 2 years ago
- License:
- Attribution
- Share this:
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