• Seeing Sappho in Paris: Operatic and Choreographic Adaptations of Sapphic Lives and Myths

    Author(s):
    Samuel Dorf (see profile)
    Date:
    2009
    Subject(s):
    Classics, Dance history, Musicology
    Item Type:
    Article
    Tag(s):
    Natalie Barney, Sappo
    Permanent URL:
    http://dx.doi.org/10.17613/M6RC0R
    Abstract:
    Sappho’s oeuvre exists in tantalizing fragments providing fodder for generations of interpreters to reimagine her life and poetry in myriad ways. The paper looks at three Parisian fantasies of Sappho: Charles Gounod’s first opera Sapho (1851 and 1884), Charles Cuvillier’s operetta Sapphô (1912), and the Sapphic music and dramatic activities held in the garden of Natalie Clifford Barney (ca. 1900). For each of these productions, musical scores provide scant information as to how the authors and performers imagined the myths and lives of Sappho; iconographic sources, however, open doors to new readings, illustrating how these pieces appropriated past Sapphic fictions to create nuanced and often satirical productions. Gounod’s opera reveals the transformation of Sappho’s image from mid-19th c. Hellenism to fin-de-siècle debauchery, as evidenced by differences in costume and set design between the 1851 premiere and the 1884 revival. In addition to expanded roles for the courtesan, the simple classicism of the original production is replaced with a decidedly more decadent décor. In Cuvillier’s operetta, photos published in the journal Le théâtre provide enough evidence to recreate plot, as well as decipher satirical elements that poke fun at the battle between Cyprian and Hellenic mores despite the lack of a score and libretto for the work. Finally, photographic and anecdotal evidence of Natalie Barney’s queer Sapphic theatrics illustrate the dialectical understanding of early 20th-c. Sappho as emblematic of the refined Hellenism of the mid-19th c. and the decadent Orientalism of fin-de-siècle erotic Sapphic fantasies. In all three phenomena visual culture played a privileged role in the reception of musical representations of Sappho histories and fantasies.
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    1 week ago
    License:
    All Rights Reserved

    Downloads

    Item Name: pdf dorf-seeing-sappho-in-paris-jstor-2009.pdf
      Download View in browser
    Activity: Downloads: 1