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Fish Tales: Shoreline encounters with Symbolist Mer-creatures
- Author(s):
- Maura Coughlin (see profile) , Emily Gephart
- Date:
- 2017
- Subject(s):
- Nineteenth century, Art, History, Atlantic Ocean Region, Ecocriticism
- Item Type:
- Conference paper
- Conf. Title:
- The Ocean and the Seas / L’océan et les mers
- Conf. Org.:
- University of Toronto Centre for Comparative Literature
- Conf. Loc.:
- Victoria College, University of Toronto.
- Conf. Date:
- February 23-24, 2018
- Tag(s):
- 19th century, Art history, Atlantic history
- Permanent URL:
- http://dx.doi.org/10.17613/M66513
- Abstract:
- Traditional explanations of Symbolist art’s history dwell upon revivalist attempts to plumb myth and folklore in search of animal-human hybrids: predatory sirens, alluring naiads and exotic mermaids, for example. Yet Symbolist painters were resolutely modern—among them French artists Alexandre Séon and Odilon Redon, or Americans Arthur Mathews and Alexander Harrison—who also embraced contemporary Bohemian body cultures, and explored images of corporeal transformation.
- Metadata:
- xml
- Status:
- Published
- Last Updated:
- 6 years ago
- License:
- All Rights Reserved
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