• Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Music and Sound
    Subject(s):
    20th century, Contemporary music, Music analysis, Polish culture
    Item Type:
    Article
    Permanent URL:
    http://dx.doi.org/10.17613/M6D52B
    Abstract:
    Elliott Carter once extolled the visceral, primitive effect of Penderecki’s Threnody on untrained listeners. In this article, I examine how a formalized analytical approach to the central section of the piece contributes positively to a phenomenological experience of the whole piece. Part 1 presents an ear-training progression aimed at bringing to attention some important structural relationships between pitched elements of the passage, including pitch-space transformations that act on chordal-density compressions. Part 2 initially questions the relevance of transformational analysis––construed as an enactment of a particular kind of understanding––to the experience of Threnody, ultimately favoring a transformational hearing of the work. The conclusion points out how a rationalized ear-training allows a listener to chart an auditory course through the passage and how the resulting experience can illuminate a new way of conceptualizing Penderecki’s intricate sonic materials.
    Notes:
    https://doi.org/10.1093/mts/mtw015
    Metadata:
    Published as:
    Journal article    
    Status:
    Published
    Last Updated:
    10 months ago
    License:
    All Rights Reserved
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