• Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"

    Author(s):
    Irina Schulzki (see profile)
    Date:
    2015
    Subject(s):
    Cinematography, Film theory
    Item Type:
    Book chapter
    Tag(s):
    Film studies, phenomenology, subjectivity, Philosophy and Film, Postpostmodernism
    Permanent URL:
    http://dx.doi.org/10.17613/M65J7V
    Abstract:
    In the following remarks, I introduce Jean-Luc Marion’s categories of his phenomenology of the given and of the erotic in the narrow context of one film, Paul Thomas Anderson’s "Magnolia" (1999). Apart from using Marion’s terminology as a set of analytical categories, I also apply his method of the socalled ‘third’ phenomenological reduction, the reduction to givenness, to inquire into the central topic of this article – love at loss.
    Metadata:
    Published as:
    Book chapter    
    Status:
    Published
    Last Updated:
    7 months ago
    License:
    All Rights Reserved
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