• Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"

    Author(s):
    Irina Schulzki (see profile)
    Date:
    2015
    Subject(s):
    Cinematography, Motion pictures--Philosophy
    Item Type:
    Book chapter
    Tag(s):
    Film studies, phenomenology, subjectivity, Philosophy and Film, Postpostmodernism, Film theory
    Permanent URL:
    http://dx.doi.org/10.17613/M65J7V
    Abstract:
    In the following remarks, I introduce Jean-Luc Marion’s categories of his phenomenology of the given and of the erotic in the narrow context of one film, Paul Thomas Anderson’s "Magnolia" (1999). Apart from using Marion’s terminology as a set of analytical categories, I also apply his method of the socalled ‘third’ phenomenological reduction, the reduction to givenness, to inquire into the central topic of this article – love at loss.
    Metadata:
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    Published as:
    Book chapter     Show details
    Publisher:
    Verlag Traugott Bautz
    Pub. Date:
    2015
    Book Title:
    Einheitsdenken nach der Postmoderne. Figuren von Ganzheit, Präsenz und Transzendenz nach der Postmoderne.
    Author/Editor:
    Irina Hron
    Page Range:
    145 - 172
    Status:
    Published
    Last Updated:
    6 years ago
    License:
    All Rights Reserved
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