Deposits – Humanities Commons

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A US-Afghan War retrospective: How conventional US military strategy was altered
Author(s):
Mikael Totterman (see profile)
Date:
2019
Subject(s):
War and conflict, Central Asia
Item Type:
Article
Tag(s):
Afghanistan, United States, War, terrorism
Search term matches:
Tag
... terrorism ...
Full Text
... Reacted on September 11 2001.??Independent. https://www.independent.co.uk/news/world/911-anniversary-twin-towers-george-bush-us-war-on-terror ...
"The Jurisprudence of 9/11 and its Aftermath" (Fall 2018 Syllabus)
Author(s):
Rebecca Ruth Gould (see profile)
Date:
2018
Group(s):
Cultural Studies, Legal history, Political Philosophy & Theory, War Studies
Subject(s):
Legal Interpretation, Legal theory, Legal philosophy, Jurisprudence, Law and culture, Torture
Item Type:
Course material or learning objects
Tag(s):
terrorism, international law, War Crimes, War Studies
Search term matches:
Tag
... terrorism ...
Full Text
... Terror, US politicians, commentators, and jurists developed a range of new legal measures that ...
Art, Terrorism and the Negative Sublime
Author(s):
Arnold Berleant (see profile)
Date:
2016
Subject(s):
Sociology of terrorism, Aesthetics, Immanuel Kant, Aesthetic theory, Politics, Political theory
Item Type:
Article
Tag(s):
negative aesthetics, the sublime, terror, Happenings
Search term matches:
Title
... Art, Terrorism and the Negative Sublime ...
Subject
... Sociology of terrorism ...
Tag
... terror ...
Full Text
... "Art, Terrorism, and the Negative Sublime,? in Arts and Terror ed. V. L. Marchenkov (Cambridge ...
“А.Г. Шляпников и НКВД в 1930-х годах.” [“A.G. Shliapnikov and the NKVD in the 1930s”].
Author(s):
Barbara Allen (see profile)
Date:
2018
Group(s):
Soviet and Russian history and culture
Subject(s):
Russian history, Soviet history
Item Type:
Conference paper
Tag(s):
Stalin, nkvd, shlyapnikov, great terror
Search term matches:
Tag
... great terror ...
The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect
Author(s):
Hania A.M. Nashef (see profile)
Date:
2011
Group(s):
LLC Arabic, MS Screen Arts and Culture, MS Visual Culture, TC Popular Culture, TC Postcolonial Studies
Subject(s):
Cultural studies, Film studies, Media studies
Item Type:
Article
Tag(s):
arab world, terrorism, kristeva, abject, dehumanization
Search term matches:
Tag
... terrorism ...
Full Text
... , 37-41 Mortimer Street, London W1T 3JH, UK Critical Studies on Terrorism Publication details ...
"Too many goddamn echoes": historicizing the Iraq War in Don DeLillo's Point Omega
Author(s):
Martin Paul Eve (see profile)
Date:
2015
Group(s):
LLC 20th- and 21st-Century American
Subject(s):
American literature
Item Type:
Article
Tag(s):
cold war, don delillo, iraq war, terrorism
Search term matches:
Tag
... terrorism ...
Full Text
... terror of wartime experience is absolute to those who lived it. Furthermore, if answering in the vein of ...
"It sure's hell looked like war": Terrorism and the Cold War in Thomas Pynchon’s Against the Day and Don DeLillo’s Underworld
Author(s):
Martin Paul Eve (see profile)
Date:
2014
Group(s):
LLC 20th- and 21st-Century American
Subject(s):
American literature
Item Type:
Book chapter
Tag(s):
thomas pynchon, Don DeLillo, terrorism
Search term matches:
Title
... "It sure's hell looked like war": Terrorism and the Cold War in Thomas Pynchon’s Against the Day ...
Tag
... terrorism ...
Full Text
... Eve 1 Martin Paul Eve, 'It sure's hell looked like war': Terrorism and the Cold War in Thomas ...

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CORE Search Results Start Search Over

A US-Afghan War retrospective: How conventional US military strategy was altered

"The Jurisprudence of 9/11 and its Aftermath" (Fall 2018 Syllabus)

Art, Terrorism and the Negative Sublime

“А.Г. Шляпников и НКВД в 1930-х годах.” [“A.G. Shliapnikov and the NKVD in the 1930s”].

The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect

"Too many goddamn echoes": historicizing the Iraq War in Don DeLillo's Point Omega

"It sure's hell looked like war": Terrorism and the Cold War in Thomas Pynchon’s Against the Day and Don DeLillo’s Underworld

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