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• Die Rezeption der Opern Mozarts in der 1. Hälfte des 19. Jahrhunderts und die Rolle des spanischen Sängers und Komponisten Manuel García (1775-1832)

  Author(s):

  Paulino Capdepon (see profile)

  Date:

  2011

  Group(s):

  International Musicological Society (IMS), Musical Theater Interest Group – Society for Music Theory (SMT MTIG), Society for Music Theory (SMT)

  Subject(s):

  Operas, Theater, Music, Mozart, Wolfgang Amadeus, 1756-1791, García, Manuel, 1775-1832

  Item Type:

  Article

  Tag(s):

  Composer, musical composition, musical culture, Singer, theatre

  Search term matches:

  Tag

  ... singer ...

  
  

• Disorientations: John Singer Sargent and Queer Phenomenology

  Author(s):

  Anne Pasek (see profile)

  Date:

  2021

  Subject(s):

  Art, History, Phenomenology

  Item Type:

  Article

  Tag(s):

  John Singer Sargent, Art history, Queer studies, Visual culture

  Search term matches:

  Title

  ... Disorientations: John Singer Sargent and Queer Phenomenology ...

  Tag

  ... john singer sargent ...

  Full Text

  ... Anne Pasek, Disorientations: John Singer Sargent and Queer Phenomenology emaj issue 7.1 November ...

  
  

• Relações entre a Catedral de Évora e a Colegiada de Santo Antão no final do século XVIII: o caso do cantor José da Costa

  Author(s):

  Luís Henriques (see profile)

  Date:

  2019

  Group(s):

  Historical Soundscape Studies, Music in Évora studies

  Subject(s):

  Eighteenth century, Musicology, Music, Musical analysis, Culture, Sacred music

  Item Type:

  Article

  Tag(s):

  Singer, Colegiate Church, Évora, 18th century, Cultural musicology

  Search term matches:

  Tag

  ... singer ...

  Full Text

  ... of Santo Antão in the end of the eighteenth century: the case of the singer José da Costa Luís Henriques ...

  
  

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