Deposits – Page 2 – Humanities Commons

CORE Search Results Start Search Over

“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Article
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach (see profile)
Date:
1994
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Book chapter
“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.
Author(s):
John Covach (see profile)
Date:
2000
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.
Author(s):
John Covach (see profile)
Date:
2002
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.
Author(s):
John Covach (see profile)
Date:
2003
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Classical music, Music history, Musicology, Music theory
Item Type:
Article
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology, Popular Music Studies
Item Type:
Book chapter
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach (see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“High Brow, Low Brow, Knot Now, Know How,” in C. Rodriguez, ed., Coming of Age: Teaching and Learning Music in Academia (Maize Books, 2017), 313-33.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
American cultural studies, Music, Music education, Musicology
Item Type:
Book chapter
“The Way We Were: Rethinking the Popular in a Flat World,” Analitica/Rivista di Analisi e Teoria Musicale, 2016, vol. 1/2, 59-72.
Author(s):
John Covach (see profile)
Date:
2016
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
American cultural history, American cultural studies, Musicology, Popular Music Studies
Item Type:
Article
“Rock Me, Maestro,” Chronicle of Higher Education (February 2, 2015)
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music, Music education, Musicology, Music theory, Popular Music Studies
Item Type:
Article
“To MOOC or Not to MOOC?” Music Theory Online 19/3 (September 2013)
Author(s):
John Covach (see profile)
Date:
2013
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology, Online education, Popular Music Studies
Item Type:
Article
“The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock,” in Composition and Experimentation in British Rock 1966–1976, a special issue of Philomusica Online (2007); reprinted in The Ashgate Library of Essays on Popular Music: Rock, ed. Mark Spicer (Ashgate publishing, 2012), 65-75.
Author(s):
John Covach (see profile)
Date:
2007
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Article
“Leiber and Stoller, the Coasters, and the ‘Dramatic AABA’ Form,” in Sounding Out Pop: Analytical Essays in Rock Music, ed. Covach and Spicer (University of Michigan Press, 2010)., 1-17.
Author(s):
John Covach (see profile)
Date:
2010
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970s American Progressive Rock,” in W. Everett, ed., Rock Music: Critical Essays on Composition, Performance, Analysis, and Reception (Garland Publishing, 1999), 113-34. Reprinted in the second edition (2007).
Author(s):
John Covach (see profile)
Date:
1999
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“Pangs of History in Late 1970s Rock,” in Allan Moore, ed., Analyzing Popular Music (Cambridge University Press, 2003): 173-95.
Author(s):
John Covach (see profile)
Date:
2003
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“Echolyn and American Progressive Rock,” in Covach and Everett, eds., American Rock and the Classical Music Tradition, a special issue of Contemporary Music Review, 18/4 (August 2000): 13-61.
Author(s):
John Covach (see profile)
Date:
2000
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Article
“Popular Music, Unpopular Musicology,” in N. Cook and M. Everist, eds., Rethinking Music (Oxford University Press, 1999), 452-70.
Author(s):
John Covach (see profile)
Date:
1999
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
A Novena para a Festa de S. Joseph de Pedro Vaz Rego e a atividade musical na Catedral de Évora na primeira metade do século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music and Sound, Music in Évora studies
Subject(s):
Musicology, Music, 18th century, 18th-century music, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, Évora, Devotional Music
What Makes It Sound ’80s?
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory, Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Popular Music Studies, Musicology, Organology, Electronic dance music
Item Type:
Article
Tag(s):
synthesizers, yamaha dx7, timbre, 1980s, spectrograms
Telling Tales: A Survey of Narratological Approaches to Music
Author(s):
Russell Millard (see profile)
Date:
2019
Group(s):
Music and Sound
Subject(s):
Music analysis, Musicology, Narrative, Narratology
Item Type:
Article
Tag(s):
Musical narrative

Viewing item 26 to 50 (of 383 items)

← 1 2 3 … 16 →

@

Not recently active