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CORE Search Results Start Search Over

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  • Repurposing 'com-provisation' (script/pre-print of conference paper)

    Author(s):
    Dimitris Papageorgiou (see profile)
    Date:
    2019
    Group(s):
    Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
    Subject(s):
    Music and philosophy, Music notation, Music performance, Musicology, Composition
    Item Type:
    Conference paper
    Tag(s):
    assemblage, usership, Improvisation, comprovisation as sun-schediasmos

  • Ecos da Sé de Angra" em Angra do Heroísmo

    Author(s):
    Luís Henriques (see profile)
    Date:
    2019
    Subject(s):
    Musicology, Music, Exhibtions, Polyphony, Sacred music
    Item Type:
    Article
    Tag(s):
    Plainchant

  • Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI

    Author(s):
    Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra
    Date:
    2019
    Subject(s):
    Musicology, Music, Composition, Art history, 20th century, 21st century, Painting
    Item Type:
    Abstract
    Tag(s):
    Instrumental Music

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII

    Author(s):
    Luís Henriques (see profile)
    Date:
    2019
    Group(s):
    Historical Soundscape Studies, Music and Sound, Music in Évora studies
    Subject(s):
    Musicology, Music, 18th century, Sacred music
    Item Type:
    Book chapter
    Tag(s):
    soundscapes, Évora Cathedral, Mabinogi

  • Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX

    Author(s):
    Luís Henriques (see profile)
    Date:
    2018
    Group(s):
    Music in the Azores studies
    Subject(s):
    Musicology, Music, Organology, 19th century, Sacred music
    Item Type:
    Article
    Tag(s):
    Organ, Instrumental Music, azores

  • I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia

    Author(s):
    CESEM/UÉvora (see profile)
    Editor(s):
    Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva
    Date:
    2019
    Subject(s):
    Musicology, Music, Cultural musicology
    Item Type:
    Abstract
    Tag(s):
    University of Évora, Évora

  • Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

    Author(s):
    John Covach (see profile)
    Date:
    1991
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory, Popular Music Studies
    Item Type:
    Review

  • Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music history, Musicology, Popular Music Studies
    Item Type:
    Review

  • Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).

    Author(s):
    John Covach (see profile)
    Date:
    2015
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music education, Music history, Musicology, Music theory
    Item Type:
    Review

  • “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory
    Item Type:
    Article

  • “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

    Author(s):
    John Covach (see profile)
    Date:
    1994
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory
    Item Type:
    Book chapter

  • “Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.

    Author(s):
    John Covach (see profile)
    Date:
    2000
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music history, Musicology, Music theory
    Item Type:
    Book chapter

  • “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.

    Author(s):
    John Covach (see profile)
    Date:
    2002
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music history, Musicology, Music theory
    Item Type:
    Book chapter

  • “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.

    Author(s):
    John Covach (see profile)
    Date:
    2003
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music history, Musicology, Music theory
    Item Type:
    Book chapter

  • "Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.

    Author(s):
    John Covach (see profile)
    Date:
    2017
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Classical music, Music history, Musicology, Music theory
    Item Type:
    Article

  • “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Musicology, Popular Music Studies
    Item Type:
    Book chapter

  • "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

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