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Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou (see profile)
Date:
2019
Group(s):
Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
Subject(s):
Music and philosophy, Music notation, Music performance, Musicology, Composition
Item Type:
Conference paper
Tag(s):
assemblage, usership, Improvisation, comprovisation as sun-schediasmos
Ecos da Sé de Angra" em Angra do Heroísmo
Author(s):
Luís Henriques (see profile)
Date:
2019
Subject(s):
Musicology, Music, Exhibtions, Polyphony, Sacred music
Item Type:
Article
Tag(s):
Plainchant
Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI
Author(s):
Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra
Date:
2019
Subject(s):
Musicology, Music, Composition, Art history, 20th century, 21st century, Painting
Item Type:
Abstract
Tag(s):
Instrumental Music
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music and Sound, Music in Évora studies
Subject(s):
Musicology, Music, 18th century, Sacred music
Item Type:
Book chapter
Tag(s):
soundscapes, Évora Cathedral, Mabinogi
Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, Organology, 19th century, Sacred music
Item Type:
Article
Tag(s):
Organ, Instrumental Music, azores
I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia
Author(s):
CESEM/UÉvora (see profile)
Editor(s):
Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva
Date:
2019
Subject(s):
Musicology, Music, Cultural musicology
Item Type:
Abstract
Tag(s):
University of Évora, Évora
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music history, Musicology, Music theory, Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history, Musicology, Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education, Music history, Musicology, Music theory
Item Type:
Review
“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Article
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach (see profile)
Date:
1994
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Book chapter
“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.
Author(s):
John Covach (see profile)
Date:
2000
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.
Author(s):
John Covach (see profile)
Date:
2002
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.
Author(s):
John Covach (see profile)
Date:
2003
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Classical music, Music history, Musicology, Music theory
Item Type:
Article
“George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
“Afterword,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 263-69.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Musicology, Popular Music Studies
Item Type:
Book chapter
"Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.
Author(s):
John Covach (see profile)
Date:
2018
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter

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