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The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film, Film arts, Japan, Cinema, world cinema
Item Type:
Article
Tag(s):
Alain Resnais, Sophia Coppola, HIROSHIMA MON AMOUR, LOST IN TRANSLATION, Japanese cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film arts, Cinema, world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni, Italian film
EROS and Civilization: Sexuality and the Contemporary International Art Cinema
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2008
Group(s):
Film Studies
Subject(s):
Film, Film arts, Sexuality, Cinema, world cinema
Item Type:
Article
Tag(s):
Transnational film
EL TOPO and the Midnight Movie Craze
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Surrealism, Film arts, Cinema, world cinema
Item Type:
Article
Tag(s):
Alejandro Jodorowsky, Surrealist Cinema, EL TOPO
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia

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