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Ekphrastic Temporality
Author(s):
Shaj Mathew
(see profile)
Date:
2021
Subject(s):
Modernity
,
Persian literature
,
Temporality
,
world cinema
,
World literature
Item Type:
Article
Liberating Bicycles in Niki Caro’s 'Whale Rider' and in Haifaa Al Mansour’s 'Wadjda'
Author(s):
Doris Hambuch
(see profile)
Date:
2019
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
,
TC Popular Culture
Subject(s):
Film
,
Feminism
,
Cinema
,
world cinema
,
Women's studies
Item Type:
Article
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema
,
Film
,
Film and society
,
Film arts
,
Cinema
,
world cinema
,
Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni
,
L'AVVENTURA
,
bourgeoise
Japan through Others' Lenses: "Hiroshima Mon Amour" (1959) and "Lost in Translation" Japan Studies Review 11 (2007): 143-155. Also available on the Internet at http://asianstudies.fiu.edu
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2007
Group(s):
Film Studies
Subject(s):
Film
,
Film arts
,
Japan
,
Cinema
,
world cinema
Item Type:
Article
Tag(s):
Alain Resnais
,
Sophia Coppola
,
HIROSHIMA MON AMOUR
,
LOST IN TRANSLATION
,
Japanese cinema
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema
,
Film
,
Film arts
,
Cinema
,
world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni
,
Italian film
EROS and Civilization: Sexuality and the Contemporary International Art Cinema
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2008
Group(s):
Film Studies
Subject(s):
Film
,
Film arts
,
Sexuality
,
Cinema
,
world cinema
Item Type:
Article
Tag(s):
Transnational film
EL TOPO and the Midnight Movie Craze
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Surrealism
,
Film arts
,
Cinema
,
world cinema
Item Type:
Article
Tag(s):
Alejandro Jodorowsky
,
Surrealist Cinema
,
EL TOPO
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema
,
Cinema
,
Cinema history
,
Film and history
,
Film
,
Film history
,
world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D.
(see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film
,
Film criticism
,
Italian cinema
,
world cinema
,
Architecture
,
Film history
,
Cinema
Item Type:
Article
Tag(s):
film modernism
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch
(see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture
,
MS Visual Culture
Subject(s):
Film and society
,
Film criticism
,
world cinema
,
Polyphony
,
Film
,
Film studies
Item Type:
Article
Tag(s):
film discourse
,
Arab cinema
,
polyglossia
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