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The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Musicology, Music performance, Women and performance, Biography
Item Type:
Article
Tag(s):
women composers, women pianists, Latin American musicians
Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2017
Group(s):
Ethnomusicology, Gender Studies, Islamicate Studies, Music and Sound
Subject(s):
Ethnomusicology, Islamic mysticissm, North Africa, Poetics and poetry, Women and performance
Item Type:
Article
Tag(s):
Morocco
EMBODYING THE COUNTRYSIDE IN AIṬA ḤAṢBAWIYA (MOROCCO)
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
North Africa, Voice, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Countryside, Morocco, Rural sound
The Study of Women and Music in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Morocco
"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Poetry, Women and performance
Item Type:
Article
Tag(s):
Morocco
Una panoramica delle musiciste professioniste in Marocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2008
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
women in music, women in performance
Les musiciennes professionnelles au Maroc
Author(s):
Alessandra Ciucci (see profile)
Date:
2010
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Morocco
PERFORMING THE PATRON: BETTY FREEMAN AND THE AVANT-GARDE
Author(s):
Jake Johnson (see profile)
Date:
2014
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Contemporary music, Avant-garde, Patronage discourse, Women and performance
Item Type:
Article
Tag(s):
musicology, los angeles, Patronage, Avant-garde

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