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Old Wives' Humour: George Peele's The Old Wives Tale
Author(s):
Murat Öğütcü (see profile)
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare
Subject(s):
Early modern drama, Comedy (genre), Drama, Theatre history
Item Type:
Book chapter
Tag(s):
george peele, old wives' tale, humour
Tyrone Guthrie
Author(s):
Roberta Barker, Tom Cornford (see profile)
Date:
2019
Subject(s):
Theater, Theater history, Theatre history, Theatre management
Item Type:
Book chapter
Matisse in the Playhouse
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance, LLC 16th-Century English, Renaissance / Early Modern Studies
Subject(s):
Shakespeare and early modern drama, Shakespeare and rival dramatists, Theatre history
Item Type:
Article
Gustav Anton Freiherr von Seckendorff, Alias Patrik Peale: A Biographical Note
Author(s):
Lodewijk Muns (see profile)
Date:
2016
Subject(s):
Biography, German studies, Music history, Theatre history
Item Type:
Article
Tag(s):
art song, declamation, Franz Schubert, German lied, Gustav Anton von Seckendorff
Michael Chekhov: Directing an Actors' Theatre
Author(s):
Tom Cornford (see profile)
Date:
2018
Subject(s):
Theater history, Theatre history, Theatrical production
Item Type:
Book chapter
Shakespeare's Anti-Balcony Scene
Author(s):
Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Literature and film, Theatre history, Folklore, Troubadours
Item Type:
Article
Tag(s):
Romeo and Juliet, Balcony scenes, Blondel, Rapunzel, Stage directions
The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2016
Group(s):
Early Modern Theater
Subject(s):
Theatre history, Renaissance drama
Item Type:
Article
A Tale of Two Shrews: Recovering the Repertory of the Lord Pembroke’s Players
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Shakespeare
Item Type:
Article
Tag(s):
Taming of the Shrew
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Renaissance drama, Shakespeare
Item Type:
Article
Super Troupers; or, Supplemented Playing before 1594
Author(s):
Elizabeth Tavares (see profile)
Date:
2017
Subject(s):
Renaissance drama, Collaboration, Theatre history
Item Type:
Article
Connecting the Coterie: Linking Women in Early Modern England
Author(s):
Diane Jakacki (see profile) , Kim Martin
Date:
2019
Subject(s):
Digital humanities, Digital scholarly editing, Theatre history, Text encoding, Linked open data
Item Type:
Presentation
REED London Online: A Year in the Making
Author(s):
Susan Brown, Mihaela Iovan, Diane Jakacki (see profile) , Nia Kathoni, Kim Martin
Date:
2019
Subject(s):
Digital humanities, Scholarly editing, Digital editing, Theatre history, London
Item Type:
Presentation
Tag(s):
REED, Digital Scholarly Edition
REED London Online: Publish|Present|Discover|Read
Author(s):
Diane Jakacki (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, TC Digital Humanities
Subject(s):
Digital humanities, Digital scholarly editing, Scholarly publishers, Theatre history, London, Performance, Music
Item Type:
Presentation
Tag(s):
archival
Western Theatrical Traditions: Four Introductory Lectures
Author(s):
RONALD VINCE (see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Theatre history, Teaching, Drama
Item Type:
Course material or learning objects
Tag(s):
theatre
Mirth that Fills the Veins with Blood
Author(s):
Emma Smith (see profile)
Date:
2014
Subject(s):
Theatre history, Renaissance drama
Item Type:
Review
Tag(s):
The Duchess of Malfi, The Knight of the Burning Pestle, Blackfriars
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock (see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
Item Type:
Abstract
Tag(s):
Book of Abstracts, Conference, Performance Studies, Theatre Studies
Find Direction Out: In the Archives of Hamlet
Author(s):
Tom Cornford (see profile)
Date:
2010
Subject(s):
Shakespeare, Theatre history
Item Type:
Article
Michael Chekhov: The Spiritual Realm and the Invisible Body
Author(s):
Tom Cornford (see profile)
Date:
2014
Subject(s):
Theatre history
Item Type:
Book chapter
Reconstructing Theatre: the Globe under Dominic Dromgoole
Author(s):
Tom Cornford (see profile)
Date:
2010
Subject(s):
Shakespeare, Theatre history
Item Type:
Article
The Importance of How: Directing Shakespeare with Michael Chekhov's Technique
Author(s):
Tom Cornford (see profile)
Date:
2012
Subject(s):
Shakespeare, Theatre history
Item Type:
Article
‘A new kind of conversation’: Michael Chekhov's ‘turn to the crafts’
Author(s):
Tom Cornford (see profile)
Date:
2013
Subject(s):
Theatre history
Item Type:
Article
Beyond Realism: Into the Studio
Author(s):
Tom Cornford (see profile)
Date:
2013
Subject(s):
Theatre history
Item Type:
Article
Jacques Lecoq and the Studio Tradition
Author(s):
Tom Cornford (see profile)
Date:
2016
Subject(s):
Acting, Theatre history
Item Type:
Book chapter
Acting, Skill and Artistry
Author(s):
Tom Cornford (see profile)
Date:
2015
Subject(s):
Acting, Classical theatre, Shakespeare, Theatre and society, Theatre history
Item Type:
Article
The Theater of Euripides
Author(s):
David Roselli (see profile)
Date:
2017
Group(s):
Ancient Greece & Rome, Performance Studies, Philosophy
Subject(s):
Aesthetics, Ancient Greek history, Greek theatre, Marxist sociology, Theatre history
Item Type:
Book chapter
Tag(s):
ancient, Greek drama, Marxism, performance, Theatre history

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