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Post-Secular Musicals in a Post-Truth World
Author(s):
Jake Johnson (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musical theater, American religious thought, Mormon studies, Theatre and society, American theatre
Item Type:
Book chapter
Tag(s):
Post-Truth, post-secular, american musical theater, Book of Mormon, Leonard Bernstein
Greek Tragedy, Agonistic Space, and Contemporary Performance
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space
Item Type:
Article
Tag(s):
chorus, agonism
The archbishops of Canterbury, the Lord Chamberlain and the censorship of the theatre, 1909-49
Author(s):
Peter Webster (see profile)
Date:
2012
Group(s):
British History
Subject(s):
Theatre and history, Theatre and society, Religious history, Church history, Theology and the arts, Censorship
Item Type:
Article
Tag(s):
archbishops of Canterbury, Church-state relations, Church and State
Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock
Author(s):
Emma Smith (see profile)
Date:
2010
Subject(s):
Renaissance drama, Early modern drama, Theatre and society
Item Type:
Book chapter
Tag(s):
ben jonson, Alfred Hitchcock
"Dinner Party": una "tragedia discreta" di P. V. Tondelli
Author(s):
Francesco Ardolino (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century
Subject(s):
20th century, Italian studies, Theatre and society
Item Type:
Article
Tag(s):
Italian LIterature, Italian theatre, Tondelli
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock (see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
Item Type:
Abstract
Tag(s):
Book of Abstracts, Conference, Performance Studies, Theatre Studies
Acting, Skill and Artistry
Author(s):
Tom Cornford (see profile)
Date:
2015
Subject(s):
Acting, Classical theatre, Shakespeare, Theatre and society, Theatre history
Item Type:
Article
Social Class
Author(s):
David Roselli (see profile)
Date:
2014
Group(s):
Ancient Greece & Rome, Performance Studies
Subject(s):
Classical Greek culture, Comedy arts, Marxist sociology, Performance and politics, Theatre and society
Item Type:
Book chapter
Tag(s):
Ancient theatre, audience, Greek drama, greek history, social history
'The Editing of Emma Rice', Backpages
Author(s):
Tom Cornford (see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
Shakespeare, Theatre and society, Theatrical production
Item Type:
Article
Tag(s):
theatre directing
(Per)Forming Ourselves and Others in Toronto’s Multicultural Caravan Festival
Author(s):
Jacqueline Taucar (see profile)
Date:
2009
Group(s):
Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
Subject(s):
Canadian studies, Ethnic studies, Multicultural education, Performance, Theatre and society
Item Type:
Article
Tag(s):
audience reception, cross-cultural relations, ethnocultural festivals, multiculturalism, representations
Playing (with) Gestic Dolls in Mabou Mines DollHouse
Author(s):
Jacqueline Taucar (see profile)
Date:
2011
Group(s):
Feminist Humanities, Performance Studies
Subject(s):
Adaptation, American theatre, Feminist theology, Performance studies, Theatre and society
Item Type:
Article
Tag(s):
feminist theatre, Womens History Month
"Un estraneo in una terra ostile": Exile and Engagement in Pasolini's Verse Dramas
Author(s):
Laurence E. Hooper (see profile)
Date:
2012
Subject(s):
Gay and lesbian literature, Italian studies, Theater and film, Theatre and society, Theatre theory
Item Type:
Article
Tag(s):
Avant-garde, 1968, Verse drama, Tragedy

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