Deposits – Humanities Commons

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Understanding History and Causality through the Television Ghost Story
Author(s):
Derek Johnston (see profile)
Date:
2018
Group(s):
Cultural Studies, Horror, Television Studies
Subject(s):
Television, Television studies, History
Item Type:
Conference paper
Tag(s):
Television drama, Ghost stories
Hybrid Time in 'The Living and the Dead' - IGA August 2018
Author(s):
Derek Johnston (see profile)
Date:
2018
Group(s):
Cultural Studies, Horror, Television Studies
Subject(s):
Television, Television studies, Cultural identity, Pastoral
Item Type:
Conference paper
Tag(s):
Time and temporality, nostalgia
Hybrid Time in The Living and the Dead
Author(s):
Derek Johnston (see profile)
Date:
2018
Group(s):
Cultural Studies, Horror, Television Studies
Subject(s):
Horror, Television, Television studies, Temporality
Item Type:
Conference paper
Subversion of Nostalgia as a Strategy of Engagement in Alternate History TV: 11.22.63 and The Man in the High Castle
Author(s):
Tobias Steiner (see profile)
Date:
2018
Group(s):
Digital Humanists, MS Screen Arts and Culture, MS Visual Culture, Speculative and Science Fiction, Television Studies
Subject(s):
Television, Television studies
Item Type:
Blog Post
Tag(s):
man in the high castle, 11.22.63, alternate history, nostalgia
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article
From High Culture to Hip Culture: The Transformation of the BBC Into BBC America
Author(s):
Christine Becker (see profile)
Date:
2007
Subject(s):
Television studies, 21st-century media studies, Media studies, Transnational history, Advertising, Television
Item Type:
Book chapter
Tag(s):
British, cable television, marketing
Acting for the Cameras: Performance in the Multi-Camera Sitcom
Author(s):
Christine Becker (see profile)
Date:
2008
Subject(s):
Television studies, Performance studies, Acting, Comedy (genre), Film production, Television
Item Type:
Online publication
Tag(s):
sitcoms, comedy
“Sci-Fi Ghettos: ‘Battlestar Galactica’ and Genre Aesthetics”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2010
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics, Genres
Item Type:
Book chapter
“Super Style: Notes for a Stylistic Analysis”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2011
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics
Item Type:
Book chapter
“Situating Comedy: Duration and Inhabitation in Classical American Sitcoms”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2013
Group(s):
Cultural Studies, Film Studies
Subject(s):
Television, Stylistics
Item Type:
Book chapter
“Magic and Loss: Style, Progression and the ‘Ending’ of ‘Carnivàle’”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2015
Group(s):
Cultural Studies, Film Studies, Religious Studies
Subject(s):
Television, Stylistics, Narrative
Item Type:
Book chapter
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Speculative and Science Fiction
Subject(s):
Music, Science fiction films, Television, Television studies
Item Type:
Article
Review: Jonas Nesselhauf / Markus Schleich (Hrsg.) (2014): Quality-TV. Die narrative Spielwiese des 21. Jahrhunderts?! Münster: LIT
Author(s):
Sebastian Armbrust, Tobias Steiner (see profile)
Date:
2015
Group(s):
MS Screen Arts and Culture, MS Visual Culture, Television Studies
Subject(s):
Television, Television studies, Visual culture
Item Type:
Book review
Tag(s):
Quality TV, Television Studies, Book review
'First Principles': Hannibal, Affective Economy, and Oppositionality in Fan Studies
Author(s):
Lori Morimoto (see profile)
Date:
2017
Subject(s):
Fan studies, Television
Item Type:
Conference paper
Tag(s):
Hannibal, Television Studies, Affective Economy, Fan-Producer Relations
“Have you ever tried to un-make soup?” Legion’s roller-coaster ride through the Sixties
Author(s):
Tobias Steiner (see profile)
Date:
2017
Group(s):
Speculative and Science Fiction, Television Studies
Subject(s):
Science fiction, Television
Item Type:
Blog Post
Tag(s):
remediation, Television Studies, 1960s
Meticulous world-building in Space: The Expanse, and the current resurgence of Science Fiction on TV
Author(s):
Tobias Steiner (see profile)
Date:
2016
Group(s):
Speculative and Science Fiction, Television Studies
Subject(s):
Cultural studies, Science fiction, Television
Item Type:
Blog Post
Tag(s):
science fiction, The Expanse
Satire and the "Inevitability Effect": The Structure of Utopian Fiction from "Looking Backward" to "Portlandia"
Author(s):
Eleanor Courtemanche (see profile)
Date:
2015
Subject(s):
19th century, Comedy arts, Marxist sociology, Television
Item Type:
Article
Tag(s):
Marxism, Utopian fiction, Victorian literature, Television comedy
National Identity and Global Televison: Re-making Australia's Rake for American Audiences
Author(s):
Brenna Wardell (see profile)
Date:
2017
Group(s):
Television Studies
Subject(s):
Adaptation, Gender studies, Masculinity, Television
Item Type:
Conference proceeding
Tag(s):
adaptation, drama, masculinity, Television, Television Studies
“Love American Style”: Race, Cuban Identity and Cultural Tyranny in Showtime’s Dexter
Author(s):
Donna Maria Alexander (see profile)
Date:
2012
Group(s):
Television Studies
Subject(s):
American studies, Television
Item Type:
Article
Tag(s):
America, borders, Critical race studies, Cuba, identity
"FlashForward": an experiment in Collective Memory Studies
Author(s):
Tobias Steiner (see profile)
Date:
2011
Group(s):
Speculative and Science Fiction, Television Studies
Subject(s):
Media studies, Television
Item Type:
Thesis
Tag(s):
Collective memory, Television Studies, Series
Under the Macroscope: Convergence in the US Television Market between 2000 and 2014
Author(s):
Tobias Steiner (see profile)
Date:
2015
Group(s):
Television Studies
Subject(s):
Media studies, Television
Item Type:
Article
Tag(s):
Game of Thrones, HBO, Media convergence, Television Studies, US market
“‘The Future is the Past’: Music and History in Firefly,” Space and Time: Essays on Visions of History in Science Fiction and Fantasy,
Author(s):
Kendra Leonard (see profile)
Date:
2010
Subject(s):
American history, Music, Television
Item Type:
Book chapter
“‘The Status is Not Quo’: Gender and Performance in Dr. Horrible’s Sing-Along Blog,” Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon, Scarecrow Press, 2010.
Author(s):
Kendra Leonard (see profile)
Date:
2010
Subject(s):
Gender studies, Music, Television
Item Type:
Book chapter
“I Was Just Doing a Little Joke There”: Irony and the Paradoxes of the Sitcom in The Office
Author(s):
Eric Detweiler (see profile)
Date:
2012
Group(s):
Cultural Studies
Subject(s):
Cultural studies, Media studies, Popular culture studies, Rhetoric, Television
Item Type:
Article
Tag(s):
cultural studies, popular culture, rhetorical analysis, Television, Television Studies

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