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Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2016
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Spanish theatre, Teatro prelopesco
Item Type:
Article
Tag(s):
Courtly love, farsas y églogas, Lucas Fernández, parody
«A fuer de la palaciega». Atuendo y afeites en la «Égloga de Mingo, Gil y Pascuala» de Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
16th-century Spanish literature, Golden Age theater, Spanish theatre
Item Type:
Article
Tag(s):
clothing, cosmetics, Juan del Encina, Love dramatic eclogues, Theatricality
“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”
Author(s):
Elena Garcia-Martin (see profile)
Date:
2017
Group(s):
GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian
Subject(s):
17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre
Item Type:
Conference paper
Tag(s):
2018 MLA 217
Sources, Syncretism, and Significance in Calderón’s El divino Orfeo (c. 1634)
Author(s):
PJ Lennon (see profile)
Date:
2017
Group(s):
Early Modern Hispanism
Subject(s):
Baroque theatre, Early modern theatre, Spanish theatre
Item Type:
Article
Tag(s):
17th Century, Early modern Spanish literature, Calderón, Syncretism
Lope de Vega’s La Dama Boba: Critical edition and digital archive
Author(s):
Antonio Rojas Castro (see profile)
Date:
2017
Group(s):
Digital Books, Digital Humanists
Subject(s):
Digital humanities, Spanish theatre
Item Type:
Article

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HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

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