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Amor cortés y amor rudo como componentes de teatralidad en la Comedia de Lucas Fernández
Author(s):
Sara Sánchez-Hernández
(see profile)
Date:
2016
Group(s):
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature
,
Performance
,
Spanish theatre
,
Teatro prelopesco
Item Type:
Article
Tag(s):
Courtly love
,
farsas y églogas
,
Lucas Fernández
,
parody
«A fuer de la palaciega». Atuendo y afeites en la «Égloga de Mingo, Gil y Pascuala» de Encina
Author(s):
Sara Sánchez-Hernández
(see profile)
Date:
2017
Group(s):
Performance Studies
Subject(s):
16th-century Spanish literature
,
Golden Age theater
,
Spanish theatre
Item Type:
Article
Tag(s):
clothing
,
cosmetics
,
Juan del Encina
,
Love dramatic eclogues
,
Theatricality
“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”
Author(s):
Elena Garcia-Martin
(see profile)
Date:
2017
Group(s):
GS Drama and Performance
,
Iberian Theater and Performance Network (ITPN)
,
Interdisciplinary Approaches to Culture and Society
,
LLC 16th- and 17th-Century Spanish and Iberian Drama
,
LLC 20th- and 21st-Century Spanish and Iberian
Subject(s):
17th century
,
Aesthetics
,
Gender studies
,
Performance studies
,
Spanish theatre
Item Type:
Conference paper
Tag(s):
2018 MLA 217
Sources, Syncretism, and Significance in Calderón’s El divino Orfeo (c. 1634)
Author(s):
PJ Lennon
(see profile)
Date:
2017
Group(s):
Early Modern Hispanism
Subject(s):
Baroque theatre
,
Early modern theatre
,
Spanish theatre
Item Type:
Article
Tag(s):
17th Century
,
Early modern Spanish literature
,
Calderón
,
Syncretism
Lope de Vega’s
La Dama Boba
: Critical edition and digital archive
Author(s):
Antonio Rojas Castro
(see profile)
Date:
2017
Group(s):
Digital Books
,
Digital Humanists
Subject(s):
Digital humanities
,
Spanish theatre
Item Type:
Article
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