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Who Vibrates?
Author(s):
Christopher Swithinbank (see profile)
Date:
2019
Subject(s):
Music, New materialism, Critical race theory, Performance art, Sound studies
Item Type:
Article
Tag(s):
Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics
FYTA: Conceptual Songwriting
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Athanasios Anagnostopoulos
Date:
2017
Subject(s):
Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
Popular music, post-punk
Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Anagnostopoulos Athanasios
Date:
2017
Subject(s):
Cultural musicology, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
conceptual art, conceptual songwriting, Popular music, post-punk
Music 547 Spring 2018—Sound, Music, Conflict, 1570–1750
Author(s):
Erika Supria Honisch (see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Sound studies, Musicology, Baroque, War and conflict
Item Type:
Syllabus
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music
Author(s):
Olivia Lucas (see profile)
Date:
2016
Subject(s):
Ecocriticism, Extreme metal music, Music analysis, Music theory, Sound studies
Item Type:
Dissertation
Optophonic Reading, Prototyping Optophones
Author(s):
Tiffany Chan, Mara Mills, Jentery Sayers (see profile)
Date:
2018
Group(s):
Computer Studies in Language and Literature, Digital Humanities, MS Sound, TC Digital Humanities, TC Science and Literature
Subject(s):
Translation, Media history, Sound studies, Disability studies, Design history, Machine translation
Item Type:
Article
Tag(s):
mary jameson, reading optophone, optical character recognition, prototyping
Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Sound studies, Anthropology of music, Lived religion, Material religion, Media studies, Voice, Linguistic anthropology
Item Type:
Monograph
Tag(s):
Atmospheres, Islam in South Asia, Mauritius
Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices
Author(s):
Patrick Eisenlohr (see profile)
Date:
2018
Group(s):
Anthropology, Historical Soundscape Studies, Music and Sound, Religious Studies
Subject(s):
Voice, Sound studies, Affect, Islam, South Asia, Phenomenology
Item Type:
Article
Tag(s):
Mauritius, Atmospheres, Sonic religion, South Asian Islam
A sensual philology for Anglo-Saxon England
Author(s):
Martin Foys (see profile)
Date:
2014
Subject(s):
Medieval studies, Medieval media studies, Old English literature, Anglo-Saxon literature, Sound studies, Philology, Material philology
Item Type:
Article
Heated Words: The Politics and Poetics of Work in ‘A Complaint against Blacksmiths’
Author(s):
Deborah Thorpe (see profile)
Date:
2015
Subject(s):
Medieval, Sound studies, Literature, Poetry, Medieval English
Item Type:
Article
Calling out the nameless: CocoRosie's Posthuman sound world
Author(s):
Jake Johnson (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Musicology, Popular Music Studies, Queer and feminist performance, Sound studies, Voice
Item Type:
Article
Tag(s):
Popular music, posthumanism, Queer Studies, sound studies, voice
I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959)
Author(s):
Reba Wissner (see profile)
Date:
2017
Group(s):
American Musicological Society, Film Studies, Music and Sound
Subject(s):
Film, Film music, Sound studies, Television, Television studies
Item Type:
Article
The Sound of Nonsense
Author(s):
Richard Elliott (see profile)
Date:
2018
Group(s):
Cultural Studies, Music and Sound, Sound Poetry
Subject(s):
Literature, Music, Sound poetry, Sound studies
Item Type:
Book section
Tag(s):
nonsense, nonsense poetry, pop culture, Popular music
nonsensemix
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Comedy (genre), Music, Sound poetry, Sound studies
Item Type:
Sound recording-non musical
Tag(s):
comedy, nonsense, nonsense poetry, pop music, sound poetry

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