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Análisis del Génesis Según Virulo (2001) del cantautor cubano-mexicano Alejandro García Villalón: performance, intertextualidad y humorismo
Author(s):
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Paper Music
Subject(s):
Humor studies
,
Intertextuality
,
Performance studies
,
Sound recording technologies
Item Type:
Thesis
Virtual Space, Voice, and Gender in Recorded Popular Music from 2008–2018
Author(s):
Michèle Duguay
(see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Gender
,
Music
,
Popular Music Studies
,
Sound recording technologies
,
Sound studies
Item Type:
Video
Tag(s):
Popular music
,
popular music and gender
Mechanical Instruments and Phonography: The Recording Angel of historiography
Author(s):
Joao Silva
(see profile)
Date:
2020
Group(s):
Music and Sound
Subject(s):
Cultural musicology
,
Sound recording technologies
,
Sound studies
,
Historiography
Item Type:
Article
Tag(s):
Phonograph
,
mechanical music
Brass Band Archive Recordings - a brief guide to recordings of brass bands in libraries, museums and other archives
Author(s):
Gavin Holman
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Ethnomusicology
,
Music Library Association
,
North American British Music Studies Association
Subject(s):
Brass Instruments
,
Music history
,
Sound recording technologies
Item Type:
Article
Tag(s):
brass bands
Complete Independent Record Catalogue May, 1951
Date:
1951
Subject(s):
British music
,
Music
,
Sound recording technologies
Item Type:
Catalog
Tag(s):
British Jazz
,
Independent Record Companies
,
Record Catalogues
,
Recording Industry
Religious language and media: Sound reproduction and transduction
Author(s):
Patrick Eisenlohr
(see profile)
Date:
2019
Group(s):
Anthropology
,
Music and Sound
,
Religious Studies
Subject(s):
Religious studies
,
Religion
,
Sound recording technologies
,
Linguistic anthropology
,
Ritual studies
Item Type:
Book chapter
Tag(s):
language and religion
,
ritual language
,
religious language
,
transduction
,
sound reproduction
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