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RESOUNDING THE VOICE. On repurposing the archival material of voice, from analogue to digital.
Author(s):
Olivia Louvel
(see profile)
Date:
2020
Group(s):
Music and Sound
Subject(s):
Archival materials
,
Sound art
,
Digitisation
,
Archives
,
Voice
Item Type:
Thesis
Tag(s):
resounding
,
Electroacoustic music
Cartridge Music in the Quarantine: Presence, Absence, Contingency Setups and (De-)territorialised Performances
Author(s):
Valério Fiel da Costa
,
Marcello Messina
(see profile)
,
Marco Scarassatti
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Contemporary music
,
Sound art
,
Music composition
,
Music performance
,
Video arts
,
Collaboration
Item Type:
Article
Tag(s):
John Cage
,
experimental music
,
covid-19
,
quarantine
Douglas Repetto's Slowscan Soundwae (III)
Author(s):
Anne Swartz
(see profile)
Date:
2018
Subject(s):
Contemporary art
,
Sound/sound art
,
Sound art
Item Type:
Article
Den sjungande kometen: Begäret efter historiens ljud och (re)produktion
Author(s):
Markus Huss
(see profile)
Date:
2016
Group(s):
Sound Poetry
Subject(s):
Sound art
,
Space
,
World history
Item Type:
Book chapter
Space and Place in Sound and Music Studies
Author(s):
Andrew Eisenberg
(see profile)
Date:
2017
Subject(s):
Anthropology
,
Ethnomusicology
,
Historical musicology
,
Sound art
Item Type:
Syllabus
Tag(s):
music
,
music and place
,
Soundscapes
,
Sound
Space
Author(s):
Andrew Eisenberg
(see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Sound art
,
Space
Item Type:
Book chapter
Tag(s):
sound
,
space and place
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