Deposits – Humanities Commons

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The Thing Itself: Performing the Celebrity Text
Author(s):
Louise Geddes (see profile)
Date:
2021
Subject(s):
Shakespeare performance, Theatre criticism, Shakespeare, Performance, Fan studies, Performance studies
Item Type:
Book chapter
Tag(s):
Shakespeare in performance
Shamanistic Shakespeare: Korea's Colonization of Hamlet
Author(s):
Kevin A. Quarmby (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC Shakespeare, Shakespeare
Subject(s):
Shakespeare, Shakespeare in adaptation, Shakespeare performance, Global Shakespeare
Item Type:
Book chapter
Tag(s):
South Korea, Shakespeare in performance, Shamanism, Hamlet
Noise, narration and nose-pegs: adapting Shakespeare for radio
Author(s):
Andrea Smith (see profile)
Date:
2020
Subject(s):
Shakespeare in adaptation, Shakespeare performance, Radio, Drama
Item Type:
Conference paper
Love’s Labour’s Lost - Introduction for The Show Must Go Online
Author(s):
Andrea Smith (see profile)
Date:
2020
Subject(s):
Feminism, Shakespeare, Shakespeare performance
Item Type:
Presentation
Tag(s):
Online Performance, YouTube
“What’s Past Is Prologue: Rewriting and Interfacing Shakespeare in Life Is Strange: Before the Storm”
Author(s):
Mark Kaethler (see profile)
Date:
2020
Group(s):
CSDH-SCHN 2020
Subject(s):
Queer studies, Shakespeare, Shakespeare performance, Video game narratives, Video games
Item Type:
Conference paper
Women Dancing the Morris in Fletcher and Shakespeare’s The Two Noble Kinsmen, 1613–2015
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2017
Subject(s):
Dance, Dance history, Gender, Shakespeare, Shakespeare and early modern drama, Shakespeare performance, Theater history, Women's history
Item Type:
Article
Tag(s):
early modern women, morris
Intermediated Bodies and Bodies of Media: Screen Othellos
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Michael Neill, David Schalkwyk
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare in adaptation, Film, Livecasting, Shakespeare performance, Shakespeare and social media, Intermediality
Item Type:
Book chapter
Tag(s):
Othello, Shakestream, Vlog, Shakespeare on film
Romeo & Juliet / Layla & Majnun
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2018
Subject(s):
Early modern English drama, Shakespeare performance
Item Type:
Review
Tag(s):
Romeo and Juliet, William Shakespeare
The Tragedy of Othello, the Moor of Venice, and Twelfth Night (review)
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2013
Subject(s):
Early modern English drama, Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare, Twelfth Night, Othello
Julius Caesar by Back Room Shakespeare Project
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2014
Subject(s):
Early modern English drama, Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare, julius caesar
The Comedy of Errors (review)
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2011
Subject(s):
Early modern English drama, Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare, The Comedy of Errors
OPS Fest The Taming of the Shrew
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2018
Subject(s):
English literature, Early modern English drama, Shakespeare, Shakespeare performance
Item Type:
Review
Tag(s):
original practices
Pericles Wet presented by Portland Shakespeare Project at Artists Repertory Theatre
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2018
Subject(s):
Performance, Shakespeare and early modern drama, Shakespeare performance
Item Type:
Review
Tag(s):
Pericles, William Shakespeare, Artists Repertory Theatre
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby (see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare performance, Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance, Royal Shakespeare Company
Romeo and Juliet by the Oregon Shakespeare Festival
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance
Subject(s):
Shakespeare, Shakespeare performance
Item Type:
Review
“Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare
Author(s):
Michael Ullyot (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, EMDC: The Early Modern Digital Collaboratory, Global Shakespeares, LLC Shakespeare
Subject(s):
Cognitive theory, Shakespeare in adaptation, Shakespeare performance, Virtual reality
Item Type:
Conference paper
Tag(s):
interfaces, orson welles
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk (see profile)
Date:
2019
Group(s):
Digital Humanists, Performance Studies, Shakespeare
Subject(s):
Digital culture, Shakespearean institutions, Shakespeare performance
Item Type:
Article
Tag(s):
digital economy, motion capture, Royal Shakespeare Company
'An Unromantic Comedy'
Author(s):
Emma Smith (see profile)
Date:
2018
Subject(s):
Shakespeare performance
Item Type:
Other
Tag(s):
Measure for Measure
Шекспир в современной русской культуре: национальное и глобальное / Shakespeare in Contemporary Russian Culture: The National and Global
Author(s):
Boris Gaydin (see profile)
Date:
2017
Subject(s):
Shakespeare, Shakespeare in adaptation, Global Shakespeare, Shakespeare performance, History of Shakespearean criticism
Item Type:
Article
Tag(s):
Russian Shakespeare, Russian translations of Shakespeare, Shakespeare in the USSR, anniversaries of Shakespeare’s birth, Shakespearisation
Was Shylock Jewish?
Author(s):
Emma Smith (see profile)
Date:
2018
Subject(s):
Shakespeare performance, History of Shakespearean criticism
Item Type:
Article
Tag(s):
The Merchant of Venice

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