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“Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare
Author(s):
Michael Ullyot
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
EMDC: The Early Modern Digital Collaboratory
,
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Cognitive theory
,
Shakespeare in adaptation
,
Shakespeare performance
,
Virtual reality
Item Type:
Conference paper
Tag(s):
interfaces
,
orson welles
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Performance Studies
,
Shakespeare
Subject(s):
Digital culture
,
Shakespearean institutions
,
Shakespeare performance
Item Type:
Article
Tag(s):
digital economy
,
motion capture
,
Royal Shakespeare Company
'An Unromantic Comedy'
Author(s):
Emma Smith
(see profile)
Date:
2018
Subject(s):
Shakespeare performance
Item Type:
Other
Tag(s):
Measure for Measure
Шекспир в современной русской культуре: национальное и глобальное / Shakespeare in Contemporary Russian Culture: The National and Global
Author(s):
Boris Gaydin
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Shakespeare in adaptation
,
Global Shakespeare
,
Shakespeare performance
,
History of Shakespearean criticism
Item Type:
Article
Tag(s):
Russian Shakespeare
,
Russian translations of Shakespeare
,
Shakespeare in the USSR
,
anniversaries of Shakespeare’s birth
,
Shakespearisation
Was Shylock Jewish?
Author(s):
Emma Smith
(see profile)
Date:
2018
Subject(s):
Shakespeare performance
,
History of Shakespearean criticism
Item Type:
Article
Tag(s):
The Merchant of Venice
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