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The Thing Itself: Performing the Celebrity Text
Author(s):
Louise Geddes
(see profile)
Date:
2021
Subject(s):
Shakespeare performance
,
Theatre criticism
,
Shakespeare
,
Performance
,
Fan studies
,
Performance studies
Item Type:
Book chapter
Tag(s):
Shakespeare in performance
Shamanistic Shakespeare: Korea's Colonization of Hamlet
Author(s):
Kevin A. Quarmby
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC Shakespeare
,
Shakespeare
Subject(s):
Shakespeare
,
Shakespeare in adaptation
,
Shakespeare performance
,
Global Shakespeare
Item Type:
Book chapter
Tag(s):
South Korea
,
Shakespeare in performance
,
Shamanism
,
Hamlet
Noise, narration and nose-pegs: adapting Shakespeare for radio
Author(s):
Andrea Smith
(see profile)
Date:
2020
Subject(s):
Shakespeare in adaptation
,
Shakespeare performance
,
Radio
,
Drama
Item Type:
Conference paper
Love’s Labour’s Lost - Introduction for The Show Must Go Online
Author(s):
Andrea Smith
(see profile)
Date:
2020
Subject(s):
Feminism
,
Shakespeare
,
Shakespeare performance
Item Type:
Presentation
Tag(s):
Online Performance
,
YouTube
“What’s Past Is Prologue: Rewriting and Interfacing Shakespeare in Life Is Strange: Before the Storm”
Author(s):
Mark Kaethler
(see profile)
Date:
2020
Group(s):
CSDH-SCHN 2020
Subject(s):
Queer studies
,
Shakespeare
,
Shakespeare performance
,
Video game narratives
,
Video games
Item Type:
Conference paper
Women Dancing the Morris in Fletcher and Shakespeare’s The Two Noble Kinsmen, 1613–2015
Author(s):
Elizabeth Zeman Kolkovich
(see profile)
Date:
2017
Subject(s):
Dance
,
Dance history
,
Gender
,
Shakespeare
,
Shakespeare and early modern drama
,
Shakespeare performance
,
Theater history
,
Women's history
Item Type:
Article
Tag(s):
early modern women
,
morris
Intermediated Bodies and Bodies of Media: Screen Othellos
Author(s):
Sujata Iyengar
(see profile)
Editor(s):
Michael Neill
,
David Schalkwyk
Date:
2016
Group(s):
CLCS Renaissance and Early Modern
,
LLC Shakespeare
Subject(s):
Shakespeare in adaptation
,
Film
,
Livecasting
,
Shakespeare performance
,
Shakespeare and social media
,
Intermediality
Item Type:
Book chapter
Tag(s):
Othello
,
Shakestream
,
Vlog
,
Shakespeare on film
Romeo & Juliet / Layla & Majnun
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2018
Subject(s):
Early modern English drama
,
Shakespeare performance
Item Type:
Review
Tag(s):
Romeo and Juliet
,
William Shakespeare
The Tragedy of Othello, the Moor of Venice, and Twelfth Night (review)
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2013
Subject(s):
Early modern English drama
,
Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare
,
Twelfth Night
,
Othello
Julius Caesar by Back Room Shakespeare Project
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2014
Subject(s):
Early modern English drama
,
Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare
,
julius caesar
The Comedy of Errors (review)
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2011
Subject(s):
Early modern English drama
,
Shakespeare performance
Item Type:
Review
Tag(s):
William Shakespeare
,
The Comedy of Errors
OPS Fest The Taming of the Shrew
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2018
Subject(s):
English literature
,
Early modern English drama
,
Shakespeare
,
Shakespeare performance
Item Type:
Review
Tag(s):
original practices
Pericles Wet presented by Portland Shakespeare Project at Artists Repertory Theatre
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2018
Subject(s):
Performance
,
Shakespeare and early modern drama
,
Shakespeare performance
Item Type:
Review
Tag(s):
Pericles
,
William Shakespeare
,
Artists Repertory Theatre
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby
(see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare
,
Shakespeare performance
,
Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance
,
Royal Shakespeare Company
Romeo and Juliet by the Oregon Shakespeare Festival
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
Early Modern Theater
,
GS Drama and Performance
Subject(s):
Shakespeare
,
Shakespeare performance
Item Type:
Review
“Wear your eyes thus”: Toward a Cognitive Ecology of VR Shakespeare
Author(s):
Michael Ullyot
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
EMDC: The Early Modern Digital Collaboratory
,
Global Shakespeares
,
LLC Shakespeare
Subject(s):
Cognitive theory
,
Shakespeare in adaptation
,
Shakespeare performance
,
Virtual reality
Item Type:
Conference paper
Tag(s):
interfaces
,
orson welles
Innovating Shakespeare: The Politics of Technological Partnership in the Royal Shakespeare Company’s The Tempest (2016)
Author(s):
Amy Borsuk
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Performance Studies
,
Shakespeare
Subject(s):
Digital culture
,
Shakespearean institutions
,
Shakespeare performance
Item Type:
Article
Tag(s):
digital economy
,
motion capture
,
Royal Shakespeare Company
'An Unromantic Comedy'
Author(s):
Emma Smith
(see profile)
Date:
2018
Subject(s):
Shakespeare performance
Item Type:
Other
Tag(s):
Measure for Measure
Шекспир в современной русской культуре: национальное и глобальное / Shakespeare in Contemporary Russian Culture: The National and Global
Author(s):
Boris Gaydin
(see profile)
Date:
2017
Subject(s):
Shakespeare
,
Shakespeare in adaptation
,
Global Shakespeare
,
Shakespeare performance
,
History of Shakespearean criticism
Item Type:
Article
Tag(s):
Russian Shakespeare
,
Russian translations of Shakespeare
,
Shakespeare in the USSR
,
anniversaries of Shakespeare’s birth
,
Shakespearisation
Was Shylock Jewish?
Author(s):
Emma Smith
(see profile)
Date:
2018
Subject(s):
Shakespeare performance
,
History of Shakespearean criticism
Item Type:
Article
Tag(s):
The Merchant of Venice
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