Deposits – Humanities Commons

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"Can the Biopic Subjects Speak? Disembodied Voices in The King's Speech and The Theory of Everything." A Companion to the Biopic, ed. Deborah Cartmell and Ashley D. Polasek (Chichester, UK: Wiley-Blackwell, 2020), 269-282
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Disability studies, Biopolitics, Adaptation, Film studies, Shakespeare, Gender studies
Item Type:
Book chapter
Tag(s):
affect theory, Cultural appropriation
Deforming Shakespeare's Sonnets: Topic Models as Poems
Author(s):
Amanda Henrichs (see profile)
Date:
2019
Group(s):
Digital Humanists
Subject(s):
Shakespeare, Digital humanities, Humanities computing, Sonnets
Item Type:
Article
"Others within: Ethics in the age of global Shakespeare." Routledge Handbook of Shakespeare and Global Appropriation, ed. Christy Desmet, Sujata Iyengar, and Miriam Jacobson (London: Routledge, 2020), pp. 25-36
Author(s):
Alexa Alice Joubin (see profile)
Date:
2020
Group(s):
GS Drama and Performance, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Appropriation, Film studies, Intercultural performance, Shakespeare, Globalization, Global Shakespeare, Film
Item Type:
Book chapter
Tag(s):
theatre
Constructing the Innocence of the First Textual Encounter
Author(s):
Alex Mueller (see profile) , Cheryl Nixon, Rajini Srikanth
Date:
2010
Group(s):
DA Subcommittee on K-16 Education, MLA International Bibliography Teaching Tools Group, TM Book History, Print Cultures, Lexicography, TM The Teaching of Literature
Subject(s):
Reading theory, Material culture, Poetry, Shakespeare, Pedagogy of literature, Teaching literature, Book history
Item Type:
Article
Tag(s):
close reading, Shakespeare sonnets, google books
"Performing Commemoration: The Cultural Politics of Locating Tang Xianzu and Shakespeare." Asian Theatre Journal 36.2 (Fall 2019): 275-280
Author(s):
Alexa Alice Joubin (see profile)
Date:
2019
Group(s):
GS Drama and Performance, LLC East Asian, LLC Modern and Contemporary Chinese, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Shakespeare, Chinese studies, Adaptation, Memory, Globalization
Item Type:
Article
Tag(s):
Tang Xianzu, commemoration, Sino-british relations
‘Bardwashing’ Shakespeare: Food Justice, Enclosure, and the Poaching Poet
Author(s):
Kevin A. Quarmby (see profile)
Date:
2015
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare and early modern drama, History of Shakespearean criticism, Shakespeare
Item Type:
Article
Tag(s):
Shakespeare's biography, William Shakespeare
Pageantry, Queens, and Housewives in the Two Texts of The Merry Wives of Windsor
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2012
Subject(s):
Book history, Elizabethan drama, Gender, Shakespeare, Theater history
Item Type:
Article
Tag(s):
early modern women, elizabeth I, royal entertainment
Queering Poins: Masculinity and Friendship in Henry IV, The Hollow Crown, and the RSC's "King and Country"
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2019
Subject(s):
Adaptation, Film, Masculinity, Performance, Queer studies, Shakespeare
Item Type:
Article
Tag(s):
bbc, Henry IV, Queer Performance, Royal Shakespeare Company
Modernity and Technology: Staging Timon of Athens in 2017
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2018
Subject(s):
Performance, Shakespeare, Theater
Item Type:
Article
Tag(s):
Folger, performance review, Shakespeare in performance, Stratford Festival, Timon of Athens
Women Dancing the Morris in Fletcher and Shakespeare’s The Two Noble Kinsmen, 1613–2015
Author(s):
Elizabeth Zeman Kolkovich (see profile)
Date:
2017
Subject(s):
Dance, Dance history, Gender, Shakespeare, Shakespeare and early modern drama, Shakespeare performance, Theater history, Women's history
Item Type:
Article
Tag(s):
early modern women, morris
Focus on "Henry V": Navigating Digital Text, Performance, and Historical Resources
Author(s):
Hayden Benson, Charlène Current, Nora Galland, Philip Gilreath, Julia Koslowsky, Mikaela LaFave, Florence March, Janice Valls-Russell, Daniel Yabut
Editor(s):
Sujata Iyengar (see profile) , Nathalie Vienne-Guerrin
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, RCWS Writing Pedagogies, TC Digital Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Shakespeare, Open educational resources, Open-access publishing, Language arts teacher education, Digital publishing
Item Type:
Online publication
Tag(s):
Henry V, scalar, OER, Digital Textbook, Open-access scholarship
Shakespeare and the post-millennial cancer novel
Author(s):
Sujata Iyengar (see profile)
Editor(s):
Andrew James Hartley
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare, TM Book History, Print Cultures, Lexicography
Subject(s):
Shakespeare, Contemporary fiction, Medical humanities, Postmodernism, 21st-century American genre fiction, Print culture, YA fiction
Item Type:
Book chapter
Tag(s):
The Novel, chick lit, thriller
The Humanities Quadrant: How Humanists, Scientists, and Industrialists Are All Doing The Same Thing (and why we need better assessment tools for all of it)
Author(s):
Sujata Iyengar (see profile)
Date:
2014
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Assessment, Service learning, Sustainability, Shakespeare, Arts-based research
Item Type:
Conference paper
Tag(s):
upcycling, ophelia, the senses, Pasteur's quadrant, humanities assessment
Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics
Author(s):
Sujata Iyengar (see profile)
Date:
2016
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Feminism, Intermediality, Appropriation, Citizenship
Item Type:
Book chapter
Tag(s):
Maya Angelou, Claudia Rankine, Phyllis Wheatley, Othello, Womanism
Hamlet (RSC, 2016) and representations of diasporic blackness
Author(s):
Lesley Feracho, Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism
Item Type:
Article
Tag(s):
Hamlet, RSC, Basquiat, postcoloniality, transnationalism
If Ophelia were Macro, not Micro
Author(s):
Sujata Iyengar (see profile)
Date:
2011
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Popular culture, Art history
Item Type:
Article
Tag(s):
Ophelia, Hamlet, Shakespeare in Art, Shakespeare and fiction, Shakespeare in popular culture
Introduction: Shakespeare's Discourse of Disability
Author(s):
Sujata Iyengar (see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Shakespeare, Disability studies, Medieval and early modern medicine, History of Emotions, Gender and medicine
Item Type:
Book chapter
Tag(s):
Health Studies, Happiness Studies, Sonnet 66
Shakespeare's Embodied Ontology of Gender, Air and Health
Author(s):
Sujata Iyengar (see profile)
Date:
2015
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Critical disability studies, Early modern British literature, Shakespeare, Ecocriticism, Medieval and early modern medicine
Item Type:
Book chapter
Tag(s):
Midsummer Night's Dream, Macbeth, Antony and Cleopatra, Cymbeline, humoral theory
Renaissance Landscapes
Author(s):
Hugh M. Richmond (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare
Subject(s):
Landscape, English Renaissance literature, Shakespeare, Milton, 16th-century French literature, Comparative literature, Renaissance
Item Type:
Bibliography
Tag(s):
literary ecology, Historical Psychology
OPS Fest The Taming of the Shrew
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2018
Subject(s):
English literature, Early modern English drama, Shakespeare, Shakespeare performance
Item Type:
Review
Tag(s):
original practices
‘“Come unbutton here”: McKellen’s King Lear as Dramatic Censorship of the Flesh’
Author(s):
Kevin A. Quarmby (see profile)
Date:
2013
Group(s):
LLC Shakespeare
Subject(s):
Shakespeare, Shakespeare performance, Global Shakespeare
Item Type:
Conference proceeding
Tag(s):
Shakespeare in performance, Royal Shakespeare Company
Romeo and Juliet by the Oregon Shakespeare Festival
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, Early Modern Theater, GS Drama and Performance
Subject(s):
Shakespeare, Shakespeare performance
Item Type:
Review
“To Move the Spirits of the Beholder to Admiration”: Lively Passionate Performance on the Early Modern Stage
Author(s):
Jonathan Holmes (see profile)
Date:
2017
Subject(s):
Affect, Early modern drama, Performance, Shakespeare
Item Type:
Article
Tag(s):
emotion, liveliness, Mimesis, Passions
A Tale of Two Shrews: Recovering the Repertory of the Lord Pembroke’s Players
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Shakespeare
Item Type:
Article
Tag(s):
Taming of the Shrew
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Renaissance drama, Shakespeare
Item Type:
Article

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