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Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
Race: Political Correctness vs. Scholarship in the Humanities
Author(s):
Michael L. Hays (see profile)
Date:
2018
Group(s):
Public Humanities, Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare, Critical race studies
Item Type:
Other
Tag(s):
Political criticism
Some Maladies of Early Modern Race Study in Shakespeare
Author(s):
Michael L. Hays (see profile)
Date:
2016
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare, Critical race studies
Item Type:
Other
Tag(s):
Othello
The English Profession-Tendentious Reflections of a Retired Independent Scholar.
Author(s):
Michael L. Hays (see profile)
Date:
2017
Group(s):
Public Humanities, Shakespeare
Subject(s):
Shakespeare, Humanities PhD, Literary criticism
Item Type:
Other
Tag(s):
humanities
The Dehumanizing of the Humanities and a Remedy
Author(s):
Michael L. Hays (see profile)
Date:
2015
Group(s):
Public Humanities, Shakespeare
Subject(s):
Shakespeare, Literary criticism
Item Type:
Other
Tag(s):
Political criticism, humanities
Answer the Question, Question Authority, and Read Inclusively
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare, Literary criticism
Item Type:
Conference paper
Tag(s):
Macbeth, Othello, King Lear
The Shakespeare Authorship Question: E Pluribus Unum
Author(s):
Michael L. Hays (see profile)
Date:
2018
Group(s):
Shakespeare
Subject(s):
Shakespeare
Item Type:
Other
Tag(s):
Shakespeare authorship, Greene's Groatsworth
Diana Price’s Shakespeare’s Unorthodox Biography: The Epitome of Anti-Stratfordian Scholarship
Author(s):
Michael L. Hays (see profile)
Date:
2017
Group(s):
Shakespeare
Subject(s):
Shakespeare, Authorship attribution
Item Type:
Other
Tag(s):
Shakespeare's biography, Shakespeare authorship, Greene's Groatsworth
Dirt and Trash in Romeo and Juliet (Social Stratification)
Author(s):
Gloria Lee McMillan (see profile)
Date:
2018
Group(s):
Economics & Literature, GS Drama and Performance, Rust Belt Literature, TC Anthropology and Literature, TM Literary Criticism
Subject(s):
Shakespeare, Anthropological approaches to literature, Drama, Conflict resolution, Sociology of literature, Psychoanalysis, Social anthropology, Cultural theory
Item Type:
Blog Post
Tag(s):
exclusion
Shakespeare's "Sonnet 73" as a Poetic Emblem
Author(s):
Michael L. Hays (see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare
Item Type:
Other
Tag(s):
Shakespeare sonnets, Sonnet 73, sic transit gloria mundi
“‘Othello Is Not about Race’”
Author(s):
Michael L. Hays (see profile)
Date:
2018
Group(s):
Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare, Critical race studies, Race
Item Type:
Other
Tag(s):
Othello
Romancing the Sources: Framing Tales in Hamlet and King Lear
Author(s):
Michael L. Hays (see profile)
Date:
2017
Group(s):
Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Shakespeare, Genre theory
Item Type:
Other
Tag(s):
Hamlet, King Lear, Romance, chivalric romance
Emending Othello; Explaining Othello: A Critique of Contemporary Principles of and Practices in Editing Shakespeare and a Historical-Literary Interpretation of Othello’s Jealousy
Author(s):
Michael L. Hays (see profile)
Date:
2005
Group(s):
Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship
Subject(s):
Shakespeare, Textual criticism, Literary criticism
Item Type:
Other
Tag(s):
Othello, editing Shakespeare, Courtly love
A Sense of the Ending: Does Malcolm Earn It?
Author(s):
Michael L. Hays (see profile)
Date:
2011
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare, Literary criticism
Item Type:
Conference paper
Tag(s):
Macbeth
Saving His Source: Shakespeare’s Use of Holinshed in Macbeth, IV, iii
Author(s):
Michael L. Hays (see profile)
Date:
2006
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare
Item Type:
Conference paper
Tag(s):
Macbeth, Holinshed, exile and return
Sources, Scholarship, and Sense: Shakespeare’s Use of Holinshed in Macbeth
Author(s):
Michael L. Hays (see profile)
Date:
2003
Group(s):
Renaissance / Early Modern Studies, Shakespeare
Subject(s):
Shakespeare
Item Type:
Conference paper
Tag(s):
Macbeth, exile and return, Holinshed, Bellona's Bridegroom
Shakespeare and the Senses
Author(s):
Holly Dugan (see profile)
Date:
2009
Subject(s):
Sensory representations in literature, Renaissance English literature, Shakespeare, Early modern drama
Item Type:
Article
Who Wooed Desdemona? The Crux at Othello III, iii, 94
Author(s):
Michael L. Hays (see profile)
Date:
2017
Group(s):
Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Textual Scholarship
Subject(s):
Shakespeare
Item Type:
Article
Tag(s):
Othello, intermediary, Courtly love
What Kind of Play Is Troilus and Cressida?
Author(s):
Michael L. Hays (see profile)
Date:
2013
Group(s):
Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Shakespeare, Genre studies
Item Type:
Article
Tag(s):
chivalric romance, chivalric satire, Troilus and Cressida
0. Preliminaries, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Genre theory, Literary criticism, Literary history, Shakespeare
Item Type:
Book chapter
Tag(s):
New Historicism, presentism
1. Introduction, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Genre theory, Literary history, Literary theory, Shakespeare
Item Type:
Book chapter
Tag(s):
romantic idealism
2. The Survival of English Chivalric Romances, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Medieval English Literature, Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Analytical bibliography, Elizabethan literature, Literary history, Medieval manuscripts, Print culture, Shakespeare
Item Type:
Book chapter
3. The Significance of English Chivalric Romance, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Chivalry, Shakespeare
Item Type:
Book chapter
Tag(s):
Courtly love, exile and return, Intermediaries, Single Combat
4. Macbeth: Loyal Stewards and Royal Succession, in Shakespearean Tragedy as Chivalric Romance, 2nd ed
Author(s):
Michael L. Hays (see profile)
Date:
2014
Group(s):
Renaissance / Early Modern Studies, Shakespeare, Shakespearean Dramatic Genres
Subject(s):
Shakespeare
Item Type:
Book chapter
Tag(s):
exile and return, false steward, Single Combat

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