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Search Results
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Jean de la Taille, The Famine
Translator(s):
RONALD VINCE
(see profile)
Date:
2020
Group(s):
Early Modern Theater
,
Renaissance / Early Modern Studies
Subject(s):
Theater history
,
Renaissance drama
,
French theatre
,
Drama
Item Type:
Translation
Tag(s):
Tragedy
,
renaissance humanism
David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644
Author(s):
David Amelang
(see profile)
Date:
2018
Group(s):
Early Modern History
,
Early Modern Theater
,
Shakespeare
,
Spanish Golden Age Literature
,
The Renaissance Society of America
Subject(s):
Theatre history
,
London
,
Architectural history
,
Renaissance drama
,
Golden Age theater
Item Type:
Article
David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134
Author(s):
David Amelang
(see profile)
Date:
2019
Group(s):
Digital Humanists
,
Early Modern Theater
,
Renaissance / Early Modern Studies
,
Shakespeare
,
Spanish Golden Age Literature
Subject(s):
Shakespeare
,
Lope de Vega
,
Gender and race in literature
,
Theatre history
,
Renaissance drama
Item Type:
Article
Jean de la Taille, Saul in his Madness (Saül le furieux)
Translator(s):
RONALD VINCE
(see profile)
Date:
2020
Group(s):
Early Modern Theater
,
Renaissance / Early Modern Studies
Subject(s):
French theatre
,
Renaissance drama
,
Dramatic theory
Item Type:
Translation
Tag(s):
Tragedy
,
renaissance humanism
,
La Taille
Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley
Author(s):
Ellen Spolsky
(see profile)
Date:
2018
Group(s):
TC Cognitive and Affect Studies
,
TM Literary Criticism
Subject(s):
Pastoral
,
Philosophy of cognitive science
,
Genre studies
,
Italian literature
,
Renaissance drama
Item Type:
Article
Tag(s):
predictive processing hypothesis
,
Archetypes
,
andrew marvell
,
Tasso
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2016
Subject(s):
English literature
,
Renaissance drama
Item Type:
Book review
Tag(s):
William Shakespeare
The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’
Author(s):
Elizabeth E. Tavares
(see profile)
Date:
2016
Group(s):
Early Modern Theater
Subject(s):
Theatre history
,
Renaissance drama
Item Type:
Article
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
Elizabeth Tavares
(see profile)
Date:
2016
Subject(s):
Theatre history
,
Renaissance drama
,
Shakespeare
Item Type:
Article
Super Troupers; or, Supplemented Playing before 1594
Author(s):
Elizabeth Tavares
(see profile)
Date:
2017
Subject(s):
Renaissance drama
,
Collaboration
,
Theatre history
Item Type:
Article
Théodore de Bèze, Abraham Sacrificing
Translator(s):
RONALD VINCE
(see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Dramatic literature
,
Bible and literature
,
Renaissance drama
,
Reformation
,
French literature
,
Dramatic genre
Item Type:
Translation
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández
(see profile)
Date:
2017
Group(s):
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature
,
Performance
,
Renaissance drama
Item Type:
Book chapter
Tag(s):
Juan del Encina
,
music and theatre
,
tan buen ganadico
,
Villancico
,
égloga en recuesta de unos amores
"Bruised with Adversity": Reading Race in The Comedy of Errors
Author(s):
pakhimie
(see profile)
Date:
2016
Group(s):
LLC 16th-Century English
,
LLC 17th-Century English
,
LLC Shakespeare
,
TC Race and Ethnicity Studies
Subject(s):
Shakespeare
,
Race
,
Renaissance drama
,
Early Modern
,
Violence
,
Critical race studies
Item Type:
Book chapter
Tag(s):
Comedy of Errors
,
Bruise
,
Slave
,
servant
"To Bark With Judgement": Playing Baboon in Early Modern London
Author(s):
Holly Dugan
(see profile)
Date:
2013
Subject(s):
Critical animal studies
,
Early modern performance studies
,
Renaissance drama
,
Early modern culture
,
Gender and sexualities
Item Type:
Article
"Jacobean Witchcraft and Feminine Power"
Author(s):
Stephanie Spoto
(see profile)
Date:
2010
Subject(s):
Early modern British literature
,
English literature
,
Jacobean drama
,
Renaissance drama
,
Shakespeare
,
Witchcraft
Item Type:
Article
Tag(s):
Macbeth
,
The Tempest
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris
(see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
LLC 16th-Century English
,
LLC Shakespeare
,
TM The Teaching of Literature
Subject(s):
Shakespeare
,
Theatre and history
,
Theatre and politics
,
Early modern British literature
,
Renaissance drama
,
Early modern drama
Item Type:
Article
Tag(s):
King John
,
Shakespeare in performance
Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method
Author(s):
Bradley Irish
(see profile)
Date:
2013
Group(s):
LLC 16th-Century English
,
LLC Shakespeare
Subject(s):
Shakespeare
,
Renaissance drama
Item Type:
Article
Tag(s):
Richard II
,
Source Study
,
Thomas of Woodstock
Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama
Author(s):
Bradley Irish
(see profile)
Date:
2009
Group(s):
LLC 16th-Century English
,
LLC Shakespeare
Subject(s):
Renaissance drama
,
Revenge tragedies
,
Shakespeare and early modern drama
,
Shakespeare
Item Type:
Article
Tag(s):
revenge
,
kyd
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng
(see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern
,
GS Drama and Performance
,
TC Law and the Humanities
,
TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama
,
Stoicism
Item Type:
Article
Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock
Author(s):
Emma Smith
(see profile)
Date:
2010
Subject(s):
Renaissance drama
,
Early modern drama
,
Theatre and society
Item Type:
Book chapter
Tag(s):
ben jonson
,
Alfred Hitchcock
Mirth that Fills the Veins with Blood
Author(s):
Emma Smith
(see profile)
Date:
2014
Subject(s):
Theatre history
,
Renaissance drama
Item Type:
Review
Tag(s):
The Duchess of Malfi
,
The Knight of the Burning Pestle
,
Blackfriars
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin
(see profile)
Date:
2017
Group(s):
Global Shakespeares
,
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
LLC Shakespeare
,
MS Screen Arts and Culture
Subject(s):
Adaptation
,
Early modern theatre
,
Globalization
,
Renaissance drama
,
Shakespeare
Item Type:
Article
Tag(s):
adaptation
,
Film studies
,
Global Shakespeare
,
intercultural performance
,
Shakespeare
Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of
Epicene
Author(s):
Eric Dunnum
(see profile)
Date:
2015
Group(s):
EMDC: The Early Modern Digital Collaboratory
,
Performance Studies
Subject(s):
16th century
,
17th century
,
Early Modern
,
Renaissance
,
Renaissance drama
Item Type:
Article
Tag(s):
ben jonson
,
early modern England
,
masque
,
Renaissance drama
Looking for Goneril and Regan
Author(s):
Cristina León Alfar
(see profile)
Date:
2003
Group(s):
CLCS Renaissance and Early Modern
,
LLC 17th-Century English
,
LLC Shakespeare
,
TC Women’s and Gender Studies
,
TM Literary and Cultural Theory
Subject(s):
17th century
,
English literature
,
Feminist theory
,
Renaissance drama
,
Shakespeare
Item Type:
Book chapter
Tag(s):
17th Century
,
drama
,
Evil
,
Power
,
women and gender
Postprint Copy of Years of Teaching Dangerously: Interfacing Thomas Cromwell in Canon and Fandom, Michael Drayton, “W.S.,” and Hilary Mantel
Author(s):
Laurie Ringer
(see profile)
Date:
2016
Subject(s):
Arts pedagogy
,
Critical theory
,
Fandom
,
Literary criticism
,
Renaissance drama
Item Type:
Book chapter
Tag(s):
affect theory
,
Hilary Mantel
,
Michael Drayton
,
Thomas Cromwell
,
W.S.
Proto-Feminism: Seductions in Shakespeare and Milton
Author(s):
Hugh M. Richmond
(see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern
,
LLC 16th-Century English
,
LLC 17th-Century English
,
LLC Shakespeare
Subject(s):
English literature
,
Literature
,
Literature and psychology
,
Renaissance drama
,
Shakespeare
Item Type:
Essay
Tag(s):
17th Century
,
Asian Theology
,
feminist criticism
,
John Milton
,
seductions
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