Deposits – Humanities Commons

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Review of Rethinking Theatrical Documents in Shakespeare’s England edited by T. Stern (Bloomsbury 2020) and Loss and the Literary Culture of Shakespeare’s Time edited by R. Knutson, D. McInnis, and M. Steggle (Palgrave 2020)
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2021
Subject(s):
Renaissance drama, Shakespeare and early modern drama, Theatre history
Item Type:
Book review
Tag(s):
William Shakespeare
Race Thinking in Margaret Cavendish's Drama
Author(s):
Sujata Iyengar (see profile)
Date:
2021
Group(s):
2020 MLA Convention, CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Early modern women writers, Renaissance drama, Intersectionality, Hannah Arendt, Margaret Cavendish
Item Type:
Article
Tag(s):
Women dramatists, Race Thinking, social class, meritocracy, contaminatio
Jean de la Taille, The Famine
Translator(s):
RONALD VINCE (see profile)
Date:
2020
Group(s):
Early Modern Theater, Renaissance / Early Modern Studies
Subject(s):
Theater history, Renaissance drama, French theatre, Drama
Item Type:
Translation
Tag(s):
Tragedy, renaissance humanism
David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644
Author(s):
David Amelang (see profile)
Date:
2018
Group(s):
Early Modern History, Early Modern Theater, Shakespeare, Spanish Golden Age Literature, The Renaissance Society of America
Subject(s):
Theatre history, London, Architectural history, Renaissance drama, Golden Age theater
Item Type:
Article
David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134
Author(s):
David Amelang (see profile)
Date:
2019
Group(s):
Digital Humanists, Early Modern Theater, Renaissance / Early Modern Studies, Shakespeare, Spanish Golden Age Literature
Subject(s):
Shakespeare, Lope de Vega, Gender and race in literature, Theatre history, Renaissance drama
Item Type:
Article
Jean de la Taille, Saul in his Madness (Saül le furieux)
Translator(s):
RONALD VINCE (see profile)
Date:
2020
Group(s):
Early Modern Theater, Renaissance / Early Modern Studies
Subject(s):
French theatre, Renaissance drama, Dramatic theory
Item Type:
Translation
Tag(s):
Tragedy, renaissance humanism, La Taille
Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley
Author(s):
Ellen Spolsky (see profile)
Date:
2018
Group(s):
TC Cognitive and Affect Studies, TM Literary Criticism
Subject(s):
Pastoral, Philosophy of cognitive science, Genre studies, Italian literature, Renaissance drama
Item Type:
Article
Tag(s):
predictive processing hypothesis, Archetypes, andrew marvell, Tasso
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2016
Subject(s):
English literature, Renaissance drama
Item Type:
Book review
Tag(s):
William Shakespeare
The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2016
Group(s):
Early Modern Theater
Subject(s):
Theatre history, Renaissance drama
Item Type:
Article
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Renaissance drama, Shakespeare
Item Type:
Article
Super Troupers; or, Supplemented Playing before 1594
Author(s):
Elizabeth Tavares (see profile)
Date:
2017
Subject(s):
Renaissance drama, Collaboration, Theatre history
Item Type:
Article
Théodore de Bèze, Abraham Sacrificing
Translator(s):
RONALD VINCE (see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Dramatic literature, Bible and literature, Renaissance drama, Reformation, French literature, Dramatic genre
Item Type:
Translation
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Renaissance drama
Item Type:
Book chapter
Tag(s):
Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores
"Bruised with Adversity": Reading Race in The Comedy of Errors
Author(s):
pakhimie (see profile)
Date:
2016
Group(s):
LLC 16th-Century English, LLC 17th-Century English, LLC Shakespeare, TC Race and Ethnicity Studies
Subject(s):
Shakespeare, Race, Renaissance drama, Early Modern, Violence, Critical race studies
Item Type:
Book chapter
Tag(s):
Comedy of Errors, Bruise, Slave, servant
"To Bark With Judgement": Playing Baboon in Early Modern London
Author(s):
Holly Dugan (see profile)
Date:
2013
Subject(s):
Critical animal studies, Early modern performance studies, Renaissance drama, Early modern culture, Gender and sexualities
Item Type:
Article
"Jacobean Witchcraft and Feminine Power"
Author(s):
Stephanie Spoto (see profile)
Date:
2010
Subject(s):
Early modern British literature, English literature, Jacobean drama, Renaissance drama, Shakespeare, Witchcraft
Item Type:
Article
Tag(s):
Macbeth, The Tempest
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method
Author(s):
Bradley Irish (see profile)
Date:
2013
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Shakespeare, Renaissance drama
Item Type:
Article
Tag(s):
Richard II, Source Study, Thomas of Woodstock
Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama
Author(s):
Bradley Irish (see profile)
Date:
2009
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Renaissance drama, Revenge tragedies, Shakespeare and early modern drama, Shakespeare
Item Type:
Article
Tag(s):
revenge, kyd
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng (see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama, Stoicism
Item Type:
Article
Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock
Author(s):
Emma Smith (see profile)
Date:
2010
Subject(s):
Renaissance drama, Early modern drama, Theatre and society
Item Type:
Book chapter
Tag(s):
ben jonson, Alfred Hitchcock
Mirth that Fills the Veins with Blood
Author(s):
Emma Smith (see profile)
Date:
2014
Subject(s):
Theatre history, Renaissance drama
Item Type:
Review
Tag(s):
The Duchess of Malfi, The Knight of the Burning Pestle, Blackfriars
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare
Item Type:
Article
Tag(s):
adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare
Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene
Author(s):
Eric Dunnum (see profile)
Date:
2015
Group(s):
EMDC: The Early Modern Digital Collaboratory, Performance Studies
Subject(s):
16th century, 17th century, Early Modern, Renaissance, Renaissance drama
Item Type:
Article
Tag(s):
ben jonson, early modern England, masque, Renaissance drama
Looking for Goneril and Regan
Author(s):
Cristina León Alfar (see profile)
Date:
2003
Group(s):
CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare, TC Women’s and Gender Studies, TM Literary and Cultural Theory
Subject(s):
17th century, English literature, Feminist theory, Renaissance drama, Shakespeare
Item Type:
Book chapter
Tag(s):
17th Century, drama, Evil, Power, women and gender

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CORE Search Results Start Search Over

Review of Rethinking Theatrical Documents in Shakespeare’s England edited by T. Stern (Bloomsbury 2020) and Loss and the Literary Culture of Shakespeare’s Time edited by R. Knutson, D. McInnis, and M. Steggle (Palgrave 2020)

Race Thinking in Margaret Cavendish's Drama

Jean de la Taille, The Famine

David J. Amelang, “Comparing the Commercial Theaters of Early Modern London and Madrid” (Renaissance Quarterly 71.2, 2018), pp. 610-644

David J. Amelang, "Playing Gender: Toward a Quantitative Comparison of Female Roles in Lope de Vega and Shakespeare" (Bulletin of the Comediantes 71.1-2, 2019), pp. 119-134

Jean de la Taille, Saul in his Madness (Saül le furieux)

Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley

Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare

The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’

A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596

Super Troupers; or, Supplemented Playing before 1594

Théodore de Bèze, Abraham Sacrificing

"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

"Bruised with Adversity": Reading Race in The Comedy of Errors

"To Bark With Judgement": Playing Baboon in Early Modern London

"Jacobean Witchcraft and Feminine Power"

Hubert’s Encounters with the Succession in Shakespeare’s King John

Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method

Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama

“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock

Mirth that Fills the Veins with Blood

Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene

Looking for Goneril and Regan

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