Deposits – Humanities Commons

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Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley
Author(s):
Ellen Spolsky (see profile)
Date:
2018
Group(s):
TC Cognitive and Affect Studies, TM Literary Criticism
Subject(s):
Pastoral, Philosophy of cognitive science, Genre studies, Italian literature, Renaissance drama
Item Type:
Article
Tag(s):
predictive processing hypothesis, Archetypes, andrew marvell, Tasso
Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2016
Subject(s):
English literature, Renaissance drama
Item Type:
Book review
Tag(s):
William Shakespeare
The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’
Author(s):
Elizabeth E. Tavares (see profile)
Date:
2016
Group(s):
Early Modern Theater
Subject(s):
Theatre history, Renaissance drama
Item Type:
Article
A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596
Author(s):
Elizabeth Tavares (see profile)
Date:
2016
Subject(s):
Theatre history, Renaissance drama, Shakespeare
Item Type:
Article
Super Troupers; or, Supplemented Playing before 1594
Author(s):
Elizabeth Tavares (see profile)
Date:
2017
Subject(s):
Renaissance drama, Collaboration, Theatre history
Item Type:
Article
Théodore de Bèze, Abraham Sacrificing
Translator(s):
RONALD VINCE (see profile)
Date:
2018
Group(s):
Early Modern Theater
Subject(s):
Dramatic literature, Bible and literature, Renaissance drama, Reformation, French literature, Dramatic genre
Item Type:
Translation
"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina
Author(s):
Sara Sánchez-Hernández (see profile)
Date:
2017
Group(s):
Performance Studies, Renaissance / Early Modern Studies
Subject(s):
16th-century Spanish literature, Performance, Renaissance drama
Item Type:
Book chapter
Tag(s):
Juan del Encina, music and theatre, tan buen ganadico, Villancico, égloga en recuesta de unos amores
"Bruised with Adversity": Reading Race in The Comedy of Errors
Author(s):
pakhimie (see profile)
Date:
2016
Group(s):
LLC 16th-Century English, LLC 17th-Century English, LLC Shakespeare, TC Race and Ethnicity Studies
Subject(s):
Shakespeare, Race, Renaissance drama, Early Modern, Violence, Critical race studies
Item Type:
Book chapter
Tag(s):
Comedy of Errors, Bruise, Slave, servant
"To Bark With Judgement": Playing Baboon in Early Modern London
Author(s):
Holly Dugan (see profile)
Date:
2013
Subject(s):
Critical animal studies, Early modern performance studies, Renaissance drama, Early modern culture, Gender and sexualities
Item Type:
Article
"Jacobean Witchcraft and Feminine Power"
Author(s):
Stephanie Spoto (see profile)
Date:
2010
Subject(s):
Early modern British literature, English literature, Jacobean drama, Renaissance drama, Shakespeare, Witchcraft
Item Type:
Article
Tag(s):
Macbeth, The Tempest
Hubert’s Encounters with the Succession in Shakespeare’s King John
Author(s):
Marcia T. Eppich-Harris (see profile)
Date:
2018
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC 16th-Century English, LLC Shakespeare, TM The Teaching of Literature
Subject(s):
Shakespeare, Theatre and history, Theatre and politics, Early modern British literature, Renaissance drama, Early modern drama
Item Type:
Article
Tag(s):
King John, Shakespeare in performance
Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method
Author(s):
Bradley Irish (see profile)
Date:
2013
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Shakespeare, Renaissance drama
Item Type:
Article
Tag(s):
Richard II, Source Study, Thomas of Woodstock
Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama
Author(s):
Bradley Irish (see profile)
Date:
2009
Group(s):
LLC 16th-Century English, LLC Shakespeare
Subject(s):
Renaissance drama, Revenge tragedies, Shakespeare and early modern drama, Shakespeare
Item Type:
Article
Tag(s):
revenge, kyd
“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus
Author(s):
Penelope Geng (see profile)
Date:
2011
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, TC Law and the Humanities, TM Book History, Print Cultures, Lexicography
Subject(s):
Renaissance drama, Stoicism
Item Type:
Article
Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock
Author(s):
Emma Smith (see profile)
Date:
2010
Subject(s):
Renaissance drama, Early modern drama, Theatre and society
Item Type:
Book chapter
Tag(s):
ben jonson, Alfred Hitchcock
Mirth that Fills the Veins with Blood
Author(s):
Emma Smith (see profile)
Date:
2014
Subject(s):
Theatre history, Renaissance drama
Item Type:
Review
Tag(s):
The Duchess of Malfi, The Knight of the Burning Pestle, Blackfriars
Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Adaptation, Early modern theatre, Globalization, Renaissance drama, Shakespeare
Item Type:
Article
Tag(s):
adaptation, Film studies, Global Shakespeare, intercultural performance, Shakespeare
Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene
Author(s):
Eric Dunnum (see profile)
Date:
2015
Group(s):
EMDC: The Early Modern Digital Collaboratory, Performance Studies
Subject(s):
16th century, 17th century, Early Modern, Renaissance, Renaissance drama
Item Type:
Article
Tag(s):
ben jonson, early modern England, masque, Renaissance drama
Looking for Goneril and Regan
Author(s):
Cristina León Alfar (see profile)
Date:
2003
Group(s):
CLCS Renaissance and Early Modern, LLC 17th-Century English, LLC Shakespeare, TC Women’s and Gender Studies, TM Literary and Cultural Theory
Subject(s):
17th century, English literature, Feminist theory, Renaissance drama, Shakespeare
Item Type:
Book chapter
Tag(s):
17th Century, drama, Evil, Power, women and gender
Postprint Copy of Years of Teaching Dangerously: Interfacing Thomas Cromwell in Canon and Fandom, Michael Drayton, “W.S.,” and Hilary Mantel
Author(s):
Laurie Ringer (see profile)
Date:
2016
Subject(s):
Arts pedagogy, Critical theory, Fandom, Literary criticism, Renaissance drama
Item Type:
Book chapter
Tag(s):
affect theory, Hilary Mantel, Michael Drayton, Thomas Cromwell, W.S.
Proto-Feminism: Seductions in Shakespeare and Milton
Author(s):
Hugh M. Richmond (see profile)
Date:
2017
Group(s):
CLCS Renaissance and Early Modern, LLC 16th-Century English, LLC 17th-Century English, LLC Shakespeare
Subject(s):
English literature, Literature, Literature and psychology, Renaissance drama, Shakespeare
Item Type:
Essay
Tag(s):
17th Century, Asian Theology, feminist criticism, John Milton, seductions

Viewing item 1 to 21 (of 21 items)

CORE Search Results Start Search Over

Sent Away from the Garden? The Pastoral Logic of Tasso, Marvell, and Haley

Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre by Janet Clare

The Chariot in ‘II Tamburlaine’, ‘The Wounds of Civil War’, and ‘The Reign of King Edward III’

A Race to the Roof: Cosmetics and Contemporary Histories in the Elizabethan Playhouse, 1592–1596

Super Troupers; or, Supplemented Playing before 1594

Théodore de Bèze, Abraham Sacrificing

"A cantar, dançar, bailar". La música en diálogo con los textos teatrales de Juan del Encina

"Bruised with Adversity": Reading Race in The Comedy of Errors

"To Bark With Judgement": Playing Baboon in Early Modern London

"Jacobean Witchcraft and Feminine Power"

Hubert’s Encounters with the Succession in Shakespeare’s King John

Writing Woodstock: The Prehistory of Richard II and Shakespeare’s Dramatic Method

Vengeance, Variously: Revenge Before Kyd in Early Elizabethan Drama

“He Only Talks”: Arruntius and the Formation of Interpretive Communities in Ben Jonson's Sejanus

Performing Relevance/ Relevant Performances: Shakespeare, Jonson, Hitchcock

Mirth that Fills the Veins with Blood

Global Shakespeares in World Markets and Archives: An Introduction to the Special Issue

Dauphine Was Right: Masques, the Authenticity of (Un)Performed Identity, and the Two Prologues of Epicene

Looking for Goneril and Regan

Postprint Copy of Years of Teaching Dangerously: Interfacing Thomas Cromwell in Canon and Fandom, Michael Drayton, “W.S.,” and Hilary Mantel

Proto-Feminism: Seductions in Shakespeare and Milton

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