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The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’
Author(s):
Rob C. Wegman (see profile)
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Flemish language, Medieval manuscripts, Medieval music, Medieval Spanish Literature, Polyphony
Item Type:
Book chapter
Rubrication Patterns in Two Old Nubian Manuscripts from Serra East
Author(s):
Vincent van Gerven Oei (see profile)
Date:
2020
Group(s):
Union for Nubian Studies
Subject(s):
Nubian studies, Manuscript studies, Polyphony
Item Type:
Article
Tag(s):
Old Nubian, rubrication, Biblical citations, Serra East
Ecos da Sé de Angra" em Angra do Heroísmo
Author(s):
Luís Henriques (see profile)
Date:
2019
Subject(s):
Musicology, Music, Exhibtions, Polyphony, Sacred music
Item Type:
Article
Tag(s):
Plainchant
A nova igreja do Convento do Carmo de Évora: uma perspetiva da sua paisagem sonora na segunda metade do século XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, Polyphony
Item Type:
Article
Tag(s):
Carmelites, Évora, plainchant, Soundscapes
Visita Paisagem Sonora Histórica
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Music, Historical musicology, Musicology, 16th century, 17th century, Sacred music, Polyphony
Item Type:
Other
Tag(s):
Soundscapes, Évora, tour
Algumas notas sobre o motete memento homo de Diogo Dias Melgaz
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th century, Polyphony, Sacred music
Item Type:
Magazine section
Tag(s):
motet, Évora Cathedral, Évora
A musicologia histórica no contexto eborense: uma perspetiva e potencialidades interdisciplinares
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, History, Sacred music, Polyphony, Art history, Architecture
Item Type:
Abstract
A música na Catedral de Évora no limiar de setecentos: Aspetos de transição na obra de Diogo Dias Melgaz e Pedro Vaz Rego
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, 17th century, 18th century, Polyphony, Sacred music, Stile Antico
Item Type:
Abstract
Tag(s):
Stile Concertato, Évora Cathedral
Música a Norte: Barroco Católico e Protestante
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Polyphony, 18th century, Sacred music
Item Type:
Other
Tag(s):
Évora Cathedral, Concert, programme, Grupo Vocal Olisipo
A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
17th century, 16th century, Sacred music, Musicology, Music, Polyphony
Item Type:
Article
Tag(s):
Soundscapes, Plainchant, Azores
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
processions, Soundscapes, Plainchant
Francisco Martins: Confitebor tibi Domine; Dixit Dominus
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, Music, Polyphony, 17th century
Item Type:
Other
Tag(s):
sheet music, Music Edition, psalm
Acerca do motete Heu me Domine de Vicente Lusitano
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies
Subject(s):
Musicology, Music, Music analysis, 16th century, Sacred music, Polyphony
Item Type:
Online publication
Tag(s):
motet, chromaticism
Duarte Lobo: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2013
Subject(s):
Music, Musicology, 17th century, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Évora Cathedral, Litanies, Novenas, Antiphon
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet
António Pinheiro: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2014
Subject(s):
Music, Musicology, 16th-century music, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
O Officium Defunctorum de Morago na Sé Catedral de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Music, Musicology, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Lobo, Cardoso e Pedro de Cristo na Sé de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Musicology, Music, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
Discalced Carmelites, Soundscapes, Évora, plainchant
The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah
Author(s):
Doris Hambuch (see profile)
Date:
2016
Group(s):
MS Screen Arts and Culture, MS Visual Culture
Subject(s):
Film and society, Film criticism, world cinema, Polyphony, Film, Film studies
Item Type:
Article
Tag(s):
film discourse, Arab cinema, polyglossia
The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Palestrina, motet, Paraphrase Mass, Parody mass
A música sacra na Sé de Évora no início do século XVIII: Uma abordagem inicial aos repertórios, espaços e intervenientes
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, 18th century, Polyphony, Sacred music, Architecture
Item Type:
Abstract
Tag(s):
Évora Cathedral
Continuidade da prática de polifonia na Catedral de Évora no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
Musicology, Sacred music, 18th century, Polyphony
Item Type:
Conference paper
Tag(s):
Évora Cathedral
O motete Ecce mulier Chananea de Manuel Cardoso
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
motet, lent, Instrumental Music

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