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Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach (see profile)
Date:
1994
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
Public Programming, Social Movements and Solidarity
Author(s):
Janna Graham, Valeria Graziano (see profile) , Susan Kelly
Date:
2017
Group(s):
Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Curatorial studies, Museum education, Philosophy and the arts, Art theory, Arts education, Discourse
Item Type:
Abstract
Tag(s):
public programming, Public Sphere, gallery education, contemporary culture
Public Programming? Pedagogical Practices in a Missing Europe
Author(s):
Valeria Graziano (see profile)
Date:
2016
Group(s):
Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Art education, Art theory, Philosophy and the arts, Curating, Public culture, Critical pedagogy
Item Type:
Abstract
Tag(s):
post-representational
“Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.”
Author(s):
Ryan Dohoney (see profile)
Date:
2019
Subject(s):
Dance, Modernism, Musicology, Philosophy and the arts
Item Type:
Article
What is Aesthetic Engagement?
Author(s):
Arnold Berleant (see profile)
Date:
2015
Subject(s):
Aesthetics, Aesthetic theory, Philosophy and the arts, Criticism of the arts
Item Type:
Article
Tag(s):
aesthetic disinterestedness, aesthetic engagement, the arts, aesthetic experience
Surrogate Theories of Art
Author(s):
Arnold Berleant (see profile)
Date:
1969
Subject(s):
Art, Art theory, Philosophy and the arts, Aesthetic theory, Aesthetics
Item Type:
Article
Tag(s):
aesthetic experience, critique of art

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