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CORE Search Results Start Search Over

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  • On Essentialism: Thoughts Between Nöel Carroll and Stanley Cavell

    Author(s):
    Sérgio Dias Branco (see profile)
    Date:
    2021
    Group(s):
    Film-Philosophy, Film Studies, Philosophy
    Subject(s):
    Film studies, Philosophy and the arts
    Item Type:
    Conference paper

  • Philosophical Monographs Vol. 1

    Author(s):
    Allan Savage (see profile)
    Date:
    2020
    Group(s):
    Philosophy of Religion
    Subject(s):
    Philosophy and the arts
    Item Type:
    Book
    Tag(s):
    PHI000000 (PHILOSOPHY / General)

  • Notes on Queer: Contemplations on Susan Sontag's Notes on "Camp" in relation to queer representation at the 2019 Met Gala

    Author(s):
    María Paloma Velázquez (see profile)
    Date:
    2020
    Subject(s):
    Fashion theory, LGBTQ Studies, Philosophy and the arts, Social critique
    Item Type:
    Essay

  • Shooting Stars: A study on the (non)human nature of astronomical photography in relation to Joanna Zylinska's The Creative Power of Nonhuman Photography

    Author(s):
    María Paloma Velázquez (see profile)
    Date:
    2020
    Subject(s):
    Cosmology, Critical posthumanism, Ecology, Philosophy and the arts, Photography
    Item Type:
    Essay

  • Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

    Author(s):
    John Covach (see profile)
    Date:
    1991
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • “Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • “The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.

    Author(s):
    John Covach (see profile)
    Date:
    1994
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • “The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Article

  • Public Programming, Social Movements and Solidarity

    Author(s):
    Janna Graham, Valeria Graziano (see profile) , Susan Kelly
    Date:
    2017
    Group(s):
    Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture
    Subject(s):
    Curatorial studies, Museum education, Philosophy and the arts, Art theory, Arts education, Discourse
    Item Type:
    Abstract
    Tag(s):
    public programming, Public Sphere, gallery education, contemporary culture

  • Public Programming? Pedagogical Practices in a Missing Europe

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2016
    Group(s):
    Cultural Studies, Education and Pedagogy, Festivals, Rituals, Public Spectacles, and Popular Culture
    Subject(s):
    Art education, Art theory, Philosophy and the arts, Curating, Public culture, Critical pedagogy
    Item Type:
    Abstract
    Tag(s):
    post-representational

  • “Élan vital … and how to fake it: Morton Feldman and Merle Marsicano’s Vernacular Metaphysics.”

    Author(s):
    Ryan Dohoney (see profile)
    Date:
    2019
    Subject(s):
    Dance, Modernism, Musicology, Philosophy and the arts
    Item Type:
    Article

  • What is Aesthetic Engagement?

    Author(s):
    Arnold Berleant (see profile)
    Date:
    2015
    Subject(s):
    Aesthetics, Aesthetic theory, Philosophy and the arts, Criticism of the arts
    Item Type:
    Article
    Tag(s):
    aesthetic disinterestedness, aesthetic engagement, the arts, aesthetic experience

  • Surrogate Theories of Art

    Author(s):
    Arnold Berleant (see profile)
    Date:
    1969
    Subject(s):
    Art, Art theory, Philosophy and the arts, Aesthetic theory, Aesthetics
    Item Type:
    Article
    Tag(s):
    aesthetic experience, critique of art

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