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Noh as Intermedia: A Web-Based Publication and Research Environment
Author(s):
Takanori Fujita
,
Jaroslaw Kapuscinski
(see profile)
,
François Rose
Date:
2021
Subject(s):
Digital humanities
,
East Asian studies
,
Intermedia
,
Japanese music
,
Japanese theatre
,
Performance studies
,
Theater
Item Type:
Presentation
Tag(s):
Noh
Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders
Author(s):
Yaron Meron
(see profile)
Date:
2020
Group(s):
Performance Studies
Subject(s):
Design (graphic)
,
Design thinking
,
Ethnography
,
Performativity
,
Dramaturgy
,
Performance
,
Performance studies
,
Methodology
Item Type:
Article
Tag(s):
design research
,
creative practice
Análisis del Génesis Según Virulo (2001) del cantautor cubano-mexicano Alejandro García Villalón: performance, intertextualidad y humorismo
Author(s):
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Paper Music
Subject(s):
Humor studies
,
Intertextuality
,
Performance studies
,
Sound recording technologies
Item Type:
Thesis
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez
(see profile)
Date:
2018
Group(s):
Ethnomusicology
,
Performance Studies
Subject(s):
Music analysis
,
Performance studies
Item Type:
Article
[POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances
Author(s):
Vijoy Abraham
,
Scott Bailey
,
Peter Broadwell
(see profile)
,
Javier de la Rosa
,
Takanori Fujita
,
Jarosław Kapuściński
,
Juan Pablo López Franco
,
François Rose
,
Simon Wiles
,
Glen Worthey
Date:
2020
Group(s):
DH2020
Subject(s):
Digital humanities
,
Multimedia
,
Musicology
,
Performance studies
Item Type:
Other
Tag(s):
interactive
,
Japanese Art History
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre
(see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub
,
Performance Studies
,
Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies
,
Early Modern
,
Early modern France
,
17th-century music
,
Music performance
,
Cultural studies
,
Performance studies
Item Type:
Dissertation
Tag(s):
popular music
,
Seventeenth-century
,
lute
Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments
Author(s):
Robin Rolfhamre
(see profile)
Date:
2018
Group(s):
Open Access Books Network
,
Renaissance / Early Modern Studies
,
The Renaissance Society of America
Subject(s):
Early music
,
Music education
,
Organology
,
Performance practice
,
Performance studies
Item Type:
Book
Recreation at stake
Author(s):
Valeria Graziano
(see profile)
Date:
2019
Group(s):
Anarchism
,
Cultural Studies
,
Feminist Humanities
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Performance Studies
Subject(s):
Cultural politics
,
Popular culture
,
Performance studies
,
Organization theory
,
Culture and capitalism
Item Type:
Book chapter
Tag(s):
recreation
,
creative industries
,
Audre Lorde
,
playground
,
antiwork politics
Escuchar lo justo
Author(s):
Edwin Culp
(see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies
,
Representation
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling
(see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies
,
Performance studies
,
Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé
,
critical whiteness studies
Hamlet (RSC, 2016) and representations of diasporic blackness
Author(s):
Lesley Feracho
,
Sujata Iyengar
(see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern
,
LLC Shakespeare
Subject(s):
Performance studies
,
Theories of race and ethnicity
,
African diaspora
,
Shakespeare
,
Afrofuturism
Item Type:
Article
Tag(s):
Hamlet
,
RSC
,
Basquiat
,
postcoloniality
,
transnationalism
CFP II Historical Soundscapes Meeting - Évora 2019
Editor(s):
Antónia Fialho Conde
,
Rita Faleiro
,
Luís Henriques
(see profile)
,
Vanda de Sá
Date:
2019
Group(s):
Digital Humanists
,
Historical Soundscape Studies
,
Music and Sound
,
Music in Évora studies
,
Urban Studies
Subject(s):
Musicology
,
Music
,
Musical instruments
,
Performance studies
,
Sacred music
Item Type:
Other
Tag(s):
Soundscapes
,
Instrumental Music
,
Secular music
Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions
Author(s):
Yelena Kalinsky
(see profile)
Date:
2018
Subject(s):
Performance art
,
Moscow conceptualism
,
Art history
,
Contemporary art
,
Russian and Soviet art
,
Performance studies
Item Type:
Essay
Tag(s):
Collective Actions
Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling
Author(s):
Jesse A. Goldberg
(see profile)
Date:
2015
Group(s):
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
LLC 20th- and 21st-Century American
,
TC Law and the Humanities
,
TC Race and Ethnicity Studies
Subject(s):
Policing
,
Violence
,
Critical race and ethnic studies
,
Performance studies
,
American studies
Item Type:
Article
Review of Phillip Auslander's
Author(s):
Nikolaos Vourdoulas
(see profile)
Date:
2014
Subject(s):
Performance studies
,
Popular Music Studies
Item Type:
Book review
Tag(s):
glam rock
,
Philip Auslander
,
popular music and gender
,
popular music and performance
FYTA: Conceptual Songwriting
Author(s):
Nikolaos Vourdoulas
(see profile)
Editor(s):
Athanasios Anagnostopoulos
Date:
2017
Subject(s):
Cultural musicology
,
Performance
,
Performance studies
,
Popular Music Studies
,
Sound studies
Item Type:
Book chapter
Tag(s):
Popular music
,
post-punk
Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί
Author(s):
Nikolaos Vourdoulas
(see profile)
Editor(s):
Anagnostopoulos Athanasios
Date:
2017
Subject(s):
Cultural musicology
,
Performance studies
,
Popular Music Studies
,
Sound studies
Item Type:
Book chapter
Tag(s):
conceptual art
,
conceptual songwriting
,
Popular music
,
post-punk
Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group
Author(s):
Yelena Kalinsky
(see profile)
Date:
2013
Subject(s):
Performance art
,
Russian and Soviet art
,
Moscow conceptualism
,
Documentation
,
Performance studies
Item Type:
Article
Tag(s):
Collective Actions
,
late-Soviet
Towards a theory of prefigurative practices
Author(s):
Valeria Graziano
(see profile)
Date:
2017
Group(s):
Anarchism
,
Cultural Studies
,
Festivals, Rituals, Public Spectacles, and Popular Culture
,
Political Philosophy & Theory
Subject(s):
Avant-garde
,
Art theory
,
Literature of social movements
,
Performance and politics
,
Performance studies
,
Critical theory
Item Type:
Article
Tag(s):
prefiguration
,
political activism
Migritude’s Decolonial Lessons
Author(s):
Neelofer Qadir
(see profile)
Date:
2018
Group(s):
CLCS Global South
,
LLC African since 1990
,
LLC South Asian and South Asian Diasporic
Subject(s):
Indian ocean studies
,
Feminist criticism
,
Migration studies
,
Contemporary literature
,
Performance studies
Item Type:
Article
Good Night, Sleep Tight (Remix)
Author(s):
Joseph Dunne
(see profile)
Date:
2018
Group(s):
CityLIS
,
Library & Information Science
,
Performance Studies
Subject(s):
Information science
,
Performing arts
,
Virtual reality
,
Performance studies
Item Type:
Article
Tag(s):
Audience Participation
,
Immersive Theatre
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin
(see profile)
Date:
2018
Group(s):
Global Shakespeares
,
GS Drama and Performance
,
LLC Shakespeare
,
Postcolonial Digital Humanities
,
TC Translation Studies
Subject(s):
Shakespeare
,
Global English
,
Ethics
,
Digital humanities
,
Postcolonial culture
,
Globalization
,
Performance studies
,
Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin
(see profile)
Date:
2018
Group(s):
Global Shakespeares
,
GS Drama and Performance
,
LLC East Asian
,
LLC Shakespeare
,
TC Translation Studies
Subject(s):
Shakespeare
,
Adaptation
,
Japanese studies
,
Performance studies
,
Globalization
,
Translation studies
,
Intercultural performance
,
Aesthetics
Item Type:
Article
Proceedings from DocPerform Editorial: Is the World After All Just a Dream?
Author(s):
Joseph Dunne
(see profile)
,
Lyn Robinson
Date:
2018
Group(s):
CityLIS
,
Library & Information Science
,
Performance Studies
Subject(s):
Performance studies
,
Archives
,
Documentation
,
Library and information science
,
Information behaviour
,
Performance
Item Type:
Article
Tag(s):
performance document
,
library and information
Dares as Ethical Operations.
Author(s):
Valeria Graziano
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies
,
Critical dance performance
,
Visual culture
,
Cultural studies
,
Performance art
,
Performance
,
Affect
,
Dance
Item Type:
Book chapter
Tag(s):
dare
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