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"Five themes in Asian Shakespeare adaptations," Oxford University Press blog, February 16, 2021
Author(s):
Alexa Alice Joubin (see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
Subject(s):
Global Shakespeare, East Asian studies, Race, Gender, Film studies, Performance studies, Translation studies
Item Type:
Blog Post
Tag(s):
Adaptation Studies
Shakespeare and East Asia (Oxford University Press, 2021)
Author(s):
Alexa Alice Joubin (see profile)
Date:
2021
Group(s):
CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, The Renaissance Society of America
Subject(s):
Global Shakespeare, Shakespeare in adaptation, Film studies, Performance studies, Gender and queer studies
Item Type:
Book
Noh as Intermedia: A Web-Based Publication and Research Environment
Author(s):
Takanori Fujita, Jaroslaw Kapuscinski (see profile) , François Rose
Date:
2021
Subject(s):
Digital humanities, East Asian studies, Intermedia, Japanese music, Japanese theatre, Performance studies, Theater
Item Type:
Presentation
Tag(s):
Noh
Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders
Author(s):
Yaron Meron (see profile)
Date:
2020
Group(s):
Performance Studies
Subject(s):
Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology
Item Type:
Article
Tag(s):
design research, creative practice
Análisis del Génesis Según Virulo (2001) del cantautor cubano-mexicano Alejandro García Villalón: performance, intertextualidad y humorismo
Author(s):
Pablo Suárez (see profile)
Date:
2018
Group(s):
Paper Music
Subject(s):
Humor studies, Intertextuality, Performance studies, Sound recording technologies
Item Type:
Thesis
Algunas consideraciones analíticas sobre el performance musical
Author(s):
Pablo Suárez (see profile)
Date:
2018
Group(s):
Ethnomusicology, Performance Studies
Subject(s):
Music analysis, Performance studies
Item Type:
Article
[POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances
Author(s):
Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey
Date:
2020
Group(s):
DH2020
Subject(s):
Digital humanities, Multimedia, Musicology, Performance studies
Item Type:
Other
Tag(s):
interactive, Japanese Art History
The popular lute: an investigation of the function and performance of music in France between 1650 and 1700
Author(s):
Robin Rolfhamre (see profile)
Date:
2014
Group(s):
Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
Subject(s):
Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
Item Type:
Dissertation
Tag(s):
popular music, Seventeenth-century, lute
Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments
Author(s):
Robin Rolfhamre (see profile)
Date:
2018
Group(s):
Open Access Books Network, Renaissance / Early Modern Studies, The Renaissance Society of America
Subject(s):
Early music, Music education, Organology, Performance practice, Performance studies
Item Type:
Book
Recreation at stake
Author(s):
Valeria Graziano (see profile)
Date:
2019
Group(s):
Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
Subject(s):
Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism
Item Type:
Book chapter
Tag(s):
recreation, creative industries, Audre Lorde, playground, antiwork politics
Escuchar lo justo
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies, Representation
Item Type:
Book chapter
Tag(s):
interdisciplinary ethics
Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling (see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies, Performance studies, Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé, critical whiteness studies
Hamlet (RSC, 2016) and representations of diasporic blackness
Author(s):
Lesley Feracho, Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism
Item Type:
Article
Tag(s):
Hamlet, RSC, Basquiat, postcoloniality, transnationalism
CFP II Historical Soundscapes Meeting - Évora 2019
Editor(s):
Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá
Date:
2019
Group(s):
Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies
Subject(s):
Musicology, Music, Musical instruments, Performance studies, Sacred music
Item Type:
Other
Tag(s):
Soundscapes, Instrumental Music, Secular music
Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions
Author(s):
Yelena Kalinsky (see profile)
Date:
2018
Subject(s):
Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies
Item Type:
Essay
Tag(s):
Collective Actions
Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling
Author(s):
Jesse A. Goldberg (see profile)
Date:
2015
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies
Subject(s):
Policing, Violence, Critical race and ethnic studies, Performance studies, American studies
Item Type:
Article
Review of Phillip Auslander's
Author(s):
Nikolaos Vourdoulas (see profile)
Date:
2014
Subject(s):
Performance studies, Popular Music Studies
Item Type:
Book review
Tag(s):
glam rock, Philip Auslander, popular music and gender, popular music and performance
FYTA: Conceptual Songwriting
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Athanasios Anagnostopoulos
Date:
2017
Subject(s):
Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
Popular music, post-punk
Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Anagnostopoulos Athanasios
Date:
2017
Subject(s):
Cultural musicology, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
conceptual art, conceptual songwriting, Popular music, post-punk
Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group
Author(s):
Yelena Kalinsky (see profile)
Date:
2013
Subject(s):
Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies
Item Type:
Article
Tag(s):
Collective Actions, late-Soviet
Towards a theory of prefigurative practices
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory
Subject(s):
Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory
Item Type:
Article
Tag(s):
prefiguration, political activism
Migritude’s Decolonial Lessons
Author(s):
Neelofer Qadir (see profile)
Date:
2018
Group(s):
CLCS Global South, LLC African since 1990, LLC South Asian and South Asian Diasporic
Subject(s):
Indian ocean studies, Feminist criticism, Migration studies, Contemporary literature, Performance studies
Item Type:
Article
Good Night, Sleep Tight (Remix)
Author(s):
Joseph Dunne (see profile)
Date:
2018
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Information science, Performing arts, Virtual reality, Performance studies
Item Type:
Article
Tag(s):
Audience Participation, Immersive Theatre
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article

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