Deposits – Humanities Commons

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Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos
Author(s):
Willamae Boling (see profile)
Date:
2015
Group(s):
Performance Studies
Subject(s):
Critical race studies, Performance studies, Popular culture studies
Item Type:
Thesis
Tag(s):
Beyoncé, critical whiteness studies
Hamlet (RSC, 2016) and representations of diasporic blackness
Author(s):
Lesley Feracho, Sujata Iyengar (see profile)
Date:
2019
Group(s):
CLCS Renaissance and Early Modern, LLC Shakespeare
Subject(s):
Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism
Item Type:
Article
Tag(s):
Hamlet, RSC, Basquiat, postcoloniality, transnationalism
CFP II Historical Soundscapes Meeting - Évora 2019
Editor(s):
Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá
Date:
2019
Group(s):
Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies
Subject(s):
Musicology, Music, Musical instruments, Performance studies, Sacred music
Item Type:
Other
Tag(s):
Soundscapes, Instrumental Music, Secular music
Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions
Author(s):
Yelena Kalinsky (see profile)
Date:
2018
Subject(s):
Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies
Item Type:
Essay
Tag(s):
Collective Actions
Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling
Author(s):
Jesse A. Goldberg (see profile)
Date:
2015
Group(s):
GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies
Subject(s):
Policing, Violence, Critical race and ethnic studies, Performance studies, American studies
Item Type:
Article
Review of Phillip Auslander's
Author(s):
Nikolaos Vourdoulas (see profile)
Date:
2014
Subject(s):
Performance studies, Popular Music Studies
Item Type:
Book review
Tag(s):
glam rock, Philip Auslander, popular music and gender, popular music and performance
FYTA: Conceptual Songwriting
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Athanasios Anagnostopoulos
Date:
2017
Subject(s):
Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
Popular music, post-punk
Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί
Author(s):
Nikolaos Vourdoulas (see profile)
Editor(s):
Anagnostopoulos Athanasios
Date:
2017
Subject(s):
Cultural musicology, Performance studies, Popular Music Studies, Sound studies
Item Type:
Book chapter
Tag(s):
conceptual art, conceptual songwriting, Popular music, post-punk
Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group
Author(s):
Yelena Kalinsky (see profile)
Date:
2013
Subject(s):
Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies
Item Type:
Article
Tag(s):
Collective Actions, late-Soviet
Towards a theory of prefigurative practices
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory
Subject(s):
Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory
Item Type:
Article
Tag(s):
prefiguration, political activism
Migritude’s Decolonial Lessons
Author(s):
Neelofer Qadir (see profile)
Date:
2018
Group(s):
CLCS Global South, LLC African since 1990, LLC South Asian and South Asian Diasporic
Subject(s):
Indian ocean studies, Feminist criticism, Migration studies, Contemporary literature, Performance studies
Item Type:
Article
Good Night, Sleep Tight (Remix)
Author(s):
Joseph Dunne (see profile)
Date:
2018
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Information science, Performing arts, Virtual reality, Performance studies
Item Type:
Article
Tag(s):
Audience Participation, Immersive Theatre
Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
Subject(s):
Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
Item Type:
Book chapter
"'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)
Author(s):
Alexa Joubin (see profile)
Date:
2018
Group(s):
Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
Subject(s):
Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
Item Type:
Article
Proceedings from DocPerform Editorial: Is the World After All Just a Dream?
Author(s):
Joseph Dunne (see profile) , Lyn Robinson
Date:
2018
Group(s):
CityLIS, Library & Information Science, Performance Studies
Subject(s):
Performance studies, Archives, Documentation, Library and information science, Information behaviour, Performance
Item Type:
Article
Tag(s):
performance document, library and information
Dares as Ethical Operations.
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance
Item Type:
Book chapter
Tag(s):
dare
Hacerse el tonto: en el fracaso está la solución
Author(s):
Edwin Culp (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Performance studies, Theatre and politics
Item Type:
Book chapter
Tag(s):
aesthetics and politics, Time and temporality
Vernacular Soliloquy, Theatrical Gesture, and Embodied Consciousness in The Marrow of Tradition
Author(s):
Nicholas Rinehart (see profile)
Date:
2018
Group(s):
GS Prose Fiction, LLC 19th-Century American, LLC 20th- and 21st-Century American, LLC African American, LLC Late-19th- and Early-20th-Century American
Subject(s):
African American literature, Performance studies, Novel (genre), Narrative, African American culture, African American
Item Type:
Article
Tag(s):
Nineteenth-Century African American Literature, American novel, Theory of Narrative
Acting for the Cameras: Performance in the Multi-Camera Sitcom
Author(s):
Christine Becker (see profile)
Date:
2008
Subject(s):
Television studies, Performance studies, Acting, Comedy (genre), Film production, Television
Item Type:
Online publication
Tag(s):
sitcoms, comedy
Agorafobia: crítica: universidad: claves para otra historia y crítica de la dramaturgia chilena
Author(s):
Cristián Opazo (see profile)
Date:
2016
Group(s):
Performance Studies
Subject(s):
Drama, Latin American theatre, Performance studies
Item Type:
Article
Tag(s):
Performance Studies
Glass Bellies and Artificial Wombs: Gender, Science, and Reproduction in Early Modern Alchemical Performance
Author(s):
Jennifer Park (see profile)
Date:
2017
Subject(s):
History of science, Performance studies, Early modern drama, Glass arts, Alchemy
Item Type:
Article
"Review of The Taming of the Shrew." Shakespeare Bulletin 35.4 (2017): 700-703
Author(s):
Alexa Alice Joubin (see profile)
Date:
2017
Group(s):
CLCS 20th- and 21st-Century, Global Shakespeares, GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC Shakespeare
Subject(s):
Shakespeare, Performance studies, Gender studies, Feminist critique, American theatre
Item Type:
Review
Tag(s):
Taming of the Shrew, Shakespeare in performance
“Gender, Race and Interculturalism in TNT-El Vacie’s Romani Fuenteovejuna.”
Author(s):
Elena Garcia-Martin (see profile)
Date:
2017
Group(s):
GS Drama and Performance, Iberian Theater and Performance Network (ITPN), Interdisciplinary Approaches to Culture and Society, LLC 16th- and 17th-Century Spanish and Iberian Drama, LLC 20th- and 21st-Century Spanish and Iberian
Subject(s):
17th century, Aesthetics, Gender studies, Performance studies, Spanish theatre
Item Type:
Conference paper
Tag(s):
2018 MLA 217
Digital Shoeboxes: the history and future of personal performance archiving
Author(s):
Adelaide Frances Robinson (see profile)
Date:
2017
Group(s):
CityLIS
Subject(s):
Collecting, Digital media, Library and Archival Studies, Performance studies, Private collections
Item Type:
Dissertation
A Manifesto to Decolonise Walking
Author(s):
Sharanya Murali (see profile)
Date:
2017
Group(s):
GeoHumanities, Urban Studies
Subject(s):
Cultural geography, Performance studies, South Asia, Urban history
Item Type:
Abstract
Tag(s):
decolonial theory, delhi, walking

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