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  • "Five themes in Asian Shakespeare adaptations," Oxford University Press blog, February 16, 2021

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2021
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, MS Screen Arts and Culture
    Subject(s):
    Global Shakespeare, East Asian studies, Race, Gender, Film studies, Performance studies, Translation studies
    Item Type:
    Blog Post
    Tag(s):
    Adaptation Studies

  • Shakespeare and East Asia (Oxford University Press, 2021)

    Author(s):
    Alexa Alice Joubin (see profile)
    Date:
    2021
    Group(s):
    CLCS Renaissance and Early Modern, GS Drama and Performance, LLC East Asian, LLC Shakespeare, The Renaissance Society of America
    Subject(s):
    Global Shakespeare, Shakespeare in adaptation, Film studies, Performance studies, Gender and queer studies
    Item Type:
    Book

  • Noh as Intermedia: A Web-Based Publication and Research Environment

    Author(s):
    Takanori Fujita, Jaroslaw Kapuscinski (see profile) , François Rose
    Date:
    2021
    Subject(s):
    Digital humanities, East Asian studies, Intermedia, Japanese music, Japanese theatre, Performance studies, Theater
    Item Type:
    Presentation
    Tag(s):
    Noh

  • Re-performing Design: using dramaturgy to uncover graphic designers’ perceptions of stakeholders

    Author(s):
    Yaron Meron (see profile)
    Date:
    2020
    Group(s):
    Performance Studies
    Subject(s):
    Design (graphic), Design thinking, Ethnography, Performativity, Dramaturgy, Performance, Performance studies, Methodology
    Item Type:
    Article
    Tag(s):
    design research, creative practice

  • Análisis del Génesis Según Virulo (2001) del cantautor cubano-mexicano Alejandro García Villalón: performance, intertextualidad y humorismo

    Author(s):
    Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Paper Music
    Subject(s):
    Humor studies, Intertextuality, Performance studies, Sound recording technologies
    Item Type:
    Thesis

  • Algunas consideraciones analíticas sobre el performance musical

    Author(s):
    Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Ethnomusicology, Performance Studies
    Subject(s):
    Music analysis, Performance studies
    Item Type:
    Article

  • [POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances

    Author(s):
    Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey
    Date:
    2020
    Group(s):
    DH2020
    Subject(s):
    Digital humanities, Multimedia, Musicology, Performance studies
    Item Type:
    Other
    Tag(s):
    interactive, Japanese Art History

  • The popular lute: an investigation of the function and performance of music in France between 1650 and 1700

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2014
    Group(s):
    Music History/Musicology Pedagogy Resource Hub, Performance Studies, Renaissance / Early Modern Studies
    Subject(s):
    Popular Music Studies, Early Modern, Early modern France, 17th-century music, Music performance, Cultural studies, Performance studies
    Item Type:
    Dissertation
    Tag(s):
    popular music, Seventeenth-century, lute

  • Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments

    Author(s):
    Robin Rolfhamre (see profile)
    Date:
    2018
    Group(s):
    Open Access Books Network, Renaissance / Early Modern Studies, The Renaissance Society of America
    Subject(s):
    Early music, Music education, Organology, Performance practice, Performance studies
    Item Type:
    Book

  • Recreation at stake

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2019
    Group(s):
    Anarchism, Cultural Studies, Feminist Humanities, Festivals, Rituals, Public Spectacles, and Popular Culture, Performance Studies
    Subject(s):
    Cultural politics, Popular culture, Performance studies, Organization theory, Culture and capitalism
    Item Type:
    Book chapter
    Tag(s):
    recreation, creative industries, Audre Lorde, playground, antiwork politics

  • Escuchar lo justo

    Author(s):
    Edwin Culp (see profile)
    Date:
    2016
    Group(s):
    Performance Studies
    Subject(s):
    Performance studies, Representation
    Item Type:
    Book chapter
    Tag(s):
    interdisciplinary ethics

  • Who Killed B. B. Homemaker? Normative and Critical Whiteness in Beyoncé’s Music Videos

    Author(s):
    Willamae Boling (see profile)
    Date:
    2015
    Group(s):
    Performance Studies
    Subject(s):
    Critical race studies, Performance studies, Popular culture studies
    Item Type:
    Thesis
    Tag(s):
    Beyoncé, critical whiteness studies

  • Hamlet (RSC, 2016) and representations of diasporic blackness

    Author(s):
    Lesley Feracho, Sujata Iyengar (see profile)
    Date:
    2019
    Group(s):
    CLCS Renaissance and Early Modern, LLC Shakespeare
    Subject(s):
    Performance studies, Theories of race and ethnicity, African diaspora, Shakespeare, Afrofuturism
    Item Type:
    Article
    Tag(s):
    Hamlet, RSC, Basquiat, postcoloniality, transnationalism

  • CFP II Historical Soundscapes Meeting - Évora 2019

    Editor(s):
    Antónia Fialho Conde, Rita Faleiro, Luís Henriques (see profile) , Vanda de Sá
    Date:
    2019
    Group(s):
    Digital Humanists, Historical Soundscape Studies, Music and Sound, Music in Évora studies, Urban Studies
    Subject(s):
    Musicology, Music, Musical instruments, Performance studies, Sacred music
    Item Type:
    Other
    Tag(s):
    Soundscapes, Instrumental Music, Secular music

  • Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2018
    Subject(s):
    Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies
    Item Type:
    Essay
    Tag(s):
    Collective Actions

  • Theorizing and Resisting the Violence of Stop-and-Frisk-style Profiling

    Author(s):
    Jesse A. Goldberg (see profile)
    Date:
    2015
    Group(s):
    GS Drama and Performance, Interdisciplinary Approaches to Culture and Society, LLC 20th- and 21st-Century American, TC Law and the Humanities, TC Race and Ethnicity Studies
    Subject(s):
    Policing, Violence, Critical race and ethnic studies, Performance studies, American studies
    Item Type:
    Article

  • Review of Phillip Auslander's

    Author(s):
    Nikolaos Vourdoulas (see profile)
    Date:
    2014
    Subject(s):
    Performance studies, Popular Music Studies
    Item Type:
    Book review
    Tag(s):
    glam rock, Philip Auslander, popular music and gender, popular music and performance

  • FYTA: Conceptual Songwriting

    Author(s):
    Nikolaos Vourdoulas (see profile)
    Editor(s):
    Athanasios Anagnostopoulos
    Date:
    2017
    Subject(s):
    Cultural musicology, Performance, Performance studies, Popular Music Studies, Sound studies
    Item Type:
    Book chapter
    Tag(s):
    Popular music, post-punk

  • Τα ΦΥΤΑ ως εννοιολογικοί τραγουδοποιοί

    Author(s):
    Nikolaos Vourdoulas (see profile)
    Editor(s):
    Anagnostopoulos Athanasios
    Date:
    2017
    Subject(s):
    Cultural musicology, Performance studies, Popular Music Studies, Sound studies
    Item Type:
    Book chapter
    Tag(s):
    conceptual art, conceptual songwriting, Popular music, post-punk

  • Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2013
    Subject(s):
    Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies
    Item Type:
    Article
    Tag(s):
    Collective Actions, late-Soviet

  • Towards a theory of prefigurative practices

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2017
    Group(s):
    Anarchism, Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture, Political Philosophy & Theory
    Subject(s):
    Avant-garde, Art theory, Literature of social movements, Performance and politics, Performance studies, Critical theory
    Item Type:
    Article
    Tag(s):
    prefiguration, political activism

  • Migritude’s Decolonial Lessons

    Author(s):
    Neelofer Qadir (see profile)
    Date:
    2018
    Group(s):
    CLCS Global South, LLC African since 1990, LLC South Asian and South Asian Diasporic
    Subject(s):
    Indian ocean studies, Feminist criticism, Migration studies, Contemporary literature, Performance studies
    Item Type:
    Article

  • Good Night, Sleep Tight (Remix)

    Author(s):
    Joseph Dunne (see profile)
    Date:
    2018
    Group(s):
    CityLIS, Library & Information Science, Performance Studies
    Subject(s):
    Information science, Performing arts, Virtual reality, Performance studies
    Item Type:
    Article
    Tag(s):
    Audience Participation, Immersive Theatre

  • Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018)

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC Shakespeare, Postcolonial Digital Humanities, TC Translation Studies
    Subject(s):
    Shakespeare, Global English, Ethics, Digital humanities, Postcolonial culture, Globalization, Performance studies, Cultural materialism
    Item Type:
    Book chapter

  • "'To unpath'd waters, undream'd shores': Shakespeare in the World." The Score : An Insider's Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018)

    Author(s):
    Alexa Joubin (see profile)
    Date:
    2018
    Group(s):
    Global Shakespeares, GS Drama and Performance, LLC East Asian, LLC Shakespeare, TC Translation Studies
    Subject(s):
    Shakespeare, Adaptation, Japanese studies, Performance studies, Globalization, Translation studies, Intercultural performance, Aesthetics
    Item Type:
    Article

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