Register Log In

Open access, open source, open to all

Humanities Commons
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ASEEES
    • AUPresses
    • MLA
    • MSU
    • SAH
  • About
    • HC Bylaws
    • Participating Organization Council
    • Advisory Groups
    • Why is the Platypus Our Mascot?
  • Roadmap
  • Team Blog
  • Log in
Register Login
  • News Feed
  • Members
  • Groups
  • Sites
  • CORE Repository
  • Help & Support
  • HC Organizations
    • ASEEES
    • AUPresses
    • MLA
    • MSU
    • SAH
  • About
    • HC Bylaws
    • Participating Organization Council
    • Advisory Groups
    • Why is the Platypus Our Mascot?
  • Roadmap
  • Team Blog

CORE Search Results Start Search Over

  • All Deposits 0
  • Il suono, la parola e l'azione di Giuseppe Chiari

    Author(s):
    Stefano Verri (see profile)
    Date:
    2020
    Subject(s):
    20th-century art, 20th century, Art, Art history, Contemporary art, Performance art
    Item Type:
    Catalog
    Tag(s):
    Contemporary Classical Music, contemporary critique

  • The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions

    Author(s):
    Mateus Yuri Passos (see profile)
    Date:
    2017
    Group(s):
    Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies
    Subject(s):
    History of opera, Opera, Opera staging, Performance, Performance art
    Item Type:
    Article
    Tag(s):
    Director's Theater, Opera recording, Regietheater, Richard Wagner

  • Audible Picasso

    Author(s):
    June Julian (see profile)
    Date:
    2020
    Subject(s):
    Sound/sound art, Music notation, Performance art, Contemporary art
    Item Type:
    Sound recording-non musical
    Tag(s):
    Picasso, Minotaur

  • Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2018
    Subject(s):
    Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies
    Item Type:
    Essay
    Tag(s):
    Collective Actions

  • Who Vibrates?

    Author(s):
    Christopher Swithinbank (see profile)
    Date:
    2019
    Subject(s):
    Music, New materialism, Critical race theory, Performance art, Sound studies
    Item Type:
    Article
    Tag(s):
    Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics

  • Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2009
    Subject(s):
    Performance art, Russian and Soviet art, Moscow conceptualism, Alternative cultures
    Item Type:
    Essay
    Tag(s):
    exhibition history, conceptual art, artist archives

  • The Schizoid Objects of Moscow Conceptualism

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2016
    Subject(s):
    Moscow conceptualism, Sculpture, Performance art, Performing objects, Russian and Soviet art
    Item Type:
    Book chapter
    Tag(s):
    schizoid, performance objects, unofficial art

  • Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group

    Author(s):
    Yelena Kalinsky (see profile)
    Date:
    2013
    Subject(s):
    Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies
    Item Type:
    Article
    Tag(s):
    Collective Actions, late-Soviet

  • Christina McPhee: A Commonplace Book

    Editor(s):
    Eileen Joy (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Environmental Humanities, Feminist Humanities
    Subject(s):
    Art (studio), Cultural theory, Environmental aesthetics, Media arts, Performance art
    Item Type:
    Book

  • Performance Art nach 1945. Intermedia und Aktionstheater.

    Author(s):
    Thomas Dreher (see profile)
    Date:
    2001
    Group(s):
    History of Art
    Subject(s):
    Intermedia, Performance art
    Item Type:
    Book
    Tag(s):
    Action Theatre, Happenings, Participation, Participation Art

  • Dares as Ethical Operations.

    Author(s):
    Valeria Graziano (see profile)
    Date:
    2017
    Group(s):
    Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture
    Subject(s):
    Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance
    Item Type:
    Book chapter
    Tag(s):
    dare

  • Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance

    Author(s):
    Rea Dennis, Garrett Lynch (see profile)
    Date:
    2014
    Group(s):
    Networked Art
    Subject(s):
    Contemporary art, New media arts, Performance art
    Item Type:
    Conference proceeding
    Tag(s):
    Conference, Networked Art, Networked Performance, New Media Art

  • HFT The Gardener: A Network of Financial Trading, Drugs and Botany

    Author(s):
    Garrett Lynch (see profile)
    Date:
    2017
    Group(s):
    Networked Art
    Subject(s):
    Contemporary art, New media arts, Performance art
    Item Type:
    Review
    Tag(s):
    Exhibition Review, Networked Art, Suzanne Treister

  • Remote Encounters: a report about networking practitioners

    Author(s):
    Garrett Lynch (see profile)
    Date:
    2014
    Group(s):
    Networked Art
    Subject(s):
    New media arts, Performance art, Transdisciplinary research
    Item Type:
    Article
    Tag(s):
    Networked Art, Networking, New Media Art, Virtual Worlds

  • Technology, Poetry, Mystery, and Pleasure

    Author(s):
    Anne Swartz (see profile)
    Date:
    2018
    Group(s):
    Women in the Arts
    Subject(s):
    Contemporary art, Performance art
    Item Type:
    Article

  • Exhibition Review: 'Chinese Whispers', immersive installation-based performance directed by Rani Pramesti, Footscray, 2014

    Author(s):
    Karen Schamberger (see profile)
    Date:
    2015
    Subject(s):
    Indonesian/Malay culture, Migration studies, Oral history, Performance art, Race
    Item Type:
    Other
    Tag(s):
    anti-Chinese riots, Chinese Indonesians, Racism

  • Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)

    Author(s):
    Andrés David Montenegro Rosero (see profile)
    Date:
    2017
    Subject(s):
    Contemporary art, Art history, Performance and politics, Performance art
    Item Type:
    Book chapter
    Tag(s):
    Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba

  • Mediating Gesture in Theory and Practice

    Author(s):
    Ana Hedberg Olenina, Irina Schulzki (see profile)
    Date:
    2017
    Group(s):
    Film Studies
    Subject(s):
    Film, Media studies, Body politics, Film theory, Performance art
    Item Type:
    Article
    Tag(s):
    gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies

  • Canadian Winter

    Author(s):
    Laurie Ringer (see profile)
    Date:
    2011
    Subject(s):
    Abstract expressionism, Critical making, Digital arts, Performance art, Theory
    Item Type:
    Image
    Tag(s):
    embodiment, affect, ecologies, perception, becoming

  • Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus

    Author(s):
    Roberta Mock (see profile)
    Date:
    2010
    Group(s):
    Cultural Studies, Performance Studies
    Subject(s):
    Gender and sexualities, Performance and politics, Performance art, Queer theatre
    Item Type:
    Book chapter
    Tag(s):
    Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies

  • Lynn Hershman and the Creation of Multiple Robertas

    Author(s):
    Roberta Mock (see profile)
    Date:
    2012
    Group(s):
    Performance Studies
    Subject(s):
    20th century, Art history, Gender studies, Performance art
    Item Type:
    Book chapter
    Tag(s):
    alter ego, digital performance, Lynn Hershman, second life

  • Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009

    Editor(s):
    Roberta Mock (see profile)
    Date:
    2009
    Group(s):
    Performance Studies
    Subject(s):
    Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
    Item Type:
    Abstract
    Tag(s):
    Book of Abstracts, Conference, Performance Studies, Theatre Studies

  • MayDay: VestAndPage Workshop Concept, Theory and Practice

    Author(s):
    Andrea Pagnes (see profile) , Verena Stenke, Valentin Torrens
    Date:
    2014
    Group(s):
    Education and Pedagogy
    Subject(s):
    Academic freedom, Art teacher education, Performance art, Performance studies, Performing arts
    Item Type:
    Book chapter
    Tag(s):
    collaborative learning, education, experimentation, performativity, teaching

Viewing item 1 to 23 (of 23 items)

  • Author
    • Ana Hedberg Olenina 1X
    • Andrea Pagnes 1X
    • Andrés David Montenegro Rosero 1X
    • Anne Swartz 1X
    • Christopher Swithinbank 1X
    • Eileen Joy 1X
    • Garrett Lynch 3X
    • Irina Schulzki 1X
    • June Julian 1X
    • Karen Schamberger 1X
    • Laurie Ringer 1X
    • Mateus Yuri Passos 1X
    • Rea Dennis 1X
    • Roberta Mock 3X
    • Stefano Verri 1X
    • Thomas Dreher 1X
    • Valentin Torrens 1X
    • Valeria Graziano 1X
    • Verena Stenke 1X
    • Yelena Kalinsky 4X
    • more>>
  • Group
    • Cultural Studies 3X
    • Education and Pedagogy 1X
    • Environmental Humanities 1X
    • Feminist Humanities 1X
    • Festivals, Rituals, Public Spectacles, and Popular Culture 1X
    • Film Studies 1X
    • History of Art 1X
    • Narrative Studies 1X
    • Networked Art 3X
    • Opera Stagings 1X
    • Opera Studies 1X
    • Opera in Recording 1X
    • Performance Studies 3X
    • Richard Wagner Studies 1X
    • Women in the Arts 1X
    • more>>
  • Subject
    • 20th century 2X
    • 20th-century art 1X
    • Abstract expressionism 1X
    • Academic freedom 1X
    • Affect 1X
    • Alternative cultures 1X
    • Art 1X
    • Art (studio) 1X
    • Art history 4X
    • Art teacher education 1X
    • Body politics 1X
    • Contemporary art 7X
    • Critical dance performance 1X
    • Critical making 1X
    • Critical race theory 1X
    • Cultural studies 1X
    • Cultural theory 1X
    • Dance 1X
    • Digital arts 1X
    • Documentation 1X
    • Environmental aesthetics 1X
    • Film 1X
    • Film theory 1X
    • Gender and sexualities 1X
    • Gender studies 1X
    • History of opera 1X
    • Indonesian/Malay culture 1X
    • Intermedia 1X
    • Media arts 1X
    • Media studies 1X
    • Migration studies 1X
    • Moscow conceptualism 4X
    • Music 1X
    • Music notation 1X
    • New materialism 1X
    • New media arts 3X
    • Opera 1X
    • Opera staging 1X
    • Oral history 1X
    • Performance 2X
    • Performance and politics 2X
    • Performance art 23X
    • Performance studies 5X
    • Performing arts 1X
    • Performing objects 1X
    • Queer theatre 1X
    • Race 1X
    • Russian and Soviet art 4X
    • Sculpture 1X
    • Sound studies 1X
    • Sound/sound art 1X
    • Theatre and society 1X
    • Theatre history 1X
    • Theatre theory 1X
    • Theory 1X
    • Transdisciplinary research 1X
    • Visual culture 1X
    • more>>
  • Item Type
    • Abstract 1X
    • Article 6X
    • Book 2X
    • Book chapter 6X
    • Catalog 1X
    • Conference proceeding 1X
    • Essay 2X
    • Image 1X
    • Other 1X
    • Review 1X
    • Sound recording-non musical 1X
    • more>>
  • Date
    • 2020 2X
    • 2019 1X
    • 2018 2X
    • 2017 6X
    • 2016 1X
    • 2015 1X
    • 2014 3X
    • 2013 1X
    • 2012 1X
    • 2011 1X
    • 2010 1X
    • 2009 2X
    • 2001 1X
    • more>>
  • File Type
    • Audio 1X
    • Image 1X
    • Mixed material 2X
    • Text 19X
    • more>>
HUMANITIES COMMONS. BASED ON COMMONS IN A BOX.
TERMS OF SERVICE • PRIVACY POLICY • GUIDELINES FOR PARTICIPATION

@

Not recently active