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Coming into Being (or, How I Learned to Stop Worrying and Love the Analyst)
Author(s):
Sara London (see profile)
Date:
2020
Subject(s):
Psychoanalysis, Performance art, Freud, Psychology, Philosophical psychology, Performance studies
Item Type:
Dissertation
Tag(s):
psychotherapy
« L’attentat culturel est un jeu d’enfant. Entretien avec Pierre Pinoncelli »
Author(s):
Lambert Dousson (see profile) , Sarah Troche
Date:
2008
Subject(s):
Contemporary art, Performance art
Item Type:
Interview
Il suono, la parola e l'azione di Giuseppe Chiari
Author(s):
Stefano Verri (see profile)
Date:
2020
Subject(s):
20th-century art, 20th century, Art, Art history, Contemporary art, Performance art
Item Type:
Catalog
Tag(s):
Contemporary Classical Music, contemporary critique
The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions
Author(s):
Mateus Yuri Passos (see profile)
Date:
2017
Group(s):
Narrative Studies, Opera in Recording, Opera Stagings, Opera Studies, Richard Wagner Studies
Subject(s):
History of opera, Opera, Opera staging, Performance, Performance art
Item Type:
Article
Tag(s):
Director's Theater, Opera recording, Regietheater, Richard Wagner
Audible Picasso
Author(s):
June Julian (see profile)
Date:
2020
Subject(s):
Sound/sound art, Music notation, Performance art, Contemporary art
Item Type:
Sound recording-non musical
Tag(s):
Picasso, Minotaur
Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions
Author(s):
Yelena Kalinsky (see profile)
Date:
2018
Subject(s):
Performance art, Moscow conceptualism, Art history, Contemporary art, Russian and Soviet art, Performance studies
Item Type:
Essay
Tag(s):
Collective Actions
Who Vibrates?
Author(s):
Christopher Swithinbank (see profile)
Date:
2019
Subject(s):
Music, New materialism, Critical race theory, Performance art, Sound studies
Item Type:
Article
Tag(s):
Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics
Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism
Author(s):
Yelena Kalinsky (see profile)
Date:
2009
Subject(s):
Performance art, Russian and Soviet art, Moscow conceptualism, Alternative cultures
Item Type:
Essay
Tag(s):
exhibition history, conceptual art, artist archives
The Schizoid Objects of Moscow Conceptualism
Author(s):
Yelena Kalinsky (see profile)
Date:
2016
Subject(s):
Moscow conceptualism, Sculpture, Performance art, Performing objects, Russian and Soviet art
Item Type:
Book chapter
Tag(s):
schizoid, performance objects, unofficial art
Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group
Author(s):
Yelena Kalinsky (see profile)
Date:
2013
Subject(s):
Performance art, Russian and Soviet art, Moscow conceptualism, Documentation, Performance studies
Item Type:
Article
Tag(s):
Collective Actions, late-Soviet
Christina McPhee: A Commonplace Book
Editor(s):
Eileen Joy (see profile)
Date:
2017
Group(s):
Cultural Studies, Environmental Humanities, Feminist Humanities
Subject(s):
Art (studio), Cultural theory, Environmental aesthetics, Media arts, Performance art
Item Type:
Book
Performance Art nach 1945. Intermedia und Aktionstheater.
Author(s):
Thomas Dreher (see profile)
Date:
2001
Group(s):
History of Art
Subject(s):
Intermedia, Performance art
Item Type:
Book
Tag(s):
Action Theatre, Happenings, Participation, Participation Art
Dares as Ethical Operations.
Author(s):
Valeria Graziano (see profile)
Date:
2017
Group(s):
Cultural Studies, Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies, Critical dance performance, Visual culture, Cultural studies, Performance art, Performance, Affect, Dance
Item Type:
Book chapter
Tag(s):
dare
Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance
Author(s):
Rea Dennis, Garrett Lynch (see profile)
Date:
2014
Group(s):
Networked Art
Subject(s):
Contemporary art, New media arts, Performance art
Item Type:
Conference proceeding
Tag(s):
Conference, Networked Art, Networked Performance, New Media Art
HFT The Gardener: A Network of Financial Trading, Drugs and Botany
Author(s):
Garrett Lynch (see profile)
Date:
2017
Group(s):
Networked Art
Subject(s):
Contemporary art, New media arts, Performance art
Item Type:
Review
Tag(s):
Exhibition Review, Networked Art, Suzanne Treister
Remote Encounters: a report about networking practitioners
Author(s):
Garrett Lynch (see profile)
Date:
2014
Group(s):
Networked Art
Subject(s):
New media arts, Performance art, Transdisciplinary research
Item Type:
Article
Tag(s):
Networked Art, Networking, New Media Art, Virtual Worlds
Technology, Poetry, Mystery, and Pleasure
Author(s):
Anne Swartz (see profile)
Date:
2018
Group(s):
Women in the Arts
Subject(s):
Contemporary art, Performance art
Item Type:
Article
Exhibition Review: 'Chinese Whispers', immersive installation-based performance directed by Rani Pramesti, Footscray, 2014
Author(s):
Karen Schamberger (see profile)
Date:
2015
Subject(s):
Indonesian/Malay culture, Migration studies, Oral history, Performance art, Race
Item Type:
Other
Tag(s):
anti-Chinese riots, Chinese Indonesians, Racism
Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)
Author(s):
Andrés David Montenegro Rosero (see profile)
Date:
2017
Subject(s):
Contemporary art, Art history, Performance and politics, Performance art
Item Type:
Book chapter
Tag(s):
Tania Bruguera, Behaviour Art, Arte de Conducta, Cuba
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina, Irina Schulzki (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film, Media studies, Body politics, Film theory, Performance art
Item Type:
Article
Tag(s):
gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies
Canadian Winter
Author(s):
Laurie Ringer (see profile)
Date:
2011
Subject(s):
Abstract expressionism, Critical making, Digital arts, Performance art, Theory
Item Type:
Image
Tag(s):
embodiment, affect, ecologies, perception, becoming
Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus
Author(s):
Roberta Mock (see profile)
Date:
2010
Group(s):
Cultural Studies, Performance Studies
Subject(s):
Gender and sexualities, Performance and politics, Performance art, Queer theatre
Item Type:
Book chapter
Tag(s):
Georges Bataille, La Fura dels Baus, Marquis de Sade, Ron Athey, Theatre Studies
Lynn Hershman and the Creation of Multiple Robertas
Author(s):
Roberta Mock (see profile)
Date:
2012
Group(s):
Performance Studies
Subject(s):
20th century, Art history, Gender studies, Performance art
Item Type:
Book chapter
Tag(s):
alter ego, digital performance, Lynn Hershman, second life
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock (see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art, Performance studies, Theatre and society, Theatre history, Theatre theory
Item Type:
Abstract
Tag(s):
Book of Abstracts, Conference, Performance Studies, Theatre Studies
MayDay: VestAndPage Workshop Concept, Theory and Practice
Author(s):
Andrea Pagnes (see profile) , Verena Stenke, Valentin Torrens
Date:
2014
Group(s):
Education and Pedagogy
Subject(s):
Academic freedom, Art teacher education, Performance art, Performance studies, Performing arts
Item Type:
Book chapter
Tag(s):
collaborative learning, education, experimentation, performativity, teaching

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