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Il suono, la parola e l'azione di Giuseppe Chiari
Author(s):
Stefano Verri
(see profile)
Date:
2020
Subject(s):
20th-century art
,
20th century
,
Art
,
Art history
,
Contemporary art
,
Performance art
Item Type:
Catalog
Tag(s):
Contemporary Classical Music
,
contemporary critique
The world in a bottle and the archeology of staging: audiovisual recording as registers of opera productions
Author(s):
Mateus Yuri Passos
(see profile)
Date:
2017
Group(s):
Narrative Studies
,
Opera in Recording
,
Opera Stagings
,
Opera Studies
,
Richard Wagner Studies
Subject(s):
History of opera
,
Opera
,
Opera staging
,
Performance
,
Performance art
Item Type:
Article
Tag(s):
Director's Theater
,
Opera recording
,
Regietheater
,
Richard Wagner
Audible Picasso
Author(s):
June Julian
(see profile)
Date:
2020
Subject(s):
Sound/sound art
,
Music notation
,
Performance art
,
Contemporary art
Item Type:
Sound recording-non musical
Tag(s):
Picasso
,
Minotaur
Pencil Marks on a Field: Form and Support in Late Soviet Participatory Performance by Collective Actions
Author(s):
Yelena Kalinsky
(see profile)
Date:
2018
Subject(s):
Performance art
,
Moscow conceptualism
,
Art history
,
Contemporary art
,
Russian and Soviet art
,
Performance studies
Item Type:
Essay
Tag(s):
Collective Actions
Who Vibrates?
Author(s):
Christopher Swithinbank
(see profile)
Date:
2019
Subject(s):
Music
,
New materialism
,
Critical race theory
,
Performance art
,
Sound studies
Item Type:
Article
Tag(s):
Carolyn Chen
,
experimental music
,
embodied difference
,
white aurality
,
race and aesthetics
Invisible Exhibitions: Performance & the Archive in Moscow Conceptualism
Author(s):
Yelena Kalinsky
(see profile)
Date:
2009
Subject(s):
Performance art
,
Russian and Soviet art
,
Moscow conceptualism
,
Alternative cultures
Item Type:
Essay
Tag(s):
exhibition history
,
conceptual art
,
artist archives
The Schizoid Objects of Moscow Conceptualism
Author(s):
Yelena Kalinsky
(see profile)
Date:
2016
Subject(s):
Moscow conceptualism
,
Sculpture
,
Performance art
,
Performing objects
,
Russian and Soviet art
Item Type:
Book chapter
Tag(s):
schizoid
,
performance objects
,
unofficial art
Drowning in Documents: Action, Documentation, and Factography in Early Work by the Collective Actions Group
Author(s):
Yelena Kalinsky
(see profile)
Date:
2013
Subject(s):
Performance art
,
Russian and Soviet art
,
Moscow conceptualism
,
Documentation
,
Performance studies
Item Type:
Article
Tag(s):
Collective Actions
,
late-Soviet
Christina McPhee: A Commonplace Book
Editor(s):
Eileen Joy
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Environmental Humanities
,
Feminist Humanities
Subject(s):
Art (studio)
,
Cultural theory
,
Environmental aesthetics
,
Media arts
,
Performance art
Item Type:
Book
Performance Art nach 1945. Intermedia und Aktionstheater.
Author(s):
Thomas Dreher
(see profile)
Date:
2001
Group(s):
History of Art
Subject(s):
Intermedia
,
Performance art
Item Type:
Book
Tag(s):
Action Theatre
,
Happenings
,
Participation
,
Participation Art
Dares as Ethical Operations.
Author(s):
Valeria Graziano
(see profile)
Date:
2017
Group(s):
Cultural Studies
,
Festivals, Rituals, Public Spectacles, and Popular Culture
Subject(s):
Performance studies
,
Critical dance performance
,
Visual culture
,
Cultural studies
,
Performance art
,
Performance
,
Affect
,
Dance
Item Type:
Book chapter
Tag(s):
dare
Remote Encounters: Connecting bodies, collapsing spaces and temporal ubiquity in networked performance
Author(s):
Rea Dennis
,
Garrett Lynch
(see profile)
Date:
2014
Group(s):
Networked Art
Subject(s):
Contemporary art
,
New media arts
,
Performance art
Item Type:
Conference proceeding
Tag(s):
Conference
,
Networked Art
,
Networked Performance
,
New Media Art
HFT The Gardener: A Network of Financial Trading, Drugs and Botany
Author(s):
Garrett Lynch
(see profile)
Date:
2017
Group(s):
Networked Art
Subject(s):
Contemporary art
,
New media arts
,
Performance art
Item Type:
Review
Tag(s):
Exhibition Review
,
Networked Art
,
Suzanne Treister
Remote Encounters: a report about networking practitioners
Author(s):
Garrett Lynch
(see profile)
Date:
2014
Group(s):
Networked Art
Subject(s):
New media arts
,
Performance art
,
Transdisciplinary research
Item Type:
Article
Tag(s):
Networked Art
,
Networking
,
New Media Art
,
Virtual Worlds
Technology, Poetry, Mystery, and Pleasure
Author(s):
Anne Swartz
(see profile)
Date:
2018
Group(s):
Women in the Arts
Subject(s):
Contemporary art
,
Performance art
Item Type:
Article
Exhibition Review: 'Chinese Whispers', immersive installation-based performance directed by Rani Pramesti, Footscray, 2014
Author(s):
Karen Schamberger
(see profile)
Date:
2015
Subject(s):
Indonesian/Malay culture
,
Migration studies
,
Oral history
,
Performance art
,
Race
Item Type:
Other
Tag(s):
anti-Chinese riots
,
Chinese Indonesians
,
Racism
Arte de Conducta: On Tania Bruguera’s Tatlin’s Whisper series (2006-present)
Author(s):
Andrés David Montenegro Rosero
(see profile)
Date:
2017
Subject(s):
Contemporary art
,
Art history
,
Performance and politics
,
Performance art
Item Type:
Book chapter
Tag(s):
Tania Bruguera
,
Behaviour Art
,
Arte de Conducta
,
Cuba
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina
,
Irina Schulzki
(see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film
,
Media studies
,
Body politics
,
Film theory
,
Performance art
Item Type:
Article
Tag(s):
gesture
,
Giorgio Agamben
,
Sergei Eisenstei
,
political art
,
East European Studies
Canadian Winter
Author(s):
Laurie Ringer
(see profile)
Date:
2011
Subject(s):
Abstract expressionism
,
Critical making
,
Digital arts
,
Performance art
,
Theory
Item Type:
Image
Tag(s):
embodiment
,
affect
,
ecologies
,
perception
,
becoming
Visions of Xs: Experiencing La Fura dels Baus's XXX and Ron Athey’s Solar Anus
Author(s):
Roberta Mock
(see profile)
Date:
2010
Group(s):
Cultural Studies
,
Performance Studies
Subject(s):
Gender and sexualities
,
Performance and politics
,
Performance art
,
Queer theatre
Item Type:
Book chapter
Tag(s):
Georges Bataille
,
La Fura dels Baus
,
Marquis de Sade
,
Ron Athey
,
Theatre Studies
Lynn Hershman and the Creation of Multiple Robertas
Author(s):
Roberta Mock
(see profile)
Date:
2012
Group(s):
Performance Studies
Subject(s):
20th century
,
Art history
,
Gender studies
,
Performance art
Item Type:
Book chapter
Tag(s):
alter ego
,
digital performance
,
Lynn Hershman
,
second life
Book of Abstracts: TaPRA (Theatre & Performance Research Association) Conference 2009
Editor(s):
Roberta Mock
(see profile)
Date:
2009
Group(s):
Performance Studies
Subject(s):
Performance art
,
Performance studies
,
Theatre and society
,
Theatre history
,
Theatre theory
Item Type:
Abstract
Tag(s):
Book of Abstracts
,
Conference
,
Performance Studies
,
Theatre Studies
MayDay: VestAndPage Workshop Concept, Theory and Practice
Author(s):
Andrea Pagnes
(see profile)
,
Verena Stenke
,
Valentin Torrens
Date:
2014
Group(s):
Education and Pedagogy
Subject(s):
Academic freedom
,
Art teacher education
,
Performance art
,
Performance studies
,
Performing arts
Item Type:
Book chapter
Tag(s):
collaborative learning
,
education
,
experimentation
,
performativity
,
teaching
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