Deposits – Humanities Commons

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Franz Marc and August Macke: 1909-1914
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Der Blaue Reiter
Subject(s):
Expressionism, German modernism, Painting, Franz Marc, August Macke
Item Type:
Review
Tag(s):
museum exhibitions, Neue Galerie, avant-gard, Wassily Kandinsky, exhibition catal
Modern Masters and Gurlitt Status Report
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Der Blaue Reiter
Subject(s):
Museums, Modernism, Painting, World War II, Art history, 20th century
Item Type:
Review
Tag(s):
book review
Mernet Larsen: Getting Measured 1957-2017
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Feminist Humanities
Subject(s):
Art criticism, Painting, Museums, Contemporary art, 20th century, Modernism
Item Type:
Review
Tag(s):
women artists, museum exhibitions, retrospective, mernet larsen
The Tempest and the Savages: Franz Marc, Hugo Ball, and a Decisive Moment in Dada-Expressionist Theater With a Special Appearance by August Macke
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Der Blaue Reiter
Subject(s):
Art history, Expressionism, Dada, Shakespeare, Painting
Item Type:
Article
Tag(s):
franz marc, August Macke, Hugo Ball, The Tempest, Masks
Modigliani
Author(s):
Jean Marie Carey (see profile)
Date:
2018
Group(s):
Der Blaue Reiter
Subject(s):
Art history, Italian art, Painting, Exhibtions, Avant-garde
Item Type:
Review
Tag(s):
Sculpture, Modigliani, Art critic, museums, nudes
“Inevitable Grottoes”: Modern Paintings and Wasted Space
Author(s):
Maura Coughlin (see profile)
Date:
2009
Subject(s):
Painting, Landscape, French studies, Ecology
Item Type:
Article
Tag(s):
Van Gogh, Cezanne, Smithson, Quarries, Ruins
Catalogue Entries--"Early Modern Faces" Exhibition at Newcomb Gallery, 2014
Author(s):
Sonya Wohletz (see profile)
Date:
2017
Group(s):
History of Art
Subject(s):
Art history, Early Modern, Painting
Item Type:
Essay
How Franz Marc Returns
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Group(s):
Der Blaue Reiter, German Literature and Culture
Subject(s):
20th century, Animal studies, Art history, German history, Painting
Item Type:
Dissertation
Tag(s):
biography, Einfühlung, Franz Marc, Nachträglichkeit, domestic animals
Affen in Eden
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Group(s):
Der Blaue Reiter, Digital Humanists, German Literature and Culture
Subject(s):
20th century, Art history, Expressionism, German history, Painting
Item Type:
Article
Tag(s):
August Macke, Avant-garde, Franz Marc, friendship, Germany
A Look at John Chamberlain’s Lacquer Paintings
Author(s):
Adrian Kohn (see profile)
Date:
2009
Group(s):
History of Art
Subject(s):
Art criticism, Art history, Painting
Item Type:
Book chapter
Jahangir Heroically Killing Poverty: Pictorial Sources and Pictorial Tradition in Mughal Allegorical Portraiture
Author(s):
Jasper van Putten (see profile)
Date:
2009
Group(s):
History of Art
Subject(s):
Art history, Islamic studies, Painting, Printing, Renaissance art
Item Type:
Book chapter
Tag(s):
16th Century, 17th Century, Indian Studies, painting, print culture
Visionaries: Creating a Modern Guggenheim
Author(s):
Jean Marie Carey (see profile)
Date:
2016
Group(s):
Der Blaue Reiter, German Literature and Culture, Italian Futurism
Subject(s):
Art criticism, Art history, German modernism, Museums, Painting
Item Type:
Review
Tag(s):
20th Century, collecting, German Modernism, modernism, New York City
Franz Marc as an Ethologist
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Group(s):
Der Blaue Reiter, Digital Humanists, Feminist Humanities, German Literature and Culture
Subject(s):
Animal rights, Art history, Germanic culture, German modernism, Painting
Item Type:
Thesis
Tag(s):
Franz Marc, Ethology, Animal Studies, Animalisierung, Einfühlung
Max Beckmann in New York
Author(s):
Jean Marie Carey (see profile)
Date:
2017
Group(s):
Der Blaue Reiter, German Literature and Culture, Italian Futurism
Subject(s):
Expressionism, German modernism, Museums, Painting
Item Type:
Review
Tag(s):
20th Century, East Germany, modernism, New Objectivity, New York City

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