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Criar cuervos
Author(s):
Tyler Fisher (see profile)
Date:
2015
Subject(s):
Short stories, Short story (genre), Experimental approaches to literature, Ancient fiction, North Africa
Item Type:
Fictional work
Contextuality, Contextualization and the New Christians of Tunis
Author(s):
Duane Alexander Miller (see profile)
Date:
2016
Subject(s):
Africa, Christianity, Religion, African religions, North Africa
Item Type:
Article
Tag(s):
Religious Conversion, Evangelicalism, Tunis
Performing ‘L-ʿalwa’: a sacred and erotic journey in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2017
Group(s):
Ethnomusicology, Gender Studies, Islamicate Studies, Music and Sound
Subject(s):
Ethnomusicology, Islamic mysticissm, North Africa, Poetics and poetry, Women and performance
Item Type:
Article
Tag(s):
Morocco
EMBODYING THE COUNTRYSIDE IN AIṬA ḤAṢBAWIYA (MOROCCO)
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
North Africa, Voice, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Countryside, Morocco, Rural sound
The Study of Women and Music in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Morocco
"The Text Must Remain the Same": History, Collective Memory, and Sung Poetry in Morocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2012
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Poetry, Women and performance
Item Type:
Article
Tag(s):
Morocco
Una panoramica delle musiciste professioniste in Marocco
Author(s):
Alessandra Ciucci (see profile)
Date:
2008
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
women in music, women in performance
De-orientalizing the ‘Aita and Re-orienting the Shikhat
Author(s):
Alessandra Ciucci (see profile)
Date:
2010
Group(s):
Ethnomusicology, Gender Studies, Postcolonial Studies
Subject(s):
Ethnomusicology, North Africa, Orientalism, Postcolonialism, Women's studies
Item Type:
Book chapter
Les musiciennes professionnelles au Maroc
Author(s):
Alessandra Ciucci (see profile)
Date:
2010
Group(s):
Ethnomusicology, Gender Studies, Music and Sound
Subject(s):
Ethnomusicology, North Africa, Women's studies, Women and performance
Item Type:
Article
Tag(s):
Morocco
The Agency of Muslim Women in the Narrative of Cervantes
Author(s):
Minni Sawhney (see profile)
Date:
2005
Group(s):
Early Modern Iberia, LLC 16th- and 17th-Century Spanish and Iberian Drama
Subject(s):
Islam, North Africa, Cervantes
Item Type:
Article
Tag(s):
Captivity plays, Algiers
La evolución de la sensibilidad islámica en el teatro de Cervantes
Author(s):
Minni Sawhney (see profile)
Date:
2005
Group(s):
Early Modern Iberia, LLC 16th- and 17th-Century Spanish and Iberian Drama
Subject(s):
17th-century Spanish theater, Spanish culture, Islam, North Africa
Item Type:
Conference proceeding
Tag(s):
Miguel de Cervantes, Captivity plays
Bourdieu and Islam(ism) in Algeria
Author(s):
Ghilène HAZEM (see profile)
Date:
2018
Subject(s):
Sociology of peace, war, and social conflict, Religion and violence, North Africa, Algeria, Bourdieu, Sociology
Item Type:
Conference paper
Tag(s):
Political Islam

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