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An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study - video of demonstration
Author(s):
Laurence Dreyfus, David Lews, Kevin Page (see profile)
Date:
2020
Group(s):
DH2020, Linked Open Data
Subject(s):
Digital musicology, Linked open data, Music, Musicology
Item Type:
Video
An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study
Author(s):
Laurence Dreyfus, David Lewis, Kevin Page (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Digital musicology, Linked open data, Music, Musicology
Item Type:
Conference poster
[POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances
Author(s):
Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey
Date:
2020
Group(s):
DH2020
Subject(s):
Digital humanities, Multimedia, Musicology, Performance studies
Item Type:
Other
Tag(s):
interactive, Japanese Art History
Music by Zbigniew Preisner? Fictional composers and compositions in the Kieślowski collaborations
Author(s):
Jonathan Godsall (see profile)
Date:
2017
Subject(s):
Music, Film music, Musicology
Item Type:
Book chapter
Tag(s):
Preisner, Fictional authors, Composer
Continuidade do repertório polifónico na Catedral de Évora no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Polyphony, Sacred music, Music, Musicology, Stile Antico
Item Type:
Book chapter
Tag(s):
Évora Cathedral
Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Music, Musicology, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook
Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860
Author(s):
Jack Blaszkiewicz (see profile)
Date:
2020
Group(s):
American Musicological Society
Subject(s):
Musicology, French, Music and Society, French music, Urban history
Item Type:
Article
Tag(s):
Second Empire, nineteenth-century music
Annotated Bibliography of African American Carillon Music
Author(s):
Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music
Item Type:
Bibliography
Tag(s):
racial equity, Negro spirituals, gospel music, ragtime
The Vernacular Tune Book Collection of Samuel P. Bayard at The Pennsylvania State University
Author(s):
Carl Rahkonen (see profile)
Date:
2015
Group(s):
Music Library Association
Subject(s):
19th-century music, British music, Folk music, Music history, Musicology, Music publishing
Item Type:
Article
Tag(s):
Pennsylvania State University, Popular music, Samuel Bayard, Tune books, vernacular music
Appendix 6 - African American Art Song Resource List
Author(s):
Caroline Helton, Emery Stephens (see profile)
Date:
2020
Group(s):
American Musicological Society, Ethnomusicology, Music Library Association
Subject(s):
African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance
Item Type:
Online publication
Tag(s):
African American music, Black poetry, Music bibliographies, Music composers
Tonality in Steve Reich's Nagoya Marimbas
Author(s):
Sean Atkinson (see profile)
Date:
2020
Subject(s):
Music theory, Musicology
Item Type:
Article
Tag(s):
minimalism, steve reich, tonality
'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)
Author(s):
Neil Gregor (see profile) , Thomas Irvine
Date:
2019
Group(s):
Cultural Studies, History, Music and Sound
Subject(s):
Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history
Item Type:
Book chapter
Tag(s):
Theatre Studies
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou (see profile)
Date:
2019
Group(s):
Ethnomusicology, Improvisation and Composition, Music and Sound, Society for Music Theory (SMT)
Subject(s):
Music and philosophy, Music notation, Music performance, Musicology, Composition
Item Type:
Conference paper
Tag(s):
assemblage, usership, Improvisation, comprovisation as sun-schediasmos
Ecos da Sé de Angra" em Angra do Heroísmo
Author(s):
Luís Henriques (see profile)
Date:
2019
Subject(s):
Musicology, Music, Exhibtions, Polyphony, Sacred music
Item Type:
Article
Tag(s):
Plainchant
Matéria e Transcendência: Espiritualidade na Música e nas Artes Plásticas dos séculos XX e XXI
Author(s):
Telles Ana, Luís Henriques (see profile) , Afonso Luís, Leão Ricardo Sá, Leandro Sandra
Date:
2019
Subject(s):
Musicology, Music, Composition, Art history, 20th century, 21st century, Painting
Item Type:
Abstract
Tag(s):
Instrumental Music
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
A antífona Recordare, Virgo Mater: Prática musical mariana na Sé de Évora no final do século XVII e século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Historical Soundscape Studies, Music and Sound, Music in Évora studies
Subject(s):
Musicology, Music, 18th century, Sacred music
Item Type:
Book chapter
Tag(s):
soundscapes, Évora Cathedral, Mabinogi
Um órgão para a Igreja do Carmo: Exemplo de uma nova dinâmica musical nas instituições religiosas da Horta na segunda metade do século XIX
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, Organology, 19th century, Sacred music
Item Type:
Article
Tag(s):
Organ, Instrumental Music, azores
I EINEM - Encontro Internacional de Investigação de Estudantes em Música e Musicologia
Author(s):
CESEM/UÉvora (see profile)
Editor(s):
Rita Faleiro, Luís Henriques, Eduardo Lopes, João Silva
Date:
2019
Subject(s):
Musicology, Music, Cultural musicology
Item Type:
Abstract
Tag(s):
University of Évora, Évora
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music history, Musicology, Music theory, Popular Music Studies
Item Type:
Review
Triple review of Edward Macan, Rockin’ the Classics: Progressive Rock and the Counterculture; Paul Stump, The Music’s All That Matters: A History of Progressive Rock; and Bill Martin, Listening to the Future: The Time of Progressive Rock, 1968-78, MLA Notes (September 1998).
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music history, Musicology, Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education, Music history, Musicology, Music theory
Item Type:
Review

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