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A Colegiada de Nossa Senhora da Conceição de Angra: A sua atividade musical e localização na paisagem sonora da cidade no final do século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 18th century, Sacred music
Item Type:
Article
Tag(s):
Soundscapes, Plainchant, Angra do Heroísmo, azores
The Body in the Library: Review of Richard Wagner Sämtliche Werke, in _The Wagner Journal_ 11/3 (Nov., 2017), guest ed. Tash Siddiqui, 86-92.
Author(s):
Jeremy Coleman (see profile)
Date:
2017
Group(s):
International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub
Subject(s):
Musicology, Editing, Opera, German theatre
Item Type:
Review
Review of: Eva Rieger, _Richard Wagner’s Women_, trans. Chris Walton (Boydell Press, 2011); and Laurence Dreyfus, _Wagner and the Erotic Impulse_ (Harvard University Press, 2010), in Current Musicology, No. 93 (Fall. 2013), 125-36.
Author(s):
Jeremy Coleman (see profile)
Date:
2013
Group(s):
International Musicological Society (IMS)
Subject(s):
Musicology, Feminism, Sexuality, Gender, Opera
Item Type:
Review
A paisagem sonora de Angra no século XVII: Uma perspectiva a partir da actividade das suas instituições religiosas
Author(s):
Luís Henriques (see profile)
Date:
2017
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 17th century, Sacred music
Item Type:
Article
Tag(s):
Soundscapes, Angra do Heroísmo, Azores
‘In ein fernes Land’: The Politics of Translation in Wagner’s Arrangement of Gluck’s Iphigénie en Aulide
Author(s):
Jeremy Coleman (see profile)
Date:
2019
Group(s):
Global & Transnational Studies, International Musicological Society (IMS), Music History/Musicology Pedagogy Resource Hub, Society for Music Theory (SMT)
Subject(s):
Historical musicology, Musicology, National identity, Opera, Translation
Item Type:
Article
As parentelas e a aprendizagem da música entre a cidade de Évora e o Mosteiro de S. Bento de Cástris: o caso de António Rodrigues Vilalva
Author(s):
Luís Henriques (see profile)
Date:
2020
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, 17th-century music, Family
Item Type:
Book chapter
Tag(s):
Évora, S. Bento de Cástris, Music Learning
Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment
Item Type:
Video
Tag(s):
rhythm and meter, Time and temporality
Cultural Diversity and the Musical Representation of California in Regional 1970s Television
Author(s):
Kendra Leonard (see profile)
Date:
2020
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Society for Music Theory (SMT)
Subject(s):
Musicology, Film music, Television, Animation, Race
Item Type:
Conference paper
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
History of opera, Musicology, Music theory
Item Type:
Article
Tag(s):
abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci
Using Your "Research Pantry"
Author(s):
Kendra Leonard (see profile)
Date:
2020
Group(s):
American Musicological Society, Music Library Association, Society for Music Theory (SMT)
Subject(s):
Musicology, Digital humanities
Item Type:
Conference paper
Racconto letterario e “racconto musicale”: evidenze analogiche nella Decima Sinfonia di Mahler
Author(s):
Angelo Pinto (see profile)
Date:
2020
Subject(s):
Musicology
Item Type:
Conference paper
The Life of Teresa Carreño (1853–1917), a Venezuelan Prodigy and Acclaimed Artist
Author(s):
Anna Kijas (see profile)
Date:
2019
Group(s):
American Musicological Society, Music Library Association
Subject(s):
Musicology, Music performance, Women and performance, Biography
Item Type:
Article
Tag(s):
women composers, women pianists, Latin American musicians
“This Is Ghetto Row”: Musical Segregation in American College Football
Author(s):
John Michael McCluskey (see profile)
Date:
2020
Group(s):
American Musicological Society, Ethnomusicology, Music and Sound
Subject(s):
Music, Musicology, Ethnomusicology, Sport, Higher education, Race, Politics, Ethnography
Item Type:
Article
Tag(s):
College Football, Soundscapes
An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study - video of demonstration
Author(s):
Laurence Dreyfus, David Lews, Kevin Page (see profile)
Date:
2020
Group(s):
DH2020, Linked Open Data
Subject(s):
Digital musicology, Linked open data, Music, Musicology
Item Type:
Video
An interactive multimedia companion to Wagner’s Lohengrin: encoding and visualising a motivic study
Author(s):
Laurence Dreyfus, David Lewis, Kevin Page (see profile)
Date:
2020
Group(s):
DH2020
Subject(s):
Digital musicology, Linked open data, Music, Musicology
Item Type:
Conference poster
[POSTER] Noh as Intermedia: Interactive Multi-Scale, Multimedia Analyses of Full-Length Noh Theater Performances
Author(s):
Vijoy Abraham, Scott Bailey, Peter Broadwell (see profile) , Javier de la Rosa, Takanori Fujita, Jarosław Kapuściński, Juan Pablo López Franco, François Rose, Simon Wiles, Glen Worthey
Date:
2020
Group(s):
DH2020
Subject(s):
Digital humanities, Multimedia, Musicology, Performance studies
Item Type:
Other
Tag(s):
interactive, Japanese Art History
Music by Zbigniew Preisner? Fictional composers and compositions in the Kieślowski collaborations
Author(s):
Jonathan Godsall (see profile)
Date:
2017
Subject(s):
Music, Film music, Musicology
Item Type:
Book chapter
Tag(s):
Preisner, Fictional authors, Composer
Continuidade do repertório polifónico na Catedral de Évora no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in Évora studies
Subject(s):
Polyphony, Sacred music, Music, Musicology, Stile Antico
Item Type:
Book chapter
Tag(s):
Évora Cathedral
Património musical na Catedral de Angra no século XVII: Três livros de polifonia vocal sacra e o seu possível contexto
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Music, Musicology, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
soundscapes, Angra Cathedral, Angra do Heroísmo, Choirbook
Listening to the Old City: Street Cries and Urbanization in Paris, ca. 1860
Author(s):
Jack Blaszkiewicz (see profile)
Date:
2020
Group(s):
American Musicological Society
Subject(s):
Musicology, French, Music and Society, French music, Urban history
Item Type:
Article
Tag(s):
Second Empire, nineteenth-century music
Annotated Bibliography of African American Carillon Music
Author(s):
Tiffany Ng (see profile)
Date:
2019
Group(s):
American Musicological Society, Music and Sound, Open Music
Subject(s):
Campanology, African American cultural studies, Diversity studies, Musicology, Music performance, Classical music
Item Type:
Bibliography
Tag(s):
racial equity, Negro spirituals, gospel music, ragtime
The Vernacular Tune Book Collection of Samuel P. Bayard at The Pennsylvania State University
Author(s):
Carl Rahkonen (see profile)
Date:
2015
Group(s):
Music Library Association
Subject(s):
19th-century music, British music, Folk music, Music history, Musicology, Music publishing
Item Type:
Article
Tag(s):
Pennsylvania State University, Popular music, Samuel Bayard, Tune books, vernacular music
Appendix 6 - African American Art Song Resource List
Author(s):
Caroline Helton, Emery Stephens (see profile)
Date:
2020
Group(s):
American Musicological Society, Ethnomusicology, Music Library Association
Subject(s):
African American culture, Harlem Renaissance, Music composition, Music libraries, Musicology, Music performance
Item Type:
Online publication
Tag(s):
African American music, Black poetry, Music bibliographies, Music composers
Tonality in Steve Reich's Nagoya Marimbas
Author(s):
Sean Atkinson (see profile)
Date:
2020
Subject(s):
Music theory, Musicology
Item Type:
Article
Tag(s):
minimalism, steve reich, tonality
'Introduction', Neil Gregor and Thomas Irvine (eds) Dreams of Germany. Musical Imaginaries from the Concert Hall to the Dance Floor (New York: Berghahn, 2019)
Author(s):
Neil Gregor (see profile) , Thomas Irvine
Date:
2019
Group(s):
Cultural Studies, History, Music and Sound
Subject(s):
Music history, Musicology, Transnational history, Nationalism, German studies, Music, Film, Queer studies, European history
Item Type:
Book chapter
Tag(s):
Theatre Studies

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