Deposits – Humanities Commons

CORE Search Results Start Search Over

Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421
Author(s):
William O'Hara (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Mozart, Musicology, Music theory
Item Type:
Article
Tag(s):
chamber music
Biagio Marini: Madrigali et Symfonie. By Aurelio Bianco and Sara Dieci.
Author(s):
Rebecca Cypess (see profile)
Date:
2017
Subject(s):
Musicology, Music history
Item Type:
Book review
Tag(s):
musical edition
An Italian in Dresden
Author(s):
Rebecca Cypess (see profile)
Date:
2011
Subject(s):
Musicology, Music history
Item Type:
Book review
Tag(s):
violin music
Review of Carmel Quartet, with Shuli Waterman, viola. Paul Ben-Haim: Chamber Music for Strings. Toccata Classics (TOCC 0214).
Author(s):
Rebecca Cypess (see profile)
Date:
2018
Subject(s):
Jewish studies, Musicology
Item Type:
Review
'Memento mori Froberger?' Locating the self in the passage of time
Author(s):
Rebecca Cypess (see profile)
Date:
2012
Subject(s):
Musicology
Item Type:
Article
Tag(s):
memento mori, timekeeping
"Die Natur und Kunst zu betrachten": Carlo Farina's Capriccio stravagante (1627) and the Cultures of Collecting at the Court of Saxony
Author(s):
Rebecca Cypess (see profile)
Date:
2012
Subject(s):
Musicology, Collecting
Item Type:
Article
Tag(s):
Dresden
Instrumental Music and 'Conversazione' in Early Seicento Venice: Biagio Marini's 'Affetti Musicali' (1617)
Author(s):
Rebecca Cypess (see profile)
Date:
2013
Subject(s):
Musicology, Early modern Italy
Item Type:
Article
Tag(s):
conversation, instrumental music
Giovanni Battista Della Porta’s Experiments with Musical Instruments
Author(s):
Rebecca Cypess (see profile)
Date:
2016
Subject(s):
Musicology, Musical instruments, Science
Item Type:
Article
Tag(s):
natural magic, acoustics
‘It Would Be without Error’: Automated Technology and the Pursuit of Correct Performance in the French Enlightenment
Author(s):
Rebecca Cypess (see profile)
Date:
2017
Subject(s):
Performance practice, Musicology
Item Type:
Article
Tag(s):
automatons, mechanical music, French Enlightenment
KEYBOARD-DUO ARRANGEMENTS IN EIGHTEENTH-CENTURY MUSICAL LIFE
Author(s):
Rebecca Cypess (see profile)
Date:
2017
Subject(s):
Musicology, Performance practice, Music history
Item Type:
Article
Tag(s):
instruments, arrangements
A atividade litúrgico-musical no convento de Nossa Senhora dos Remédios de Évora: o seu papel na paisagem sonora da cidade durante o século XVII
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Polyphony, 17th century
Item Type:
Article
Tag(s):
Discalced Carmelites, Soundscapes, Évora, plainchant
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn (see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory, Deleuze, Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze, sigur ros, rock music
Traditional and Electronic Resources in Music Research
Author(s):
Donna Arnold (see profile)
Date:
2018
Subject(s):
Music libraries, Musicology
Item Type:
Conference paper
Tag(s):
music research
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
Musical, Textual, and Visual Meanings in Bang on a Can's "Lost Objects"
Author(s):
Sean Atkinson (see profile)
Date:
2014
Subject(s):
Musicology, Music theory
Item Type:
Article
Aspects of Otherness in John Adams’s Nixon in China
Author(s):
Sean Atkinson (see profile)
Date:
2013
Subject(s):
China, Musicology, Music theory, Opera
Item Type:
Article
A música no Convento de S. Domingos de Elvas: A leitura possível à luz da organização litúrgico-musical da Ordem dos Pregadores no século XVIII
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Dominican music, Musicology, 18th century, Sacred music
Item Type:
Conference proceeding
Tag(s):
plainchant, organ
The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Palestrina, motet, Paraphrase Mass, Parody mass
A New Approach to the Analysis of Timbre
Author(s):
Megan Lavengood (see profile)
Date:
2017
Subject(s):
Musicology, Music technology, Music theory, Popular Music Studies
Item Type:
Dissertation
Tag(s):
1980s, fm synthesis, synthesizers, timbre, yamaha dx7
Dancing Greek Antiquity in Private and Public: Isadora Duncan's Early Patronage in Paris
Author(s):
Samuel Dorf (see profile)
Date:
2012
Subject(s):
Musicology, Dance history, Queer and gender studies, Reception
Item Type:
Article
Tag(s):
Isadora Duncan, Queer Performance
Atossa’s Dream Yoking Music and Dance, Antiquity and Modernity in Maurice Emmanuel’s Salamine (1929)
Author(s):
Samuel Dorf (see profile)
Date:
2012
Subject(s):
Musicology, Dance history, Ballet, Opera, Aeschylus
Item Type:
Article
Tag(s):
Maurice Emmanuel, Debussy
“Eroticizing Antiquity: Madame Mariquita, Régina Badet and the Dance of the Exotic Greeks from Stage to Popular Press”
Author(s):
Samuel Dorf (see profile)
Date:
2015
Subject(s):
Musicology, Dance history, Fashion, Classics, Gender and sexualities, Ballet, Eroticism
Item Type:
Book chapter
Tag(s):
Costume
Satie, Erik Alfred Leslie (1866-1925), Routledge Encyclopedia of Modernism
Author(s):
Samuel Dorf (see profile)
Date:
2016
Subject(s):
Musicology, Modernism
Item Type:
Other
Tag(s):
Satie
Relações musicais entre os Açores e o Brasil: dois emigrantes de Angra do Heroísmo no Rio de Janeiro
Author(s):
Luís Henriques (see profile)
Date:
2017
Subject(s):
Musicology, Rio de Janeiro, Sacred music
Item Type:
Article
Tag(s):
Azores, Music printing, Angra do Heroísmo
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet, French music, Music analysis, Musicology, Narrative theory
Item Type:
Thesis
Tag(s):
Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis

Viewing item 1 to 25 (of 266 items)

1 2 … 11 →

@

Not recently active