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CORE Search Results Start Search Over

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  • Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment
    Item Type:
    Video
    Tag(s):
    rhythm and meter, Time and temporality

  • Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form

    Author(s):
    Julio Orlando Quimbayo-Bolaños (see profile)
    Date:
    2019
    Subject(s):
    Music analysis, Music theory, Western classical music
    Item Type:
    Thesis
    Tag(s):
    Classical Guitar, Contour Theory, Leo Brouwer, Toru Takemitsu

  • The Volta: A Galant Gesture of Culmination

    Author(s):
    Nathaniel Mitchell (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    History of opera, Musicology, Music theory
    Item Type:
    Article
    Tag(s):
    abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci

  • Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2020
    Group(s):
    Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Pedagogy, Music theory
    Item Type:
    Article
    Tag(s):
    modular curricula, music theory pedagogy

  • Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2016
    Group(s):
    American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music cognition, Embodied cognition, Music theory
    Item Type:
    Book review

  • “The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • "Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music theory, Music history
    Item Type:
    Book chapter

  • “Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.

    Author(s):
    John Covach (see profile)
    Date:
    2020
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Popular Music Studies, Music history, Music theory
    Item Type:
    Book chapter

  • Transforming Space: The Production of Contemporary Syrian Art Music

    Author(s):
    Shayna Silverstein (see profile)
    Date:
    2013
    Group(s):
    Ethnomusicology, Global & Transnational Studies, Global Musical Modernisms
    Subject(s):
    Arabic music, Avant-garde, Ethnomusicology, Modernity, Music theory
    Item Type:
    Book chapter

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video

  • Enacting Musical Time: Chapter 1: Meaning

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
    Item Type:
    Book chapter
    Tag(s):
    affordances, Edmund Husserl, Merleau-Pony

  • Tinctoris’s Minimum opus

    Author(s):
    Rob C. Wegman (see profile)
    Date:
    2020
    Group(s):
    Medieval Polyphony
    Subject(s):
    Medieval music, Music theory
    Item Type:
    Article

  • Oberlin's "Music by Ear" Program

    Author(s):
    Arnie Cox, Megan Kaes Long (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music theory
    Item Type:
    Course material or learning objects
    Tag(s):
    aural skills, ear training, online teaching, music theory pedagogy

  • Tonality in Steve Reich's Nagoya Marimbas

    Author(s):
    Sean Atkinson (see profile)
    Date:
    2020
    Subject(s):
    Music theory, Musicology
    Item Type:
    Article
    Tag(s):
    minimalism, steve reich, tonality

  • Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music theory, Cinematography
    Item Type:
    Book chapter
    Tag(s):
    musical form, Rihanna, Calvin Harris, Emil Nava, music video

  • De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

    Author(s):
    Ryan Taycher (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
    Subject(s):
    Medieval music, Music theory, Music analysis, Music history
    Item Type:
    Dissertation
    Tag(s):
    History of Music Theory, Counterpoint, Ars nova

  • Music, Language, and the Deceptive Charms of Recursive Grammars

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2014
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music, Music and philosophy, Music theory
    Item Type:
    Conference paper
    Tag(s):
    Generative Theory, music and language, recursion

  • The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'

    Author(s):
    Lodewijk Muns (see profile)
    Date:
    2015
    Group(s):
    Society for Music Theory (SMT)
    Subject(s):
    Music cognition, Music theory
    Item Type:
    Book chapter
    Tag(s):
    Fred Lerdahl, heinrich schenker, music cognition and perception, Ray Jackendoff

  • Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings

    Author(s):
    David Neumeyer (see profile)
    Date:
    2015
    Subject(s):
    Music analysis, Music theory
    Item Type:
    Article

  • Early Music Sight Singing Packet

    Author(s):
    Megan Kaes Long (see profile)
    Date:
    2019
    Subject(s):
    Early music, Music theory
    Item Type:
    Course material or learning objects
    Tag(s):
    ear training, aural skills, sight singing, musicianship

  • Timbre, Genre, and Polystylism in Sonic the Hedgehog 3

    Author(s):
    Megan Lavengood (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
    Item Type:
    Book chapter
    Tag(s):
    sega, synthesizers, sound chips, new wave, michael jackson

  • Aural Skills 3 - Film Score Dictation Project

    Author(s):
    Megan Kaes Long (see profile)
    Date:
    2019
    Subject(s):
    Film music, Music theory
    Item Type:
    Course material or learning objects
    Tag(s):
    aural skills, ear training

  • Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.

    Author(s):
    John Covach (see profile)
    Date:
    1991
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

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  • Author
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    • John Covach 34X
    • Julio Orlando Quimbayo-Bolaños 1X
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