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Momigny's Mozart: Language, Metaphor, and Form in an Early Analysis of the String Quartet in D Minor, K. 421
Author(s):
William O'Hara (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory
Subject(s):
Mozart, Musicology, Music theory
Item Type:
Article
Tag(s):
chamber music
Review of Steven Rings, Tonality and Transformation
Author(s):
William O'Hara (see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory, Phenomenology
Item Type:
Book review
Tag(s):
tonality, Transformational theory
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music
Author(s):
Olivia Lucas (see profile)
Date:
2016
Subject(s):
Ecocriticism, Extreme metal music, Music analysis, Music theory, Sound studies
Item Type:
Dissertation
HEARING HEIMA: ECOLOGICAL AND ECOCRITICAL APPROACHES TO MEANING IN THREE ICELANDIC MUSIC VIDEOS
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Book chapter
Tag(s):
iceland, music video, Popular music, rock harmony, björk
BEATS THAT COMMUTE: ALGEBRAIC AND KINESTHETIC MODELS FOR MATH-ROCK GROOVES
Author(s):
Brad Osborn (see profile)
Date:
2010
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
rhythm and meter, Rhythm, meter, math rock, radiohead
Becoming-Music, Becoming-Intimate, Becoming-Imperceptible
Author(s):
Brad Osborn (see profile)
Date:
2012
Group(s):
Society for Music Theory
Subject(s):
Music theory, Deleuze, Musicology
Item Type:
Article
Tag(s):
Gilles Deleuze, sigur ros, rock music
Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres
Author(s):
Brad Osborn (see profile)
Date:
2011
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead, art rock, post-rock
Kid Algebra: Radiohead's Euclidean and Maximally Even Rhythms
Author(s):
Brad Osborn (see profile)
Date:
2014
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
maximally even, Rhythm, rhythm and meter, Meter, radiohead
Subverting the Verse–Chorus Paradigm: Terminally Climactic Forms in Recent Rock Music
Author(s):
Brad Osborn (see profile)
Date:
2013
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
form, rock music, radiohead
ROCK HARMONY RECONSIDERED: TONAL, MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD
Author(s):
Brad Osborn (see profile)
Date:
2017
Group(s):
Society for Music Theory
Subject(s):
Music theory
Item Type:
Article
Tag(s):
harmony and voice-leading, rock harmony, Popular music, radiohead
Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'
Author(s):
Ryan Taycher (see profile)
Date:
2013
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
Tag(s):
Edward Elgar, Schenkerian analysis
Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf
Author(s):
Ryan Taycher (see profile)
Date:
2012
Subject(s):
Lieder, Music analysis, Music theory
Item Type:
Article
Tag(s):
Hugo Wolf, Schenkerian analysis
Musical Mimesis in Orphans of the Storm
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Musicology, 20th-century film, American cultural studies, Film music, Music theory, Film
Item Type:
Article
Review of Christopher Doll Hearing Harmony: Toward a Tonal Theory for the Rock Era
Author(s):
Brad Osborn (see profile)
Date:
2018
Subject(s):
Music theory
Item Type:
Book review
Tag(s):
chords, harmony and voice-leading, rock harmony, rock music, schema theory
Musical, Textual, and Visual Meanings in Bang on a Can's "Lost Objects"
Author(s):
Sean Atkinson (see profile)
Date:
2014
Subject(s):
Musicology, Music theory
Item Type:
Article
Aspects of Otherness in John Adams’s Nixon in China
Author(s):
Sean Atkinson (see profile)
Date:
2013
Subject(s):
China, Musicology, Music theory, Opera
Item Type:
Article
Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century
Author(s):
Catherine Jeffreys (see profile)
Date:
2018
Subject(s):
Chant, Historical musicology, Medieval music, Music theory
Item Type:
Article
Tag(s):
Guy of Saint-Denis, Johannes de Grocheio, Medieval University of Paris
A New Approach to the Analysis of Timbre
Author(s):
Megan Lavengood (see profile)
Date:
2017
Subject(s):
Musicology, Music technology, Music theory, Popular Music Studies
Item Type:
Dissertation
Tag(s):
1980s, fm synthesis, synthesizers, timbre, yamaha dx7
Some Transformational Representations on Elliott Carter’s Tempi Counterpoint
Author(s):
Erik Baqueiro-Victorín (see profile)
Date:
2018
Subject(s):
Music analysis, Music theory, Theories of time and temporality, Music composition
Item Type:
Conference paper
Tag(s):
Elliott Carter, Transformational theory, Transformational networks
Perception, Pitch, and Musical Chords
Author(s):
Mark Yeary (see profile)
Date:
2011
Subject(s):
Music theory, Music cognition
Item Type:
Dissertation
The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation
Author(s):
Eamonn Bell (see profile)
Date:
2013
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
The Innovations of Ruth Crawford Seeger
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
American Musicological Society
Subject(s):
Historical musicology, Music theory
Item Type:
Blog Post
A voz e o corpo performativo no "Compendio Musico" de Manoel de Moraes Pedroso
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
18th century, Music theory
Item Type:
Abstract
Tag(s):
musical theory, 18th century
Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models
Author(s):
Mariusz Kozak (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Performance Studies
Subject(s):
Music analysis, Music theory
Item Type:
Article
Tag(s):
embodiment, phenomenology
“Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde
Author(s):
John Brackett (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
Tag(s):
Blonde, drugs, Frank Ocean, marijuana

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