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AMS Preliminary Program
Author(s):
Melia Wong (see profile)
Date:
2021
Group(s):
Digital Art History, Global & Transnational Studies, MusicID Community, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music, Music history, Musicology, Ethnomusicology, Music theory
Item Type:
Conference poster
A Transformational Approach to Gesture in Shō Performance
Author(s):
Toru Momii (see profile)
Date:
2020
Subject(s):
Japanese music, Music analysis, Music theory, Performance practice
Item Type:
Article
Tag(s):
Gagaku, Gesture, Shō, Transformational theory, Tōgaku
Music Analysis and the Politics of Knowledge Production: Interculturality in the Music of Honjoh Hidejirō, Miyata Mayumi, and Mitski
Author(s):
Toru Momii (see profile)
Date:
2021
Subject(s):
Contemporary music, Critical race and ethnic studies, Interculturality, Japanese music, Music theory, Popular Music Studies
Item Type:
Dissertation
Tag(s):
21st-century music, Honjoh Hidejirō, Mitski, Miyata Mayumi
Review: Rae Linda Brown, The Heart of a Woman: The Life and Music of Florence B. Price
Author(s):
Kendra Leonard (see profile)
Date:
2021
Group(s):
Composers of Color Resource Project, Julia Perry Working Group, Music Library Association, Women in American Music
Subject(s):
Musicology, Music theory, History, Race
Item Type:
Book review
Anne Teresa De Keersmaeker’s Violin Phase and the Experience of Time, or Why Does Process Music Work?
Author(s):
Mariusz Kozak (see profile)
Date:
2021
Group(s):
American Musicological Society, Performance Studies, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Dance and technology, Phenomenology, Temporality, Musicology
Item Type:
Article
Tag(s):
minimalism
The Bloomsbury Handbook of Popular Music Video Analysis. Edited by Lori A. Burns and Stan Hawkins. New York: Bloomsbury, 2019. 464 pp. ISBN 9781501342332.
Author(s):
Brad Osborn (see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music, Cultural musicology, Music theory, Digital musicology, Film studies
Item Type:
Book review
Tag(s):
music video
Resistance Gazes in Recent Music Videos
Author(s):
Brad Osborn (see profile)
Date:
2021
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Film music, Cultural studies, Media studies, Music theory, Popular Music Studies
Item Type:
Article
Tag(s):
music video, Beyoncé, Rihanna
« Anthropologie et politique chez Richard Wagner. Un “faire-communauté” de la musique »
Author(s):
Lambert Dousson (see profile)
Date:
2021
Subject(s):
Music theory, Philosophy and the arts
Item Type:
Article
Tag(s):
Richard Wagner, Gesamtkunstwerk
Musica Ficta Lesson Plan
Author(s):
Megan Kaes Long (see profile)
Date:
2021
Subject(s):
Early music, Historical musicology, Music theory, History of the book, Music notation
Item Type:
Course material or learning objects
Tag(s):
musica ficta
Recording of Francis Johnson Cotillion Cymbals
Author(s):
Sarah Iker (see profile)
Date:
2021
Group(s):
Composers of Color Resource Project
Subject(s):
Music, Music theory
Item Type:
Sound recording-musical
Kinesthesis, Affectivity, and Music's Temporal (Re-/Dis-)Orientations
Author(s):
Mariusz Kozak (see profile)
Date:
2020
Group(s):
American Musicological Society, Music and Sound, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Musicology, Phenomenography, Temporality, Affect, Embodiment
Item Type:
Video
Tag(s):
rhythm and meter, Time and temporality
Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form
Author(s):
Julio Orlando Quimbayo-Bolaños (see profile)
Date:
2019
Subject(s):
Music analysis, Music theory, Western classical music
Item Type:
Thesis
Tag(s):
Classical Guitar, Contour Theory, Leo Brouwer, Toru Takemitsu
The Volta: A Galant Gesture of Culmination
Author(s):
Nathaniel Mitchell (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
History of opera, Musicology, Music theory
Item Type:
Article
Tag(s):
abnegation, chromaticism, clausula, Cleofide, galant, Hasse, Koch, Pergolesi, schema, Vinci
Bespoke Music Theory: A Modular Core Curriculum Designed for Audio Engineers, Classical Violinists, and Everyone in Between
Author(s):
Megan Lavengood (see profile)
Date:
2020
Group(s):
Open Music Theory — Instructor Community, Society for Music Theory (SMT), Society for Music Theory – Jazz Interest Group, Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Pedagogy, Music theory
Item Type:
Article
Tag(s):
modular curricula, music theory pedagogy
Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak (see profile)
Date:
2016
Group(s):
American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music cognition, Embodied cognition, Music theory
Item Type:
Book review
“The Performer’s Experience: Positional Listening and Positional Analysis,” in G. Borio, G. Gioriani, A. Cecchi, and M. Lutzu, eds. Investigating Music Performance: Theoretical Models and Intersections (Routledge, 2020), 56-68.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music theory, Music history
Item Type:
Book chapter
"Popular Music in the Theory Classroom," in The Routledge Companion to Music Theory Pedagogy, edited by Leigh VanHandel (Routledge, 2020), pp. 331-339.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music theory, Music history
Item Type:
Book chapter
“Jimmy Miller, the Rolling Stones, and Beggars Banquet,” in “They Call My Name Disturbance”: Beggars Banquet and the Rolling Stones’ Rock and Roll Revolution, edited by Russell Reising (Routledge, 2020), pp. 19-25.
Author(s):
John Covach (see profile)
Date:
2020
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Popular Music Studies, Music history, Music theory
Item Type:
Book chapter
Transforming Space: The Production of Contemporary Syrian Art Music
Author(s):
Shayna Silverstein (see profile)
Date:
2013
Group(s):
Ethnomusicology, Global & Transnational Studies, Global Musical Modernisms
Subject(s):
Arabic music, Avant-garde, Ethnomusicology, Modernity, Music theory
Item Type:
Book chapter
The Frame and The Swerve: Music Video's Relationship to Dance
Author(s):
Brad Osborn (see profile)
Date:
2020
Group(s):
Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music theory, Popular Music Studies, Dance
Item Type:
Article
Tag(s):
Lucretius, music video
Enacting Musical Time: Chapter 1: Meaning
Author(s):
Mariusz Kozak (see profile)
Date:
2019
Group(s):
American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
Subject(s):
Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
Item Type:
Book chapter
Tag(s):
affordances, Edmund Husserl, Merleau-Pony
Tinctoris’s Minimum opus
Author(s):
Rob C. Wegman
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Medieval music, Music theory
Item Type:
Article
Oberlin's "Music by Ear" Program
Author(s):
Arnie Cox, Megan Kaes Long (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills, ear training, online teaching, music theory pedagogy
Tonality in Steve Reich's Nagoya Marimbas
Author(s):
Sean Atkinson (see profile)
Date:
2020
Subject(s):
Music theory, Musicology
Item Type:
Article
Tag(s):
minimalism, steve reich, tonality
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory, Cinematography
Item Type:
Book chapter
Tag(s):
musical form, Rihanna, Calvin Harris, Emil Nava, music video

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