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Oberlin's "Music by Ear" Program
Author(s):
Arnie Cox, Megan Kaes Long (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills, ear training, online teaching, music theory pedagogy
Tonality in Steve Reich's Nagoya Marimbas
Author(s):
Sean Atkinson (see profile)
Date:
2020
Subject(s):
Music theory, Musicology
Item Type:
Article
Tag(s):
minimalism, steve reich, tonality
Risers, Drops, and a Fourteen-Foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris, and Rihanna's "This is What You Came For"
Author(s):
Brad Osborn (see profile)
Date:
2020
Group(s):
Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music theory, Cinematography
Item Type:
Book chapter
Tag(s):
musical form, Rihanna, Calvin Harris, Emil Nava, music video
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher (see profile)
Date:
2019
Group(s):
American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
Subject(s):
Medieval music, Music theory, Music analysis, Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory, Counterpoint, Ars nova
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns (see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music, Music and philosophy, Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory, music and language, recursion
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns (see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition, Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl, heinrich schenker, music cognition and perception, Ray Jackendoff
Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings
Author(s):
David Neumeyer (see profile)
Date:
2015
Subject(s):
Music analysis, Music theory
Item Type:
Article
Early Music Sight Singing Packet
Author(s):
Megan Kaes Long (see profile)
Date:
2019
Subject(s):
Early music, Music theory
Item Type:
Course material or learning objects
Tag(s):
ear training, aural skills, sight singing, musicianship
Timbre, Genre, and Polystylism in Sonic the Hedgehog 3
Author(s):
Megan Lavengood (see profile)
Date:
2019
Group(s):
American Musicological Society, Game Studies, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Video games, Music theory, Popular Music Studies, Musicology, Ludomusicology
Item Type:
Book chapter
Tag(s):
sega, synthesizers, sound chips, new wave, michael jackson
Aural Skills 3 - Film Score Dictation Project
Author(s):
Megan Kaes Long (see profile)
Date:
2019
Subject(s):
Film music, Music theory
Item Type:
Course material or learning objects
Tag(s):
aural skills, ear training
Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42.
Author(s):
John Covach (see profile)
Date:
1991
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82.
Author(s):
John Covach (see profile)
Date:
1995
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Musicology, Music theory, Philosophy and the arts
Item Type:
Book review
Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.
Author(s):
John Covach (see profile)
Date:
1996
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music analysis, Music history, Musicology, Music theory, Popular Music Studies
Item Type:
Review
Review of Robert Freeman, The Crisis of Classical Music: Lessons from a Life in the Education of Musicians, Music Theory Online 21/2 (June 2015).
Author(s):
John Covach (see profile)
Date:
2015
Group(s):
American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
Subject(s):
Music education, Music history, Musicology, Music theory
Item Type:
Review
Making “Anti-Music”: Divergent Interactional Strategies in the Miles Davis Quintet’s The Complete Live at the Plugged Nickel 1965
Author(s):
Garrett Michaelsen (see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz studies, Music theory
Item Type:
Article
Tag(s):
Improvisation, miles davis, Musical interaction
“The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Article
“Schoenberg and the Occult: Some Reflections on the Musical Idea,” Theory and Practice 17 (1992): 103-18.
Author(s):
John Covach (see profile)
Date:
1992
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Quest of the Absolute: Schoenberg, Hauer, and the Twelve-Tone Idea,” in Jon Michael Spencer, ed., Theomusicology, special issue of Black Sacred Music: A Journal of Theomusicology 8/1 (Duke University Press, 1994): 158-77.
Author(s):
John Covach (see profile)
Date:
1994
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“The Sources of Schoenberg’s ‘Aesthetic Theology,’” 19th-Century Music 19/3 (1996): 252-62.
Author(s):
John Covach (see profile)
Date:
2019
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Aesthetics, Music history, Musicology, Music theory, Philosophy and the arts
Item Type:
Article
“Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.
Author(s):
John Covach (see profile)
Date:
1998
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music analysis, Music history, Musicology, Music theory
Item Type:
Book chapter
“Schoenberg’s ‘Poetics of Music’ and the Twelve-Tone Idea,” in Schoenberg and Words, ed. R. Berman and C. Cross (Garland Publishing, 2000), 309-46.
Author(s):
John Covach (see profile)
Date:
2000
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627.
Author(s):
John Covach (see profile)
Date:
2002
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
“Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202.
Author(s):
John Covach (see profile)
Date:
2003
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Music history, Musicology, Music theory
Item Type:
Book chapter
"Schoenberg's (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism," Theory and Practice 42 (2017): 141-59.
Author(s):
John Covach (see profile)
Date:
2017
Group(s):
American Musicological Society, Society for Music Theory (SMT)
Subject(s):
Classical music, Music history, Musicology, Music theory
Item Type:
Article

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