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Further Ruminations on Music
Author(s):
Arnold Berleant
(see profile)
Date:
2017
Subject(s):
Aesthetics
,
Music and philosophy
,
Music
,
Music performance
,
Perception
,
Performance
Item Type:
Article
Tag(s):
Music Aesthetics
,
aesthetic engagement
,
perceptual experience
Explaining the Alexander Technique to clinicians and scientists: Psycho-physical re-education - an introduction to cognitive-motor system-level causes of performance-related problems.
Author(s):
Alison Loram
(see profile)
,
Ian Loram
Date:
2017
Subject(s):
Performing arts
,
Medicine
,
Music performance
,
Movement
,
Human body
Item Type:
Presentation
Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery
Author(s):
Alison Loram
(see profile)
Date:
2013
Group(s):
American Musicological Society
,
Music and Sound
,
Music Librarians
Subject(s):
Human body
,
Medicine
,
Movement
,
Music performance
,
Performance
,
Performance practice
,
Performing arts
Item Type:
Thesis
Performance and Orality as Cultural and Pragmatic Strategies in the Musical Performance of 9ice
Author(s):
Adewale Bankole Ajayi
(see profile)
Date:
2012
Group(s):
GS Drama and Performance
,
Interdisciplinary Approaches to Culture and Society
,
MS Opera and Musical Performance
,
TC Popular Culture
,
TC Postcolonial Studies
Subject(s):
African studies
,
Cultural studies
,
Ethnomusicology
,
Music performance
,
Performance studies
Item Type:
Article
Tag(s):
ethnomusicology
,
performance
,
orality
Estêvão Lopes Morago: O salutaris Hostia
Author(s):
Luís Henriques
(see profile)
Date:
2012
Subject(s):
Music performance
Item Type:
Music
Tag(s):
17th Century
,
Angra do Heroísmo
,
Ensemble da Sé de Angra
,
motet
,
polyphony
Estêvão Lopes Morago: O bone Jesu
Author(s):
Luís Henriques
(see profile)
Date:
2012
Subject(s):
Music performance
Item Type:
Music
Tag(s):
17th Century
,
Angra do Heroísmo
,
Ensemble da Sé de Angra
,
motet
,
polyphony
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