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Review of Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking by Arnie Cox (2016)
Author(s):
Mariusz Kozak
(see profile)
Date:
2016
Group(s):
American Musicological Society
,
SMT Dance and Movement Interest Group
,
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Embodied cognition
,
Music theory
Item Type:
Book review
Musical Quotation and the ‘Use-Mention’ Distinction
Author(s):
Lodewijk Muns
(see profile)
Date:
2019
Group(s):
Analytic Philosophy
Subject(s):
Aesthetics
,
Analytical philosophy
,
Classical music
,
Music
,
Music cognition
Item Type:
Article
Tag(s):
quotation
The Inner Work of Music: Lerdahl and Jackendoff 's 'Generative Theory'
Author(s):
Lodewijk Muns
(see profile)
Date:
2015
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music cognition
,
Music theory
Item Type:
Book chapter
Tag(s):
Fred Lerdahl
,
heinrich schenker
,
music cognition and perception
,
Ray Jackendoff
Musical Style Affects the Strength of Harmonic Expectancy.
Author(s):
Bryn Hughes
(see profile)
,
Dominique T. Vuvan
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Music
,
Music cognition
,
Popular Music Studies
Item Type:
Article
Tag(s):
rock harmony
Implicit Learning As A Means Of Tonal Jazz Pitch-Listening Skills Acquisition
Author(s):
David Mosher
(see profile)
Date:
2019
Group(s):
Society for Music Theory – Jazz Interest Group
Subject(s):
Jazz studies
,
Music
,
Music cognition
,
Music theory
,
Pedagogy
Item Type:
Dissertation
Tag(s):
jazz aural skills
,
jazz ear-training
,
music cognition and perception
,
music theory pedagogy
,
statistical learning
Perception, Pitch, and Musical Chords
Author(s):
Mark Yeary
(see profile)
Date:
2011
Subject(s):
Music theory
,
Music cognition
Item Type:
Dissertation
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