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Metal is radical
Author(s):
David Burke
(see profile)
Date:
2020
Subject(s):
Cultural politics
,
Cultural theory
,
Metal Music Studies
,
Music and philosophy
,
Subcultures
Item Type:
Essay
Music, Language, and the Deceptive Charms of Recursive Grammars
Author(s):
Lodewijk Muns
(see profile)
Date:
2014
Group(s):
Society for Music Theory (SMT)
Subject(s):
Music
,
Music and philosophy
,
Music theory
Item Type:
Conference paper
Tag(s):
Generative Theory
,
music and language
,
recursion
Repurposing 'com-provisation' (script/pre-print of conference paper)
Author(s):
Dimitris Papageorgiou
(see profile)
Date:
2019
Group(s):
Ethnomusicology
,
Improvisation and Composition
,
Music and Sound
,
Society for Music Theory (SMT)
Subject(s):
Music and philosophy
,
Music notation
,
Music performance
,
Musicology
,
Composition
Item Type:
Conference paper
Tag(s):
assemblage
,
usership
,
Improvisation
,
comprovisation as sun-schediasmos
British Experimental Music After Nyman, in
Author(s):
Virginia Anderson
(see profile)
Date:
2014
Subject(s):
Music and philosophy
Item Type:
Book chapter
Tag(s):
experimental music
,
minimalism
,
postminimalism
The Aesthetics of Music: An Anthology of Essays by Arnold Berleant
Author(s):
Arnold Berleant
(see profile)
Date:
2018
Subject(s):
Music
,
Music and philosophy
,
Aesthetics
Item Type:
Other
Tag(s):
Arnold Berleant
,
musical experience
,
aesthetics of music
Musical De-Composition
Author(s):
Arnold Berleant
(see profile)
Date:
1994
Subject(s):
Music
,
Composition
,
Aesthetics
,
Music and philosophy
Item Type:
Book chapter
Tag(s):
musical composition
,
perceptual experience
,
aesthetics of music
Further Ruminations on Music
Author(s):
Arnold Berleant
(see profile)
Date:
2017
Subject(s):
Aesthetics
,
Music and philosophy
,
Music
,
Music performance
,
Perception
,
Performance
Item Type:
Article
Tag(s):
Music Aesthetics
,
aesthetic engagement
,
perceptual experience
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