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Porgy in Vienna: George Gershwin’s Neglected Masterpiece (Neglected? Yes.)
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
Wozzeck, Alban Berg, 20th-century opera, George Gershwin, Porgy and Bess
One Line, Many Views: Perspectives on Music Theory, Composition, and Improvisation through the Work of Muhal Richard Abrams
Author(s):
Marc Edward Hannaford (see profile)
Date:
2019
Group(s):
Society for Music Theory, Society for Music Theory – Jazz Interest Group
Subject(s):
Critical race and ethnic studies, Embodied cognition, Jazz studies, Music analysis, Music theory
Item Type:
Dissertation
Tag(s):
AACM, Analysis, experimental music, Improvisation
Music Theory and the Epistemology of the Internet; or, Analyzing Music Under the New Thinkpiece Regime
Author(s):
William O'Hara (see profile)
Date:
2018
Group(s):
Society for Music Theory, Society for Music Theory – Popular Music Interest Group
Subject(s):
Music theory, Music analysis, Popular Music Studies, Media studies, Internet/web-based media
Item Type:
Article
Luigi Dallapiccola - Fragmentos de uma vida em benefício de uma obra pianística
Author(s):
Júlia Azevedo (see profile)
Date:
2017
Group(s):
Music and Sound, Open Music
Subject(s):
Historical musicology, Music analysis
Item Type:
Essay
Tag(s):
Luigi Dallapiccola, piano, Twelve-tone composition
Notas de programa (Liszt, Schoenberg e Dallapiccola)
Author(s):
Júlia Azevedo (see profile)
Date:
2017
Subject(s):
Music performance, Music analysis
Item Type:
Other
Tag(s):
Concert, piano, Arnold Schoenberg, Franz Liszt, Luigi Dallapiccola
Acerca do motete Heu me Domine de Vicente Lusitano
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies
Subject(s):
Musicology, Music, Music analysis, 16th century, Sacred music, Polyphony
Item Type:
Online publication
Tag(s):
motet, chromaticism
Topsy-Turvy Victoriana: Locating Life and Death in Corpse Bride
Author(s):
Kendra Leonard (see profile)
Date:
2011
Group(s):
American Musicological Society, Film Studies, Society for Music Theory
Subject(s):
Music analysis, Film music, Gothic, Musicology
Item Type:
Article
Loudness, Rhythm and Environment: Analytical Issues in Extreme Metal Music
Author(s):
Olivia Lucas (see profile)
Date:
2016
Subject(s):
Ecocriticism, Extreme metal music, Music analysis, Music theory, Sound studies
Item Type:
Dissertation
Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'
Author(s):
Ryan Taycher (see profile)
Date:
2013
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
Tag(s):
Edward Elgar, Schenkerian analysis
Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf
Author(s):
Ryan Taycher (see profile)
Date:
2012
Subject(s):
Lieder, Music analysis, Music theory
Item Type:
Article
Tag(s):
Hugo Wolf, Schenkerian analysis
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet, French music, Music analysis, Musicology, Narrative theory
Item Type:
Thesis
Tag(s):
Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis
Some Transformational Representations on Elliott Carter’s Tempi Counterpoint
Author(s):
Erik Baqueiro-Victorín (see profile)
Date:
2018
Subject(s):
Music analysis, Music theory, Theories of time and temporality, Music composition
Item Type:
Conference paper
Tag(s):
Elliott Carter, Transformational theory, Transformational networks
The Fermata, the Trill, and Life and Death
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Musical Ambiguity and Musical Analysis
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
The Nerk Twins Separated---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles, John Lennon, Paul McCartney
The Nerk Twins Separated
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles, John Lennon, Paul McCartney
Gershwin's Surface Motivic Repetitions with Hidden Sources---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
Gershwin's Surface Motivic Repetitions with Hidden Sources
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
“Un bacio”—ancora? Un altro “bacio”!---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
giuseppe verdi
“Un bacio”—ancora? Un altro “bacio”!
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
giuseppe verdi
Accents of Remorse-examples 2
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse-examples 1
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation
Author(s):
Eamonn Bell (see profile)
Date:
2013
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis
Item Type:
Other

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