CORE Search Results Start Search Over

• Some Transformational Representations on Elliott Carter’s Tempi Counterpoint

  Author(s):

  Erik Baqueiro-Victorín (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Music theory, Theories of time and temporality, Music composition

  Item Type:

  Conference paper

  Tag(s):

  Elliott Carter, Transformational theory, Transformational networks

  
  

• The Fermata, the Trill, and Life and Death

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis

  Item Type:

  Article

  
  

• Musical Ambiguity and Musical Analysis

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis

  Item Type:

  Article

  
  

• The Nerk Twins Separated---examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• The Nerk Twins Separated

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  The Beatles, John Lennon, Paul McCartney

  
  

• Gershwin's Surface Motivic Repetitions with Hidden Sources---examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis

  Item Type:

  Article

  Tag(s):

  George Gershwin

  
  

• Gershwin's Surface Motivic Repetitions with Hidden Sources

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis

  Item Type:

  Article

  Tag(s):

  George Gershwin

  
  

• “Un bacio”—ancora? Un altro “bacio”!---examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Opera

  Item Type:

  Article

  Tag(s):

  giuseppe verdi

  
  

• “Un bacio”—ancora? Un altro “bacio”!

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Opera

  Item Type:

  Article

  Tag(s):

  giuseppe verdi

  
  

• Accents of Remorse-examples 2

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Opera

  Item Type:

  Article

  Tag(s):

  Benjamin Britten

  
  

• Accents of Remorse-examples 1

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Opera

  Item Type:

  Article

  Tag(s):

  Benjamin Britten

  
  

• Accents of Remorse

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Subject(s):

  Music analysis, Opera

  Item Type:

  Article

  Tag(s):

  Benjamin Britten

  
  

• The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation

  Author(s):

  Eamonn Bell (see profile)

  Date:

  2013

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Thesis

  
  

• The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music analysis

  Item Type:

  Other

  
  

• The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic

  Author(s):

  Arthur Maisel (see profile)

  Date:

  2018

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  Music analysis

  Item Type:

  Article

  
  

• Apresentação PowerPoint - As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris

  Author(s):

  Rita Faleiro (see profile)

  Date:

  2017

  Group(s):

  Music in Évora studies

  Subject(s):

  18th century, Historical musicology, Music analysis

  Item Type:

  Presentation

  Tag(s):

  18th Century, Cistercian, sacred music, Évora

  
  

• Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  20th century, Contemporary music, Music analysis, Polish culture

  Item Type:

  Article

  
  

• Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models

  Author(s):

  Mariusz Kozak (see profile)

  Date:

  2015

  Group(s):

  American Musicological Society, Music and Sound, Performance Studies

  Subject(s):

  Music analysis, Music theory

  Item Type:

  Article

  Tag(s):

  embodiment, phenomenology

  
  

• Bach's Greatest Moment?: An Audio-Visual Essay

  Author(s):

  Daniel Brown (see profile)

  Date:

  2017

  Group(s):

  American Musicological Society, Music and Sound

  Subject(s):

  18th century, Baroque, Music, Music analysis, Music criticism

  Item Type:

  Book chapter

  Tag(s):

  Bach, Choral music, Kyrie, Mass in B Minor

  
  

• “Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde

  Author(s):

  John Brackett (see profile)

  Date:

  2018

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies

  Item Type:

  Book chapter

  Tag(s):

  Blonde, drugs, Frank Ocean, marijuana

  
  

• Some Notes on John Zorn’s Cobra

  Author(s):

  John Brackett (see profile)

  Date:

  2010

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  Avant-garde, experimental music, File-card, John Zorn

  
  

• Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)

  Author(s):

  John Brackett (see profile)

  Date:

  2015

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Musicology, Music theory

  Item Type:

  Article

  Tag(s):

  12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition

  
  

• ‘Hand in Glove’ and the Development of The Smiths’ Sound

  Author(s):

  John Brackett (see profile)

  Date:

  2013

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths

  
  

• John Zorn: Tradition and Transgression

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Jazz, Music analysis, Music theory

  Item Type:

  Book

  Tag(s):

  Avant-garde, Collage, Contemporary Classical Music, Experimental, John Zorn

  
  

• Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style

  Author(s):

  John Brackett (see profile)

  Date:

  2008

  Group(s):

  Music and Sound

  Subject(s):

  Historical musicology, Music analysis, Music theory, Popular Music Studies

  Item Type:

  Article

  Tag(s):

  Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis

  
  

Viewing item 1 to 25 (of 26 items)

1 2 →