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Redeeming the Betrayer: Elgar's Portrayal of Judas in 'The Apostles'
Author(s):
Ryan Taycher (see profile)
Date:
2013
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
Tag(s):
Edward Elgar, Schenkerian analysis
Deceiving the Ear: Recontextualization, Key Association, and Auxiliary Cadence in Two Songs by Hugo Wolf
Author(s):
Ryan Taycher (see profile)
Date:
2012
Subject(s):
Lieder, Music analysis, Music theory
Item Type:
Article
Tag(s):
Hugo Wolf, Schenkerian analysis
Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé
Author(s):
Russell Millard (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Ballet, French music, Music analysis, Musicology, Narrative theory
Item Type:
Thesis
Tag(s):
Daphnis & Chloe, Maurice Ravel, Musical narrative, Music and gender, Schenkerian analysis
Some Transformational Representations on Elliott Carter’s Tempi Counterpoint
Author(s):
Erik Baqueiro-Victorín (see profile)
Date:
2018
Subject(s):
Music analysis, Music theory, Theories of time and temporality, Music composition
Item Type:
Conference paper
Tag(s):
Elliott Carter, Transformational theory, Transformational networks
The Fermata, the Trill, and Life and Death
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Musical Ambiguity and Musical Analysis
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
The Nerk Twins Separated---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles, John Lennon, Paul McCartney
The Nerk Twins Separated
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Popular Music Studies
Item Type:
Article
Tag(s):
The Beatles, John Lennon, Paul McCartney
Gershwin's Surface Motivic Repetitions with Hidden Sources---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
Gershwin's Surface Motivic Repetitions with Hidden Sources
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis
Item Type:
Article
Tag(s):
George Gershwin
“Un bacio”—ancora? Un altro “bacio”!---examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
giuseppe verdi
“Un bacio”—ancora? Un altro “bacio”!
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
giuseppe verdi
Accents of Remorse-examples 2
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse-examples 1
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
Accents of Remorse
Author(s):
Arthur Maisel (see profile)
Date:
2018
Subject(s):
Music analysis, Opera
Item Type:
Article
Tag(s):
Benjamin Britten
The consort fantasias of William Byrd: The application of a new quantitative technique to describe fuga subject deformation
Author(s):
Eamonn Bell (see profile)
Date:
2013
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis, Music theory
Item Type:
Thesis
The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples
Author(s):
Arthur Maisel (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis
Item Type:
Other
The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic
Author(s):
Arthur Maisel (see profile)
Date:
2018
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Music analysis
Item Type:
Article
Apresentação PowerPoint - As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
18th century, Historical musicology, Music analysis
Item Type:
Presentation
Tag(s):
18th Century, Cistercian, sacred music, Évora
Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding
Author(s):
Mariusz Kozak (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
20th century, Contemporary music, Music analysis, Polish culture
Item Type:
Article
Listeners’ Bodies in Music Analysis: Gestures, Motor Intentionality, and Models
Author(s):
Mariusz Kozak (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Performance Studies
Subject(s):
Music analysis, Music theory
Item Type:
Article
Tag(s):
embodiment, phenomenology
Bach's Greatest Moment?: An Audio-Visual Essay
Author(s):
Daniel Brown (see profile)
Date:
2017
Group(s):
American Musicological Society, Music and Sound
Subject(s):
18th century, Baroque, Music, Music analysis, Music criticism
Item Type:
Book chapter
Tag(s):
Bach, Choral music, Kyrie, Mass in B Minor
“Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde
Author(s):
John Brackett (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
Tag(s):
Blonde, drugs, Frank Ocean, marijuana
Some Notes on John Zorn’s Cobra
Author(s):
John Brackett (see profile)
Date:
2010
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory
Item Type:
Article
Tag(s):
Avant-garde, experimental music, File-card, John Zorn
Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)
Author(s):
John Brackett (see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory
Item Type:
Article
Tag(s):
12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition

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