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CORE Search Results Start Search Over

  • All Deposits 0
  • Leo Brouwer’s Hika: In Memoriam Toru Takemitsu: an Analysis of Musical Contour and Form

    Author(s):
    Julio Orlando Quimbayo-Bolaños (see profile)
    Date:
    2019
    Subject(s):
    Music analysis, Music theory, Western classical music
    Item Type:
    Thesis
    Tag(s):
    Classical Guitar, Contour Theory, Leo Brouwer, Toru Takemitsu

  • Algunas consideraciones analíticas sobre el performance musical

    Author(s):
    Pablo Suárez (see profile)
    Date:
    2018
    Group(s):
    Ethnomusicology, Performance Studies
    Subject(s):
    Music analysis, Performance studies
    Item Type:
    Article

  • The Frame and The Swerve: Music Video's Relationship to Dance

    Author(s):
    Brad Osborn (see profile)
    Date:
    2020
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies, Dance
    Item Type:
    Article
    Tag(s):
    Lucretius, music video

  • Enacting Musical Time: Chapter 1: Meaning

    Author(s):
    Mariusz Kozak (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, SMT Dance and Movement Interest Group, Society for Music Theory (SMT)
    Subject(s):
    Music theory, Music analysis, Phenomenology, Philosophy of time, Ecological humanities
    Item Type:
    Book chapter
    Tag(s):
    affordances, Edmund Husserl, Merleau-Pony

  • Zene, szó, dráma – színjátékok és szín(e)változások. A történelem szemantikája Puskin és Muszorgszkij művészi szkepszisében / Music, Word, Drama – Stagecraft and Transfigurations. The Semantics of History in the Artistic Skepticism of Pushkin and Musorgsky

    Author(s):
    Miklos Mezosi (see profile)
    Date:
    2006
    Subject(s):
    Comparative studies, History of opera, Music analysis, Music and literature, Semiotics
    Item Type:
    Book

  • Content and Correlational Analysis of a Corpus of MTV-Promoted Music Videos Aired Between 1990 and 1999

    Author(s):
    Brad Osborn (see profile) , Emily Rossin, Kevin Weingarten
    Date:
    2020
    Group(s):
    Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Cinematography, Video (history and studio), Statistics
    Item Type:
    Article
    Tag(s):
    music video, 1990s, correlation

  • De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint

    Author(s):
    Ryan Taycher (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
    Subject(s):
    Medieval music, Music theory, Music analysis, Music history
    Item Type:
    Dissertation
    Tag(s):
    History of Music Theory, Counterpoint, Ars nova

  • "The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation," Journal of the Arnold Schönberg Center 16 (2019): 99-111.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Historical musicology, Music history
    Item Type:
    Article

  • Schubert, Valses sentimentales, D. 779, no. 13, Waltz in A major: A Collection of Readings

    Author(s):
    David Neumeyer (see profile)
    Date:
    2015
    Subject(s):
    Music analysis, Music theory
    Item Type:
    Article

  • Review of Alastair Borthwick, Music Theory and Analysis: The Limitations of Logic, MLA Notes (June 1996): 1192-94.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Philosophy and the arts
    Item Type:
    Book review

  • Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72.

    Author(s):
    John Covach (see profile)
    Date:
    1996
    Group(s):
    American Musicological Society, Society for Music Theory (SMT), Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory, Popular Music Studies
    Item Type:
    Review

  • “The Zwölftonspiel of Josef Matthias Hauer,” Journal of Music Theory 36.1 (1992): 149-84.

    Author(s):
    John Covach (see profile)
    Date:
    1992
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory
    Item Type:
    Article

  • “Balzacian Mysticism, Palindromic Design, and Heavenly Time in Berg’s Music,” in Encryted Messages in Alban Berg’s Music, ed. Siglind Bruhn (Garland Publishing, 1998), 5-29.

    Author(s):
    John Covach (see profile)
    Date:
    1998
    Group(s):
    American Musicological Society, Society for Music Theory (SMT)
    Subject(s):
    Music analysis, Music history, Musicology, Music theory
    Item Type:
    Book chapter

  • “George Harrison, Songwriter,” in M. Osteen, ed., Part of Everything: The Beatles’ White Album at Fifty (University of Michigan Press, 2019), 177-96.

    Author(s):
    John Covach (see profile)
    Date:
    2019
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • "Analyzing Texture in Rock Music: Stratification, Coordination, Position, and Perspective," in Pop weiter denken: Neue Anstöße aus Jazz Studies, Philosophie, Musiktheorie und Geschichte, Beiträge zur Popularmusikforschung 44, ed. Ralf von Appen and André Doehring (Transcript Verlag, 2018), 53-72.

    Author(s):
    John Covach (see profile)
    Date:
    2018
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “The Hippie Aesthetic: Cultural Positioning and Musical Ambition in Early Progressive Rock,” in Composition and Experimentation in British Rock 1966–1976, a special issue of Philomusica Online (2007); reprinted in The Ashgate Library of Essays on Popular Music: Rock, ed. Mark Spicer (Ashgate publishing, 2012), 65-75.

    Author(s):
    John Covach (see profile)
    Date:
    2007
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Article

  • “Leiber and Stoller, the Coasters, and the ‘Dramatic AABA’ Form,” in Sounding Out Pop: Analytical Essays in Rock Music, ed. Covach and Spicer (University of Michigan Press, 2010)., 1-17.

    Author(s):
    John Covach (see profile)
    Date:
    2010
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Jazz-Rock? Rock-Jazz? Stylistic Crossover in Late-1970s American Progressive Rock,” in W. Everett, ed., Rock Music: Critical Essays on Composition, Performance, Analysis, and Reception (Garland Publishing, 1999), 113-34. Reprinted in the second edition (2007).

    Author(s):
    John Covach (see profile)
    Date:
    1999
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “From Craft to Art: Formal Structure in the Music of the Beatles,” in Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four, ed. Ken Womack and Todd F. Davis (SUNY Press, 2006), 37-53.

    Author(s):
    John Covach (see profile)
    Date:
    2006
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “We Won’t Get Fooled Again: Rock Music and Musical Analysis,” reprinted and updated in Interdisciplinary Studies in Musicology 5 (2005), 225-46. Originally appeared in In Theory Only 13/1-4 (1997): 119-41; and in A. Kassabian, D. Schwarz, and L. Siegel, eds., Keeping Score: Music, Disciplinarity, Culture (University Press of Virginia, 1997), 75-89.

    Author(s):
    John Covach (see profile)
    Date:
    1997
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies
    Item Type:
    Article

  • “Form in Rock Music: A Primer,” in Engaging Music: Essays in Music Analysis, ed. D. Stein (Oxford University Press, 2005), 65-76.

    Author(s):
    John Covach (see profile)
    Date:
    2005
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Pangs of History in Late 1970s Rock,” in Allan Moore, ed., Analyzing Popular Music (Cambridge University Press, 2003): 173-95.

    Author(s):
    John Covach (see profile)
    Date:
    2003
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “Echolyn and American Progressive Rock,” in Covach and Everett, eds., American Rock and the Classical Music Tradition, a special issue of Contemporary Music Review, 18/4 (August 2000): 13-61.

    Author(s):
    John Covach (see profile)
    Date:
    2000
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Article

  • “Popular Music, Unpopular Musicology,” in N. Cook and M. Everist, eds., Rethinking Music (Oxford University Press, 1999), 452-70.

    Author(s):
    John Covach (see profile)
    Date:
    1999
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Musicology, Music theory, Popular Music Studies
    Item Type:
    Book chapter

  • “We Can Work It Out: Musical Analysis and Rock Music,” in Will Straw, Stacey Johnson, Rebecca Sullivan, and Paul Friedlander, eds., Popular Music—Style and Identity (Montreal: The Centre for Research on Canadian Cultural Industries and Institutions, 1995): 69a-71a.

    Author(s):
    John Covach (see profile)
    Date:
    1995
    Group(s):
    Society for Music Theory – Popular Music Interest Group (SMT PMIG)
    Subject(s):
    Music analysis, Music theory, Popular Music Studies
    Item Type:
    Book chapter

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