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Modelling music: a theoretical approach to the classification of notated Western art music
Author(s):
Deborah Lee
(see profile)
Date:
2017
Group(s):
CityLIS
Subject(s):
Library and information science
,
Library science
,
Music
Item Type:
Thesis
Tag(s):
#CityLis
,
#classification
,
#knowledgeorganization
,
#musicclassification
Permanent URL:
http://dx.doi.org/10.17613/M6BB7B
Song Revisited: Poetry, Music, Meaning
Author(s):
Lawrence Kramer
(see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Music
,
Musical romanticism
,
Musicology
,
Voice and opera
,
Western classical music
Item Type:
Article
Tag(s):
lied
,
Song
,
voice
,
words and music
Permanent URL:
http://dx.doi.org/10.17613/M61204
The Schubert Lied Revisited: Some Subjective Sources of Modernity
Author(s):
Lawrence Kramer
(see profile)
Date:
2017
Group(s):
Music and Sound
Subject(s):
Cultural musicology
,
Music
,
Musicology
,
Western classical music
Item Type:
Article
Tag(s):
lied
,
Modern
,
Schubert
,
Schubert. Lied
,
Song
Permanent URL:
http://dx.doi.org/10.17613/M64R1B
Classifying musical performance: the application of classification theories to concert programmes
Author(s):
Deborah Lee
(see profile)
Date:
2017
Group(s):
CityLIS
,
Library & Information Science
Subject(s):
Library and information science
,
Music
Item Type:
Dissertation
Tag(s):
#CityLis
,
#classification
,
#musicinformation
,
Ephemera
Permanent URL:
http://dx.doi.org/10.17613/M6FH70
“Guides to Writing about Music”
Author(s):
Kendra Leonard
(see profile)
Date:
2011
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6HD7K
“‘Excellence in Execution’ and ‘Fitness for Teaching’: Assessments of Women at the Conservatoire Américain”
Author(s):
Kendra Leonard
(see profile)
Date:
2007
Subject(s):
Gender studies
,
Music
Item Type:
Article
Permanent URL:
https://hcommons.org/deposits/item/hc:14513/
“Silencing Ophelia: Male Aurality as a Controlling Element in Olivier’s Hamlet”
Author(s):
Kendra Leonard
(see profile)
Date:
2009
Subject(s):
Adaptation
,
Music
,
Shakespeare
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6RX1N
“Louise Talma’s Christmas Carol”
Author(s):
Kendra Leonard
(see profile)
Date:
2010
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6WQ4Z
“A Great Desire: Autobiography in Louise Talma’s Early Vocal Works”
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M61D6V
“Style and Form in Louise Talma’s Early Songs”
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M65695
“Hearing the Scene: Approaches to Live Music in Modern Shakespearean Productions”
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Subject(s):
Adaptation
,
Music
,
Shakespeare
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M68X19
“Towards a Works List for Louise Talma”
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6DQ37
“Origin Stories: Louise Talma’s Early Life”
Author(s):
Kendra Leonard
(see profile)
Date:
2012
Subject(s):
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6JD7W
“Significations of Religious Desire in Louise Talma’s The Alcestiad”
Author(s):
Kendra Leonard
(see profile)
Date:
2013
Subject(s):
Music
,
Opera
,
Religion and sexuality
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6P68F
“Cheer up, Hamlet! Using Shakespearean Burlesque to Teach the Bard”
Author(s):
Kendra Leonard
(see profile)
Date:
2013
Subject(s):
Music
,
Shakespeare
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6SX2B
“Listening to the Gaoler’s Daughter”
Author(s):
Kendra Leonard
(see profile)
Date:
2017
Subject(s):
Music
,
Shakespeare
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6XM60
“History Faux/Real: the 2006 Ur-Hamlet”
Author(s):
Kendra Leonard
(see profile)
Date:
2016
Subject(s):
Adaptation
,
Music
,
Shakespeare
Item Type:
Article
Permanent URL:
https://hcommons.org/deposits/item/hc:14491/
“Using Resources for Silent Film Music”
Author(s):
Kendra Leonard
(see profile)
Date:
2017
Subject(s):
Film history
,
Music
Item Type:
Article
Permanent URL:
http://dx.doi.org/10.17613/M6640C
“‘The Future is the Past’: Music and History in Firefly,” Space and Time: Essays on Visions of History in Science Fiction and Fantasy,
Author(s):
Kendra Leonard
(see profile)
Date:
2010
Subject(s):
American history
,
Music
,
Television
Item Type:
Book chapter
Permanent URL:
http://dx.doi.org/10.17613/M69X20
“‘The Status is Not Quo’: Gender and Performance in Dr. Horrible’s Sing-Along Blog,” Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon, Scarecrow Press, 2010.
Author(s):
Kendra Leonard
(see profile)
Date:
2010
Subject(s):
Gender studies
,
Music
,
Television
Item Type:
Book chapter
Permanent URL:
http://dx.doi.org/10.17613/M6KD8K
Two Pietàs: William-Adolphe Bouguereau & Lisa Streich
Author(s):
Christopher Swithinbank
(see profile)
Date:
2014
Group(s):
History of Art
,
Music and Sound
Subject(s):
Art history
,
Music
,
Music composition
,
Theology
Item Type:
Article
Tag(s):
contemporary music
,
Lisa Streich
,
painting
,
William-Adolphe Bouguereau
Permanent URL:
http://dx.doi.org/10.17613/M6097W
Into the Lion’s Den: Helmut Lachenmann at 75
Author(s):
Christopher Swithinbank
(see profile)
Date:
2011
Group(s):
Music and Sound
Subject(s):
Music
,
Music composition
,
Music criticism
Item Type:
Article
Tag(s):
audience reception
,
Helmut Lachenmann
Permanent URL:
http://dx.doi.org/10.17613/M6409S
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