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A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)
Author(s):
Frank Lehman (see profile)
Date:
2019
Group(s):
American Musicological Society
Subject(s):
Music, Film music, Music theory, Film
Item Type:
Catalog
Tag(s):
Music Cataloging, Music cataloguing
A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
17th century, 16th century, Sacred music, Musicology, Music, Polyphony
Item Type:
Article
Tag(s):
Soundscapes, Plainchant, Azores
Introduction to the Historical Soundscape of Flores Island
Author(s):
Luís Henriques (see profile)
Date:
2019
Group(s):
Music in the Azores studies
Subject(s):
Musicology, Music, 17th century, 18th century, Sacred music
Item Type:
Blog Post
Tag(s):
plainchant, Soundscapes
O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Historical Soundscape Studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Sacred music, Polyphony
Item Type:
Article
Tag(s):
processions, Soundscapes, Plainchant
Who Vibrates?
Author(s):
Christopher Swithinbank (see profile)
Date:
2019
Subject(s):
Music, New materialism, Critical race theory, Performance art, Sound studies
Item Type:
Article
Tag(s):
Carolyn Chen, experimental music, embodied difference, white aurality, race and aesthetics
Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors
Author(s):
Christiaan De Beukelaer, Andrew Eisenberg (see profile)
Date:
2018
Group(s):
Ethnomusicology
Subject(s):
African studies, Media studies, Economic ethnomusicology, Music
Item Type:
Article
Tag(s):
Kenya, Ghana, mobile technologies, music industry
De la musique «afro» et de la résonance du Benga / “Afro” Music and the Resonance of Benga
Author(s):
Andrew Eisenberg (see profile)
Date:
2019
Group(s):
Ethnomusicology
Subject(s):
Africana studies, African art, Music
Item Type:
Essay
Tag(s):
Kenya
Francisco Martins: Confitebor tibi Domine; Dixit Dominus
Author(s):
Luís Henriques (see profile)
Date:
2018
Subject(s):
Musicology, Music, Polyphony, 17th century
Item Type:
Other
Tag(s):
sheet music, Music Edition, psalm
Acerca do motete Heu me Domine de Vicente Lusitano
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Renaissance / Early Modern Studies
Subject(s):
Musicology, Music, Music analysis, 16th century, Sacred music, Polyphony
Item Type:
Online publication
Tag(s):
motet, chromaticism
The historical relationship of musical form and the moving image in the current context of the digitisation of media
Author(s):
John Davey (see profile)
Date:
2017
Group(s):
Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)
Subject(s):
Film, Intermedia, Media studies, Multimedia, Music, Music and Society, Poetics
Item Type:
Thesis
Tag(s):
audiovisual, Digital Technology, Media convergence
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
The Aesthetics of Music: An Anthology of Essays by Arnold Berleant
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Music and philosophy, Aesthetics
Item Type:
Other
Tag(s):
Arnold Berleant, musical experience, aesthetics of music
Some Observations on American Music Today
Author(s):
Arnold Berleant (see profile)
Date:
1998
Subject(s):
Music, 20th-century American music
Item Type:
Article
Tag(s):
American music, musical trends, music appreciation, art music, musical culture
Notes for a Phenomenology of Musical Performance
Author(s):
Arnold Berleant (see profile)
Date:
1999
Subject(s):
Performance, Music
Item Type:
Article
Tag(s):
musical performance, music appreciation
Musical Generation
Author(s):
Arnold Berleant (see profile)
Date:
1991
Subject(s):
Music, Composition
Item Type:
Book chapter
Tag(s):
musical composition, music appreciation, musical engagement
Musical De-Composition
Author(s):
Arnold Berleant (see profile)
Date:
1994
Subject(s):
Music, Composition, Aesthetics, Music and philosophy
Item Type:
Book chapter
Tag(s):
musical composition, perceptual experience, aesthetics of music
Ruminations on Music as an Exemplary Art
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Language, Aesthetics
Item Type:
Article
Tag(s):
musical language, musical experience, aesthetic appreciation, language of music, musical object
Music as Sound and Idea
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Language, User experience
Item Type:
Article
Tag(s):
musical experience, musical object, perceptual experience, conceptual experience
Embodied Music
Editor(s):
Arnold Berleant (see profile)
Date:
2002
Subject(s):
Music, Embodiment, Dance
Item Type:
Book chapter
Tag(s):
musical embodiment, environmental engagement, musical experience
What Music Isn't and How to Teach It
Author(s):
Arnold Berleant (see profile)
Date:
2009
Subject(s):
Music, Teaching
Item Type:
Article
Tag(s):
musical meaning, musical emotion, music experience
Duarte Lobo: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2013
Subject(s):
Music, Musicology, 17th century, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Sacred music, 18th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral, Stile Concertato
A presença da flauta na música sacra do catálogo de José Augusto Alegria
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musical instruments, Music
Item Type:
Abstract
Tag(s):
Evora's Cathedral, José Augusto Alegria
Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Évora Cathedral, Litanies, Novenas, Antiphon
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet

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CORE Search Results Start Search Over

A Complete Catalog of the Musical Themes of Star Wars (Updated & Revised Feb 2019)

A atividade litúrgico-musical da ermida de Nossa Senhora dos Remédios: Expressão de uma identidade nobiliárquica da cidade de Angra nos séculos XVI e XVII

Introduction to the Historical Soundscape of Flores Island

O ano de 1647 "que se diz da Fome, e Terremotos": O impacto das crises sísmicas na paisagem sonora de Angra

Who Vibrates?

Mobilising African music: how mobile telecommunications and technology firms are transforming African music sectors

De la musique «afro» et de la résonance du Benga / “Afro” Music and the Resonance of Benga

Francisco Martins: Confitebor tibi Domine; Dixit Dominus

Acerca do motete Heu me Domine de Vicente Lusitano

The historical relationship of musical form and the moving image in the current context of the digitisation of media

Hamilton's Ghosts

The Aesthetics of Music: An Anthology of Essays by Arnold Berleant

Some Observations on American Music Today

Notes for a Phenomenology of Musical Performance

Musical Generation

Musical De-Composition

Ruminations on Music as an Exemplary Art

Music as Sound and Idea

Embodied Music

What Music Isn't and How to Teach It

Duarte Lobo: Uma nota biográfica

Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum

A presença da flauta na música sacra do catálogo de José Augusto Alegria

Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral

O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica

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