Deposits – Humanities Commons

CORE Search Results Start Search Over

What's He Building in There? The Existential Geography of Tom Waits
Author(s):
Michael Pesses (see profile)
Date:
2011
Group(s):
Cultural Studies
Subject(s):
Music, Cultural geography
Item Type:
Article
Tag(s):
media geography
The Circulation of Palestrinian Polyphony in the South of Portugal during the Eighteenth Century: The Repertories of Évora, Elvas and Vila Viçosa
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Manuscript studies, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Palestrina, motet, Paraphrase Mass, Parody mass
Now Hear This! Observations on Building Local Music Collections (Minnesota Underground Music Archives)
Author(s):
Kathryn Hujda (see profile)
Date:
2018
Group(s):
Music Library Association
Subject(s):
Cultural archiving, Music
Item Type:
Presentation
Tag(s):
muslib2018
Introduction to processing born digital content
Author(s):
Jonathan Manton (see profile)
Date:
2018
Group(s):
Music Library Association
Subject(s):
Archives, Digital archives, Digital preservation, Music
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp, muslib2018
Bound for Glory: Binders' Volumes in a 21st Century Reading
Author(s):
Andrea Cawelti, Robert L. Cunningham (see profile)
Date:
2018
Group(s):
Music Library Association
Subject(s):
Libraries, Music
Item Type:
Conference paper
Tag(s):
muslib2018
No time like the past: Hearing nostalgia in The Twilight Zone
Author(s):
Reba Wissner (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, Television Studies
Subject(s):
Music, Television
Item Type:
Article
Disability in Piano Performance Pedagogy: Resources for the Classroom
Author(s):
Stefan Honisch (see profile)
Date:
2018
Subject(s):
Disability, Music, Performance
Item Type:
Course material or learning objects
Encontro "Arte & Património" 2017
Editor(s):
Luís Henriques (see profile)
Date:
2017
Subject(s):
Art history, Architecture, Music, Conservation
Item Type:
Book
Tag(s):
religious orders
Staging a Transforming Great Britain: Tamlane, The Social Turn, and the 2014 Referendum
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ethnomusicology
Subject(s):
Theater, Drama, Playwriting, Music, Scotland
Item Type:
Book chapter
“Music Videos and Reused Footage”
Author(s):
Sérgio Dias Branco (see profile)
Date:
2009
Group(s):
Cultural Studies, Film Studies
Subject(s):
Film, Music, Video arts
Item Type:
Book chapter
“All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone
Author(s):
Richard Elliott (see profile)
Date:
2016
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular Music Studies, Age studies, Voice, Celebrity studies
Item Type:
Conference paper
Tag(s):
Nina Simone, Janis Ian, cover version, stardom
“Time and Distance Are No Object”
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
American Musicological Society, Cultural Studies, Music and Sound
Subject(s):
Music, Popular culture, Material culture, Popular Music Studies, Cultural studies, Translation, Representation
Item Type:
Article
Tag(s):
exotica, pop culture, nostalgia
The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614
Author(s):
Tess Knighton, Ascensión Mazuela-Anguita (see profile)
Date:
2016
Group(s):
Music and Sound, Religious Studies
Subject(s):
Music
Item Type:
Article
Tag(s):
music and ceremony, Teresa of Avila, urban musics
(MLA) Providing Open Access to Irish Music: The Séamus Connolly Collection of Irish Music at Boston College
Author(s):
Anna Kijas (see profile) , Elizabeth Sweeney
Date:
2018
Group(s):
Digital Humanists, Irish Literature and Culture, Music Librarians, Open Music
Subject(s):
Digital scholarship, Digital curation, Music, Irish music
Item Type:
Presentation
Tag(s):
Traditional music
Copyright & Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Copyright, Digital humanities, Fair use, Music
Item Type:
Presentation
Tag(s):
altmuslib2018, MLAtechcamp, muslib2018
Framework for Evaluating Copyright Issues in Digital Scholarship
Author(s):
Kathleen DeLaurenti (see profile)
Date:
2018
Group(s):
American Musicological Society, Music Librarians, Open Music
Subject(s):
Music, Copyright, Digital humanities
Item Type:
Course material or learning objects
Tag(s):
MLAtechcamp, muslib2018, altmuslib2018
The Face That Launched A Hundred Arias: Helen of Troy and the Reversal of a Reputation in Seventeenth-Century Venetian Opera
Author(s):
Reba Wissner (see profile)
Date:
2011
Group(s):
American Musicological Society
Subject(s):
Classical Greek culture, Music, Opera
Item Type:
Article
For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future
Author(s):
Reba Wissner (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound, Speculative and Science Fiction
Subject(s):
Music, Science fiction films, Television, Television studies
Item Type:
Article
The Apocalypse According to Johnny Cash: Examining the ‘Effect’ of the Book of Revelation on a Contemporary Apocalyptic Writer
Author(s):
William John Lyons (see profile)
Date:
2009
Group(s):
Biblical Studies, Religious Studies
Subject(s):
Apocalyptic Literature, Biblical studies, Music, Reception of the Bible, Revelation
Item Type:
Book chapter
Music for Nothing or, I Want My MP3: The Regulation and Recirculation of Affect
Author(s):
Gil Rodman (see profile) , Cheyanne Vanderdonckt
Date:
2018
Group(s):
Cultural Studies
Subject(s):
Cultural studies, Intellectual property, Music, Affect, Copyright
Item Type:
Article
Tag(s):
filesharing, mp3
New Letters of Berlioz Oeuvres littéraires. Correspondance générale II (1832-1842) Hector Berlioz Frédéric Robert
Author(s):
Ralph P. Locke (see profile)
Date:
2012
Subject(s):
Musicology, Music, Musical romanticism, Music and literature, Music history
Item Type:
Article
Tag(s):
France, 19th century France, letters, Primary sources, biography
The Sound of Nonsense
Author(s):
Richard Elliott (see profile)
Date:
2018
Group(s):
Cultural Studies, Music and Sound, Sound Poetry
Subject(s):
Literature, Music, Sound poetry, Sound studies
Item Type:
Book section
Tag(s):
nonsense, nonsense poetry, pop culture, Popular music
nonsensemix
Author(s):
Richard Elliott (see profile)
Date:
2015
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Comedy (genre), Music, Sound poetry, Sound studies
Item Type:
Sound recording-non musical
Tag(s):
comedy, nonsense, nonsense poetry, pop music, sound poetry
Just the Songs, from The Art Songs of Louise Talma, CMS Sourcebooks in American Music series, Routledge, 2017.
Editor(s):
Kendra Leonard (see profile)
Date:
2017
Subject(s):
20th century, Historical musicology, Music
Item Type:
Music
Tag(s):
music, musical theory, musicology, Talma, songs
The Musicalization of Graphic Narratives and P. Craig Russell's Graphic Novel Operas, The Magic Flute and Salome
Author(s):
Victoria Addis (see profile)
Date:
2017
Group(s):
Comics Scholarship/Comics Studies, Cultural Studies
Subject(s):
Comics, Music, Opera
Item Type:
Article

Viewing item 1 to 25 (of 51 items)

@

Not recently active