Deposits – Humanities Commons

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The historical relationship of musical form and the moving image in the current context of the digitisation of media
Author(s):
John Davey (see profile)
Date:
2017
Group(s):
Film-Philosophy, Film Studies, Music and Sound, Networked Art, Science and Technology Studies (STS)
Subject(s):
Music, Film, Media studies, Multimedia, Intermedia, Music and Society, Poetics
Item Type:
Thesis
Tag(s):
Digital Technology, Media convergence, audiovisual
Hamilton's Ghosts
Author(s):
pmgentry (see profile)
Date:
2017
Group(s):
American Musicological Society, Performance Studies
Subject(s):
Music, Musical theatre, Historiography
Item Type:
Article
The Aesthetics of Music: An Anthology of Essays by Arnold Berleant
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Music and philosophy, Aesthetics
Item Type:
Other
Tag(s):
Arnold Berleant, musical experience, aesthetics of music
Some Observations on American Music Today
Author(s):
Arnold Berleant (see profile)
Date:
1998
Subject(s):
Music, 20th-century American music
Item Type:
Article
Tag(s):
American music, musical trends, music appreciation, art music, musical culture
Notes for a Phenomenology of Musical Performance
Author(s):
Arnold Berleant (see profile)
Date:
1999
Subject(s):
Performance, Music
Item Type:
Article
Tag(s):
musical performance, music appreciation
Musical Generation
Author(s):
Arnold Berleant (see profile)
Date:
1991
Subject(s):
Music, Composition
Item Type:
Book chapter
Tag(s):
musical composition, music appreciation, musical engagement
Musical De-Composition
Author(s):
Arnold Berleant (see profile)
Date:
1994
Subject(s):
Music, Composition, Aesthetics, Music and philosophy
Item Type:
Book chapter
Tag(s):
musical composition, perceptual experience, aesthetics of music
Ruminations on Music as an Exemplary Art
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Language, Aesthetics
Item Type:
Article
Tag(s):
musical language, musical experience, aesthetic appreciation, language of music, musical object
Music as Sound and Idea
Author(s):
Arnold Berleant (see profile)
Date:
2018
Subject(s):
Music, Language, User experience
Item Type:
Article
Tag(s):
musical experience, musical object, perceptual experience, conceptual experience
Embodied Music
Editor(s):
Arnold Berleant (see profile)
Date:
2002
Subject(s):
Music, Embodiment, Dance
Item Type:
Book chapter
Tag(s):
musical embodiment, environmental engagement, musical experience
What Music Isn't and How to Teach It
Author(s):
Arnold Berleant (see profile)
Date:
2009
Subject(s):
Music, Teaching
Item Type:
Article
Tag(s):
musical meaning, musical emotion, music experience
Duarte Lobo: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2013
Subject(s):
Music, Musicology, 17th century, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Sacred music, 18th century
Item Type:
Abstract
Tag(s):
Evora's Cathedral, Stile Concertato
A presença da flauta na música sacra do catálogo de José Augusto Alegria
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musical instruments, Music
Item Type:
Abstract
Tag(s):
Evora's Cathedral, José Augusto Alegria
Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, Sacred music, Polyphony, 18th century
Item Type:
Abstract
Tag(s):
Évora Cathedral, Litanies, Novenas, Antiphon
O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music, Musicology, 17th-century music, 17th century, Polyphony, Sacred music
Item Type:
Abstract
Tag(s):
Évora Cathedral, motet
Composition for Piano by La Shun L. Carroll, DDS, EdM
Author(s):
llcddsedm (see profile)
Date:
2000
Subject(s):
Music, Music composition
Item Type:
Music
A Polyphony of Belongings. (Turbo) Folk, Power and Migrants
Author(s):
Wladimir Fischer-Nebmaier (see profile)
Date:
2005
Group(s):
Bosnian, Croatian, Serbian Studies, Global & Transnational Studies
Subject(s):
Music, Migration, Comparative cultural studies, Popular culture, Popular Music Studies, Austria, Yugoslavia
Item Type:
Article
Tag(s):
Identification, identity politics
Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung
Author(s):
Derek R. Strykowski (see profile)
Date:
2018
Group(s):
American Musicological Society, Digital Humanists, History
Subject(s):
History, Music, Music history, Musicology, Music publishing
Item Type:
Data set
Tag(s):
Allgemeine musikalische Zeitung, Breitkopf & Härtel, Music printing, newspapers, nineteenth century
Performing Spiritualism in the Silent Cinema
Author(s):
Kendra Leonard (see profile)
Date:
2018
Group(s):
American Musicological Society, Film Studies, MS Screen Arts and Culture, Music Library Association
Subject(s):
Musicology, Film music, Film history, Music, Religion
Item Type:
Article
António Pinheiro: Uma nota biográfica
Author(s):
Luís Henriques (see profile)
Date:
2014
Subject(s):
Music, Musicology, 16th-century music, Biography, Polyphony, Sacred music
Item Type:
Newspaper article
Tag(s):
Composer
O Officium Defunctorum de Morago na Sé Catedral de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Music, Musicology, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Lobo, Cardoso e Pedro de Cristo na Sé de Évora
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
17th century, Musicology, Music, Polyphony
Item Type:
Review
Tag(s):
concert, Évora Cathedral
Do Manuscrito ao Concerto: O património musical monástico-conventual
Author(s):
Luís Henriques (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Musicology, Music, Cultural heritage, Sacred music, 17th century
Item Type:
Abstract
Tag(s):
monastery, Musical Instrument, Manuscripts
Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)
Author(s):
Kendra Leonard (see profile)
Date:
2001
Group(s):
American Musicological Society
Subject(s):
Music
Item Type:
Book review

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CORE Search Results Start Search Over

The historical relationship of musical form and the moving image in the current context of the digitisation of media

Hamilton's Ghosts

The Aesthetics of Music: An Anthology of Essays by Arnold Berleant

Some Observations on American Music Today

Notes for a Phenomenology of Musical Performance

Musical Generation

Musical De-Composition

Ruminations on Music as an Exemplary Art

Music as Sound and Idea

Embodied Music

What Music Isn't and How to Teach It

Duarte Lobo: Uma nota biográfica

Elementos de retorica musical en la obra de Miguel Anjo do Amaral: el caso de Laudate Pueri Dominum

A presença da flauta na música sacra do catálogo de José Augusto Alegria

Portuguese text insertions in early-eighteenth-century Latin musical works of Évora Cathedral

O motete Memento homo de Diogo Dias Melgaz: uma perspetiva analítica

Composition for Piano by La Shun L. Carroll, DDS, EdM

A Polyphony of Belongings. (Turbo) Folk, Power and Migrants

Prices of Music at Breitkopf & Härtel: Publication Lists from the Intelligenz-blatt zur Allgemeine musikalische Zeitung

Performing Spiritualism in the Silent Cinema

António Pinheiro: Uma nota biográfica

O Officium Defunctorum de Morago na Sé Catedral de Évora

Lobo, Cardoso e Pedro de Cristo na Sé de Évora

Do Manuscrito ao Concerto: O património musical monástico-conventual

Review: Diana Burrell, Heron: For Cello and Piano (1988); Barbara Heller, Lalai: Schlaflied zum Wachwerden? für Violoncello und Klavier (1989); Tania León, Four Pieces for Violoncello (1981); Augusta Read Thomas, Spring Song for Solo Cello (1995)

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