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Tinctoris’s Minimum opus
Author(s):
Rob C. Wegman
(see profile)
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Medieval music
,
Music theory
Item Type:
Article
The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’
Author(s):
Rob C. Wegman
(see profile)
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Flemish language
,
Medieval manuscripts
,
Medieval music
,
Medieval Spanish Literature
,
Polyphony
Item Type:
Book chapter
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher
(see profile)
Date:
2019
Group(s):
American Musicological Society
,
Medieval Studies
,
Society for Music Theory (SMT)
Subject(s):
Medieval music
,
Music theory
,
Music analysis
,
Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory
,
Counterpoint
,
Ars nova
Online Database of Middle High German Translations of Latin Hymns: ‘Berliner Repertorium’
Author(s):
Franziska Katharina Ninett Lallinger
(see profile)
Date:
2020
Group(s):
2020 MLA Convention
,
CLCS Medieval
,
CLCS Renaissance and Early Modern
,
LLC German to 1700
,
Medieval Studies
Subject(s):
Digital humanities
,
Medieval Germany
,
Medieval liturgy
,
Late medieval literature
,
Medieval music
Item Type:
Conference paper
Tag(s):
MLA20
,
Session 030
“The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Author(s):
Claire E.A. McLeish
(see profile)
Date:
2014
Subject(s):
Copyright
,
Cultural musicology
,
Digital humanities
,
Intertextuality
,
Medieval music
,
Orality
Item Type:
Thesis
Tag(s):
mashup
,
online communities
,
Remix
Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century
Author(s):
Catherine Jeffreys
(see profile)
Date:
2018
Subject(s):
Chant
,
Historical musicology
,
Medieval music
,
Music theory
Item Type:
Article
Tag(s):
Guy of Saint-Denis
,
Johannes de Grocheio
,
Medieval University of Paris
Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music
Author(s):
Jason Stoessel
(see profile)
Date:
2010
Subject(s):
Medieval music
,
Renaissance music
,
Music notation
Item Type:
Article
Symbolic Innovation: The Notation of Jacob de Senleches
Author(s):
Jason Stoessel
(see profile)
Date:
1999
Subject(s):
11th to 14th century
,
Medieval music
,
Music history
,
Notation
Item Type:
Article
Tag(s):
Ars subtilior
,
Editing early music
,
Jacob de Senleches
,
Music Paleography
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas
(see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
11th to 14th century
,
Digital humanities
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2016
,
workflow
Seguint el rastre de la Sibil ! la a Menorca
Author(s):
Amadeu Corbera Jaume
(see profile)
Date:
2011
Group(s):
Ethnomusicology
Subject(s):
Catalan culture
,
Catalan literature
,
Ethnomusicology
,
Medieval music
,
Oral history
Item Type:
Article
Tag(s):
early medieval history
,
ethnomusicology
,
menorca
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas
(see profile)
Date:
2017
Group(s):
Digital Humanists
,
Open Music
Subject(s):
Digital humanities
,
Digital scholarship
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2017
,
digital infrastructure
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