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Pattern Discovery in Old Hispanic Neume Notation
Author(s):
Paul Rouse (see profile)
Date:
2021
Subject(s):
Computers and music, Humanities computing, Medieval music, Musicology
Item Type:
Article
Tag(s):
Computer-aided analysis, Old Hispanic chant, Unpitched notation
Next Steps for Measuring Polyphony: A Prototype Editor for Encoding Mensural Music
Author(s):
Karen Desmond
Editor(s):
Elsa De Luca (see profile) , Julia Flanders
Date:
2020
Group(s):
Music Encoding Initiative
Subject(s):
Digital humanities, Digital musicology, Medieval music, Music
Item Type:
Conference poster
Tag(s):
Ars nova, MEI, motets
Tinctoris’s Minimum opus
Author(s):
Rob C. Wegman
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Medieval music, Music theory
Item Type:
Article
The Segovia Manuscript: Another Look at the ‘Flemish Hypothesis’
Author(s):
Rob C. Wegman
Date:
2020
Group(s):
Medieval Polyphony
Subject(s):
Flemish language, Medieval manuscripts, Medieval music, Medieval Spanish Literature, Polyphony
Item Type:
Book chapter
De fundamento discanti: Structure and Elaboration in Fourteenth-Century Counterpoint
Author(s):
Ryan Taycher (see profile)
Date:
2019
Group(s):
American Musicological Society, Medieval Studies, Society for Music Theory (SMT)
Subject(s):
Medieval music, Music theory, Music analysis, Music history
Item Type:
Dissertation
Tag(s):
History of Music Theory, Counterpoint, Ars nova
Online Database of Middle High German Translations of Latin Hymns: ‘Berliner Repertorium’
Author(s):
Franziska Katharina Ninett Lallinger (see profile)
Date:
2020
Group(s):
2020 MLA Convention, CLCS Medieval, CLCS Renaissance and Early Modern, LLC German to 1700, Medieval Studies
Subject(s):
Digital humanities, Medieval Germany, Medieval liturgy, Late medieval literature, Medieval music
Item Type:
Conference paper
Tag(s):
MLA20, Session 030
“The Future is Medieval”: Orality and Musical Borrowing in the Middle Ages and Online Remix Culture
Author(s):
Claire E.A. McLeish (see profile)
Date:
2014
Subject(s):
Copyright, Cultural musicology, Digital humanities, Intertextuality, Medieval music, Orality
Item Type:
Thesis
Tag(s):
mashup, online communities, Remix
Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century
Author(s):
Catherine Jeffreys (see profile)
Date:
2018
Subject(s):
Chant, Historical musicology, Medieval music, Music theory
Item Type:
Article
Tag(s):
Guy of Saint-Denis, Johannes de Grocheio, Medieval University of Paris
Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music
Author(s):
Jason Stoessel (see profile)
Date:
2010
Subject(s):
Medieval music, Renaissance music, Music notation
Item Type:
Article
Symbolic Innovation: The Notation of Jacob de Senleches
Author(s):
Jason Stoessel (see profile)
Date:
1999
Subject(s):
11th to 14th century, Medieval music, Music history, Notation
Item Type:
Article
Tag(s):
Ars subtilior, Editing early music, Jacob de Senleches, Music Paleography
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas (see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
11th to 14th century, Digital humanities, Medieval music, Musicology, Digital musicology
Item Type:
Presentation
Tag(s):
DH2016, workflow
Seguint el rastre de la Sibil ! la a Menorca
Author(s):
Amadeu Corbera Jaume (see profile)
Date:
2011
Group(s):
Ethnomusicology
Subject(s):
Catalan culture, Catalan literature, Ethnomusicology, Medieval music, Oral history
Item Type:
Article
Tag(s):
early medieval history, ethnomusicology, menorca
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas (see profile)
Date:
2017
Group(s):
Digital Humanists, Open Music
Subject(s):
Digital humanities, Digital scholarship, Medieval music, Musicology, Digital musicology
Item Type:
Presentation
Tag(s):
DH2017, digital infrastructure

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