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Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century
Author(s):
Catherine Jeffreys
(see profile)
Date:
2018
Subject(s):
Chant
,
Historical musicology
,
Medieval music
,
Music theory
Item Type:
Article
Tag(s):
Guy of Saint-Denis
,
Johannes de Grocheio
,
Medieval University of Paris
Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century Music
Author(s):
Jason Stoessel
(see profile)
Date:
2010
Subject(s):
Medieval music
,
Renaissance music
,
Music notation
Item Type:
Article
Symbolic Innovation: The Notation of Jacob de Senleches
Author(s):
Jason Stoessel
(see profile)
Date:
1999
Subject(s):
11th to 14th century
,
Medieval music
,
Music history
,
Notation
Item Type:
Article
Tag(s):
Ars subtilior
,
Editing early music
,
Jacob de Senleches
,
Music Paleography
The Encoded Medieval Antiphoner: An Open Access Digital Source for Music and Liturgical Pedagogy and Scholarship
Author(s):
Anna Kijas
(see profile)
Date:
2018
Group(s):
Open Music
Subject(s):
11th to 14th century
,
Digital humanities
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2016
,
workflow
Seguint el rastre de la Sibil ! la a Menorca
Author(s):
Amadeu Corbera Jaume
(see profile)
Date:
2011
Group(s):
Ethnomusicology
Subject(s):
Catalan culture
,
Catalan literature
,
Ethnomusicology
,
Medieval music
,
Oral history
Item Type:
Article
Tag(s):
early medieval history
,
ethnomusicology
,
menorca
The Burns Antiphoner: From Manuscript to Interactive Resource
Author(s):
Anna Kijas
(see profile)
Date:
2017
Group(s):
Digital Humanists
,
Open Music
Subject(s):
Digital humanities
,
Digital scholarship
,
Medieval music
,
Musicology
,
Digital musicology
Item Type:
Presentation
Tag(s):
DH2017
,
digital infrastructure
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