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Notes on the End of Rome, Open City
Author(s):
Charles L. Leavitt IV (see profile)
Date:
2018
Group(s):
LLC 20th- and 21st-Century Italian
Subject(s):
Film, Italian cinema, Cinema, Cinema history, Modern Italian cinema
Item Type:
Article
Il realismo di un nuovissimo Medio Evo: Boccaccio in the Age of Neorealism
Author(s):
Charles L. Leavitt IV (see profile)
Date:
2016
Group(s):
LLC 20th- and 21st-Century Italian, TM Literary Criticism
Subject(s):
Italian literature, Italian studies, Medieval Italian literature, Boccaccio, Italian cinema
Item Type:
Article
The Bourgeoisie Is Also a Class: Class as Character in Michelangelo Antonioni's "L'Avventura"
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film and society, Film arts, Cinema, world cinema, Class
Item Type:
Article
Tag(s):
Michelangelo Antonioni, L'AVVENTURA, bourgeoise
IDENTIFICATION OF A WOMAN
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2012
Group(s):
Film Studies
Subject(s):
Italian cinema, Film, Film arts, Cinema, world cinema
Item Type:
Review
Tag(s):
Michelangelo Antonioni, Italian film
BICYCLE THIEVES: A Re-reading
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Italian cinema, Cinema, Cinema history, Film and history, Film, Film history, world cinema
Item Type:
Article
Tag(s):
neorealism
The Architectonics of Alienation: Antonioni's Edifice Complex
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
2019
Group(s):
Film Studies
Subject(s):
Film, Film criticism, Italian cinema, world cinema, Architecture, Film history, Cinema
Item Type:
Article
Tag(s):
film modernism
Los contornos del miedo. La huella del arte pictórico en el giallo italiano
Author(s):
Antonio Loriguillo-López (see profile) , Agustín Rubio Alcover
Date:
2018
Subject(s):
Film arts, Film studies, Italian cinema, Painting
Item Type:
Article

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