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Capturing Trends and Identifying the Emerging Cool: A Study of Indian Bollywood Celebs on Twitter
Author(s):
FALGUNI VASAVADA, SANTOSH K. PATRA, PALAK GADHIYA KRISHNA MISHRA
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2015
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Indian cinema, New media, Film studies, Journalism, Communication, Bollywood
Item Type:
Article
Tag(s):
Trend, cool, Twitter, celebrity
Weepies Going Dirty and Machos Doing Masti: Unveiling the Female Chauvinist Pigs in Indian Cinema
Author(s):
SIMRANPREET KAUR VANDANA SHARMA
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2016
Group(s):
Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Indian cinema, Film, Broadcast journalism, Sexuality, Communication, Consumption
Item Type:
Article
Tag(s):
Raunch culture, post-feminism, chauvinistic
Parental Intervention and Frequency of Mediation Styles towards Children Watching Television in India
Author(s):
N. BOOBALAKRISHNAN C. PICHANDY
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2018
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Television, Indian cinema, Children’s culture, Journalism, Communication
Item Type:
Article
Tag(s):
Television broadcasting, Television drama, Children's homes
Deconstruction of Symbols of Reality in Hindi Cinema: A Study on Calendar Girls and Haider
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2018
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Indian cinema, Broadcast journalism, Communication, Mass media, Digital communication, Deconstruction, Representation
Item Type:
Article
Tag(s):
reality, symbols, Hindi cinema
Perception of the Young Adults towards the Portrayal of Women in Contemporary Indian Television Advertisements
Author(s):
MADHUSMITA DAS SANGEETA SHARMA
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2018
Group(s):
Communication Studies, Digital Humanists, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Advertising, Advertising ethics, Young adult literature, Broadcast journalism, Indian cinema, Perception, Gender
Item Type:
Article
Tag(s):
TV advertisements, portrayal of women, young adult
Bollywood Industry in the Wake of Cost Cutting Measures: Role of Quality Cues on Brand Placements
Author(s):
N. THAMARAISELVAN, B. SENTHIL ARASU, GLADYS STEPHEN J. DANIEL INBARAJ
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2018
Group(s):
Communication Studies, Cultural Studies, Electronic Literature, Feminist Humanities, Information Ecosystems
Subject(s):
Journalism, Communication, Mass media, Indian cinema, Film and history
Item Type:
Article
Tag(s):
Brand placement, intrinsic cue, extrinsic cue, Bollywood movies, film production houses, content analysis
Analysing the Concepts of Sexual Harassment: From Reel to Real in Hindi Cinema
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
Communication Studies, Film-Philosophy, Film Studies, Information Ecosystems, Television Studies
Subject(s):
Hindi language, Indian cinema, Gender and sexualities, Women's gender, and sexuality studies, Communication
Item Type:
Article
Tag(s):
Hindi cinema, films, sexual harassment, reel, real
India of the 1970s and Gulzar’s Construction of Gender: Aandh as a Case for Indian Women
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
Communication Studies, Feminist Humanities, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Gender, Gender studies, Indian cinema, Women's studies, Literary journalism
Item Type:
Article
Tag(s):
Aandhi, Gulzar, India cinema, Hindi cinema
Disability, Deficiency, and Excess: A Cinematic Construction of Disability in Popular Odia Cinema
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
Cultural Studies, Feminist Humanities, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Film and society, Cinema history, Indian cinema, Broadcast journalism, Art journaling, Disability, Representation, Identity, Gender, Culture
Item Type:
Article
Tag(s):
Odia cinema, marginalized, media
Perspectives on Violence on Screen: A Critical Analysis of Seven Samurai and Sholay
Author(s):
SHIPRA GUPTA SWATI SAMANTARAY
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2019
Group(s):
Digital Humanists, Film-Philosophy, Film Studies, Information Ecosystems, Television Studies
Subject(s):
Indian cinema, Film and history, Violence, Collective behavior, Art journaling
Item Type:
Article
Tag(s):
Bandits, guns, mercenaries, revenge, samurai, swords
"The Changing World of Satyajit Ray: Reflections on Anthropology and History"
Editor(s):
Jyotirmaya Patnaik (see profile)
Date:
2020
Group(s):
Communication Studies, Cultural Studies, Film-Philosophy, Film Studies, Television Studies
Subject(s):
Film and history, Literature and film, Indian cinema, Indian culture, Film arts
Item Type:
Article
Tag(s):
: Apu’s Eye, Shakti, prem, disenchantment, world society
Tum Toh Mohammed Rafi Nikle: The song sequence in contemporary Hindi cinema
Author(s):
Aakshi Magazine (see profile)
Date:
2019
Subject(s):
Film criticism, Film music, Film studies, Hindi, Indian cinema
Item Type:
Article
Viraha: A Trajectory in the Nehruvian Era
Author(s):
Kumkum Sangari (see profile)
Date:
2011
Subject(s):
Bhakti, Film studies, Indian cinema, Sufism
Item Type:
Book chapter
Tag(s):
Bhakti Movement, partition, Partition of India, Quratulain Hyder

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