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Man on the Moon: A short, critical analysis of Neil Armstrong's photograph from the Apollo 11 mission
Author(s):
María Paloma Velázquez
(see profile)
Date:
2020
Subject(s):
Cosmology
,
Ecology
,
Feminist philosophy
,
History of photography
,
Space
Item Type:
Essay
Photographic (In)authenticity: Making Strange as a Creative Practice Response
Author(s):
Yaron Meron
(see profile)
Date:
2020
Subject(s):
Design
,
Design (graphic)
,
Design thinking
,
History of photography
,
Photography
,
Visual communication
Item Type:
Article
Tag(s):
art and design
,
authenticity
,
design research
El álbum de Adra
Author(s):
Juan Antonio Fernandez Rivero
(see profile)
Date:
2010
Group(s):
Digital Humanists
,
History of Art
,
History of Illustration and Illustration Studies
,
Public Humanities
Subject(s):
History of photography
,
19th-century studies
Item Type:
Article
Tag(s):
Spain-History of photography
,
Andalucia-Photography-nineteenth century
Laurent y Málaga
Author(s):
Juan Antonio Fernandez Rivero
(see profile)
Date:
1999
Group(s):
Digital Humanists
,
History of Art
,
History of Illustration and Illustration Studies
Subject(s):
History of photography
,
Photography (history and studio)
,
19th-century visual culture studies
Item Type:
Book chapter
Tag(s):
Jean Laurent
,
Spanish Photographers
,
Photography in Spain-19th century
,
French photographers in Spain
,
Andalucia-Photography-nineteenth century
Fotografies espiritistes i fires de llibres: dues aproximacions diferents a la cultura i la seva història
Author(s):
Jordi Ardanuy
(see profile)
Date:
2019
Subject(s):
Book culture
,
History of photography
Item Type:
Presentation
Tag(s):
book fairs
,
History of spiritism
,
History of the Paranormal
,
socioreligions
,
Spain-History of photography
History of Photography - from Camera Obscura to the Kodak Camera
Author(s):
Rochelle Forrester
(see profile)
Date:
2020
Group(s):
Historical theory and the philosophy of history
Subject(s):
History of photography
Item Type:
Article
Tag(s):
Daguerreotype
,
wet collodion
,
Talbotype
,
Joseph Niepce
,
George Eastman
,
Invention of Photography
,
Camera Obscura
,
Kodak Camera
Los Hermanos Debas: fotógrafos de corte en las monarquías alfonsinas
Author(s):
María-Teresa García Ballesteros
(see profile)
Date:
2016
Group(s):
History of Art
Subject(s):
History of photography
,
Photography (history and studio)
Item Type:
Book chapter
Tag(s):
Fernando Debas
,
Edgardo Debas
,
Spain-photography in the nineenteenth century
El álbum de la Exposición Vinícola de 1877: Laurent, Debás y Esperon.
Author(s):
Juan Antonio Fernández Rivero
,
María-Teresa García Ballesteros
(see profile)
Date:
2017
Group(s):
History of Art
Subject(s):
Photography (history and studio)
,
History of photography
Item Type:
Book chapter
Tag(s):
Spain-old photography
,
nineteenth century-photography
,
Jean Laurent
,
Fernando Debas
,
Alfredo Esperon
Luis Masson, uno de los grandes en los inicios de la fotografía en España
Author(s):
Juan Antonio Fernández Rivero
,
María Teresa García Ballesteros
(see profile)
Date:
2018
Group(s):
History of Art
Subject(s):
History of photography
Item Type:
Article
Tag(s):
Charles Clifford
,
Luis Leon Masson
,
Luis Masson
,
Old photographs
,
Photographic heritage
,
Photography-19th century
,
Spain-History of photography
,
Spain-photographers
Spanish Stereoscopic Commercial Photography in the 20th Century: “El Turismo Práctico” and “Rellev”
Author(s):
Juan Antonio Fernández Rivero
,
María Teresa García Ballesteros
(see profile)
Date:
2019
Group(s):
History of Art
Subject(s):
History of photography
Item Type:
Article
Tag(s):
Alberto Martín Vicente
,
José Codina Borrás
,
Photographic heritage
,
Spain-History of photography
,
Stereoscopic photography
La fotografía estereoscópica en Canarias durante el siglo XIX
Author(s):
Juan Antonio Fernández Rivero
,
María Teresa García Ballesteros
(see profile)
Date:
2018
Group(s):
History of Art
Subject(s):
19th-century studies
,
History of photography
,
Photography (history and studio)
Item Type:
Article
Tag(s):
Canary islands
,
Canary Islands-History of photography
,
Olds photograhs
,
Spain
,
Stereoscopic photography
,
Stereoviews
Pre-Revolutionary Russian Photography at the New York Public Library: An Introduction
Author(s):
Susan Smith-Peter
(see profile)
,
Hee-Gwone Yoo
Date:
2019
Group(s):
ASEEES Convention
Subject(s):
Russian art
,
History of photography
,
Russian history
Item Type:
Article
Learning to See: Art & Media in Weimar Germany | Fall 2018
Author(s):
Carl Gelderloos
(see profile)
Date:
2018
Group(s):
Education and Pedagogy
,
German Literature and Culture
,
History of Art
,
LLC 19th- and Early-20th-Century German
,
MS Visual Culture
Subject(s):
20th-century film
,
History of photography
,
Aesthetic theory
,
German studies
,
Weimar culture
,
Photography
,
Cinema
,
Frankfurt school
,
Pedagogy
Item Type:
Syllabus
Tag(s):
Hauptarchiv
Framing Race in Personal and Political Spaces: New Deal Photographs of Franklin Delano Roosevelt Portraits in Domestic Settings
Author(s):
Jennifer Wingate
(see profile)
Date:
2018
Subject(s):
American art
,
Material culture
,
History of photography
,
Art history
,
Photography
Item Type:
Article
Tag(s):
Franklin Delano Roosevelt
,
Gordon Parks
,
Jack Delano
,
Social Documentary Photography
,
political art
Pictorialism and Sartorial Symbolism: A Poetic Response to Modernity at the Turn of the Twentieth Century
Author(s):
Alicia Mihalic
(see profile)
Date:
2018
Group(s):
Cultural Studies
,
History of Art
Subject(s):
19th century
,
20th century
,
Art history
,
History of photography
,
Photography
Item Type:
Conference proceeding
Tag(s):
Dress and the Body
,
History of Dress
Curtained Walls: Architectural Photography, the Farnsworth House, and the Opaque Discourse of Transparency
Author(s):
Sarah M. Dreller
(see profile)
Date:
2015
Group(s):
Architectural History and Theory
,
History of Art
Subject(s):
Architectural history
,
History of photography
,
Modernism
,
Interior design history
Item Type:
Article
Tag(s):
Architectural Photography
,
Ludwig Mies van der Rohe
,
Farnsworth House
,
Hedrich Blessing
,
Transparency
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