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Luigi Dallapiccola - Fragmentos de uma vida em benefício de uma obra pianística
Author(s):
Júlia Azevedo (see profile)
Date:
2017
Group(s):
Music and Sound, Open Music
Subject(s):
Music analysis, Historical musicology
Item Type:
Essay
Tag(s):
Luigi Dallapiccola, piano, Twelve-tone composition
Una introducción al lenguaje retórico de Carlos Francisco d'Assis Moreira: el caso del Miserere del Archivo de la Se de Évora
Author(s):
Rita Faleiro (see profile)
Date:
2018
Group(s):
Music in Évora studies
Subject(s):
Music and literature, Historical musicology, Sacred music, 19th century
Item Type:
Abstract
Tag(s):
rethoric, miserere, Evora's Cathedral
Johannes de Grocheio, the Ars musice and the Transformation of Chant Theory in the Late Thirteenth Century
Author(s):
Catherine Jeffreys (see profile)
Date:
2018
Subject(s):
Chant, Historical musicology, Medieval music, Music theory
Item Type:
Article
Tag(s):
Guy of Saint-Denis, Johannes de Grocheio, Medieval University of Paris
BEAM THEM TOGETHER: Employing the Background, Exhibit, Argument, and Method Model to Connect Research and Writing
Author(s):
Rachel Scott (see profile)
Date:
2018
Group(s):
American Musicological Society, Library & Information Science, Music Library Association
Subject(s):
Historical musicology, Librarianship, Research, Rhetorical theory, Rhetoric and composition
Item Type:
Presentation
Tag(s):
muslib2018
“In Their Own Native Keys”: Tonal Organization in William Byrd’s Published Motets
Author(s):
Mark Yeary (see profile)
Date:
2010
Group(s):
American Musicological Society
Subject(s):
Historical musicology, Early music
Item Type:
Article
Apresentação PowerPoint - As “Licções de Trevas para Quinta Feira Santa” de Rocha Espanca no fundo musical do mosteiro de São Bento de Cástris
Author(s):
Rita Faleiro (see profile)
Date:
2017
Group(s):
Music in Évora studies
Subject(s):
18th century, Historical musicology, Music analysis
Item Type:
Presentation
Tag(s):
18th Century, Cistercian, sacred music, Évora
Erik Satie’s Socrate (1918), Myths of Marsyas, and un style dépouillé
Author(s):
Samuel Dorf (see profile)
Date:
2014
Subject(s):
Classics, Historical musicology, Philosophy
Item Type:
Article
Tag(s):
Erik Satie, Socrates
The Innovations of Ruth Crawford Seeger
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
American Musicological Society
Subject(s):
Historical musicology, Music theory
Item Type:
Blog Post
American Folk Rock Cattle Raid: The Decemberists’s The Tain
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society
Subject(s):
Historical musicology, Popular Music Studies
Item Type:
Blog Post
Art Mimics Art: Anthony Burgess’s Napoleon Symphony: A Novel in Four Movements
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society
Subject(s):
British literature, Historical musicology
Item Type:
Blog Post
Women Can’t Do That: Delia Derbyshire and Electronic Musi
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
American Musicological Society
Subject(s):
Historical musicology
Item Type:
Blog Post
Song of Myself: Autobiography in Pop Music
Author(s):
Kendra Leonard (see profile)
Date:
2014
Group(s):
American Musicological Society, TC Women’s and Gender Studies
Subject(s):
Historical musicology, Popular Music Studies
Item Type:
Blog Post
Survival Through Song
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society
Subject(s):
Canadian literature, Historical musicology
Item Type:
Blog Post
Hearing Gender in George Lucas's Galaxy
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Film studies, Gender studies, Historical musicology
Item Type:
Blog Post
Heavy Metal Elves
Author(s):
Kendra Leonard (see profile)
Date:
2015
Group(s):
American Musicological Society, MS Screen Arts and Culture
Subject(s):
Historical musicology, Musicology, Popular Music Studies
Item Type:
Blog Post
Just the Songs, from The Art Songs of Louise Talma, CMS Sourcebooks in American Music series, Routledge, 2017.
Editor(s):
Kendra Leonard (see profile)
Date:
2017
Subject(s):
20th century, Historical musicology, Music
Item Type:
Music
Tag(s):
music, musical theory, musicology, Talma, songs
Auguste Vern – Flutist and Composer
Author(s):
Stephen Thomson Moore (see profile)
Date:
2017
Group(s):
American Musicological Society
Subject(s):
Historical musicology
Item Type:
Article
Tag(s):
Flute
John L. Downe, flutist and composer
Author(s):
Stephen Thomson Moore (see profile)
Date:
2017
Group(s):
American Musicological Society
Subject(s):
Historical musicology
Item Type:
Article
Music, theatre and the nation :the entertainment market in Lisbon (1865-1908)
Author(s):
Joao Silva (see profile)
Date:
2011
Group(s):
American Musicological Society, Music and Sound
Subject(s):
Cultural musicology, Historical musicology
Item Type:
Thesis
“Weed Crumbles into Glitter”: Representing a Marijuana High in Frank Ocean’s Blonde
Author(s):
John Brackett (see profile)
Date:
2018
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory, Popular Music Studies
Item Type:
Book chapter
Tag(s):
Blonde, drugs, Frank Ocean, marijuana
Some Notes on John Zorn’s Cobra
Author(s):
John Brackett (see profile)
Date:
2010
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory
Item Type:
Article
Tag(s):
Avant-garde, experimental music, File-card, John Zorn
Schoenberg, Unfolding, and ‘Composing With Twelve Tones’: A Case Study (Op. 25/I)
Author(s):
John Brackett (see profile)
Date:
2015
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Musicology, Music theory
Item Type:
Article
Tag(s):
12-tone, Arnold Schoenberg, Piano Suite, Twelve-tone composition
‘Hand in Glove’ and the Development of The Smiths’ Sound
Author(s):
John Brackett (see profile)
Date:
2013
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Music theory, Popular Music Studies
Item Type:
Article
Tag(s):
Hand in Glove, Johnny Marr, Morrissey, Recording Technology, The Smiths
John Zorn: Tradition and Transgression
Author(s):
John Brackett (see profile)
Date:
2008
Group(s):
Music and Sound
Subject(s):
Historical musicology, Jazz, Music analysis, Music theory
Item Type:
Book
Tag(s):
Avant-garde, Collage, Contemporary Classical Music, Experimental, John Zorn
Examining Rhythmic and Metric Practices in Led Zeppelin's Musical Style
Author(s):
John Brackett (see profile)
Date:
2008
Group(s):
Music and Sound
Subject(s):
Historical musicology, Music analysis, Music theory, Popular Music Studies
Item Type:
Article
Tag(s):
Led Zeppelin, Meter, Popular music, Rhythm, Style Analysis

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