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Analyzing the Parameters of Flow in Rap Music
Author(s):
Robert Komaniecki (see profile)
Date:
2019
Group(s):
Society for Music Theory – Popular Music Interest Group
Subject(s):
Hip-hop studies, Popular Music Studies
Item Type:
Dissertation
'You Can't Flow Over This': Ursula Rucker's Acoustic Illusion
Author(s):
Marisa Parham (see profile)
Date:
2007
Group(s):
LLC 20th- and 21st-Century American, LLC African American, TC Popular Culture
Subject(s):
Hip Hop, Hip-hop studies, African American poetry, Beat literature, Black popular culture
Item Type:
Book chapter
Tag(s):
The Roots, Bob Kaufman, Foxy Brown, Rape Culture, Blaxsploitation
Hip-Hop librarianship for scholarly communication: An approach to introducing topics
Author(s):
Arthur Boston (see profile)
Date:
2019
Group(s):
Library & Information Science
Subject(s):
Academic librarianship, Hip-hop studies, Open access, Scholarly communication, Scholarly publishing
Item Type:
Article
How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop
Author(s):
Amanda Sewell (see profile)
Date:
2014
Subject(s):
Copyright, Hip-hop studies, Musicology
Item Type:
Article
Tag(s):
sampling, musical borrowing
A Typology of Sampling in Hip-Hop
Author(s):
Amanda Sewell (see profile)
Date:
2013
Subject(s):
Musicology, Hip-hop studies, Ethnomusicology, Popular Music Studies
Item Type:
Dissertation
Tag(s):
typology, African American music, sampling, sample-based hip-, musical borrowing
Race . . . and Other Four Letter Words: Eminem and the Cultural Politics of Authenticity
Author(s):
Gil Rodman (see profile)
Date:
2006
Group(s):
Cultural Studies
Subject(s):
Popular Music Studies, Hip-hop studies, Race, Media studies, Cultural studies
Item Type:
Article
Tag(s):
Eminem, moral panics, Authorship, authenticity, whiteness

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