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Greek Tragedy, Agonistic Space, and Contemporary Performance
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Theatre and history, Theatre and politics, Theatre and society, Dramatic literature, Greek and Roman drama, Greek tragedy, Space
Item Type:
Article
Tag(s):
chorus, agonism
The Shakespeare Theatre Company ’s Oresteia
Author(s):
Kendra Leonard (see profile)
Date:
2019
Group(s):
Global Shakespeares, LLC Shakespeare
Subject(s):
Drama, Greek and Roman drama, Theater, Adaptation
Item Type:
Review
Athens: A Work-in-Progress
Author(s):
Stephe Harrop (see profile)
Date:
2018
Group(s):
Ancient Greece & Rome, Greek and Roman Intellectual History
Subject(s):
Greek and Roman archaeology, Greek and Roman drama, Greek art, Greek tragedy
Item Type:
Article
Tag(s):
Greek archaeology, Athens, Democracy
Physical Performance and the Languages of Translation
Author(s):
Stephe Harrop (see profile)
Date:
2010
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Choreography, Classical reception, Greek and Roman drama, Translation
Item Type:
Book chapter
Poetic Language and Corporeality in Translations of Greek Tragedy
Author(s):
Stephe Harrop (see profile) , David Wiles
Date:
2008
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Choreography, Classical reception, Dance, Greek and Roman drama, Translation
Item Type:
Article
‘Ercles' Vein’: Heracles as Bottom in Ted Hughes’ Alcestis
Author(s):
Stephe Harrop (see profile)
Date:
2014
Group(s):
Ancient Greece & Rome, Classical Tradition
Subject(s):
Adaptation, Classical reception, Greek and Roman drama, Poetry, Shakespeare
Item Type:
Article
Grounded, Heracles and the Gorgon's Gaze
Author(s):
Stephe Harrop (see profile)
Date:
2015
Group(s):
Ancient Greece & Rome, Classical Tradition, Performance Studies
Subject(s):
Classical reception, Greek and Roman drama, Greek mythology, Playwriting, Theatre and politics
Item Type:
Article

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