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The Camera Shot and the Gun Sight
Author(s):
Anne Eakin Moss (see profile)
Date:
2019
Group(s):
Film-Philosophy, Film Studies, Soviet and Russian history and culture
Subject(s):
Film (history and studio), Film and politics, Film theory, Soviet film, Studio-era Hollywood
Item Type:
Article
Landscapes of Disappearance
Author(s):
Edwin Culp (see profile)
Date:
2020
Group(s):
Film-Philosophy, Film Studies, Latin America and the Caribbean
Subject(s):
Landscape art, Film theory, Violence
Item Type:
Article
Narrate AND Describe?: Point of View and Narrative Voice in CITIZEN KANE's Thatcher Sequence
Author(s):
Frank P. Tomasulo, Ph.D. (see profile)
Date:
1986
Group(s):
Film Studies
Subject(s):
Film, Film theory, Cinema, Hollywood cinema, Cinema history, Film history, 20th-century film
Item Type:
Article
Tag(s):
american cinema, CITIZEN KANE, orson welles
Realist Film Theory and Flowers of Evil: Exploring the Philosophical Possibilities of Rotoscoped Animation
Author(s):
Jacqueline Ristola (see profile)
Date:
2017
Subject(s):
Film theory, Animation, Rabbinic studies
Item Type:
Article
Tag(s):
rotoscope, cel animation
Mediating Gesture in Theory and Practice
Author(s):
Ana Hedberg Olenina, Irina Schulzki (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film, Media studies, Body politics, Film theory, Performance art
Item Type:
Article
Tag(s):
gesture, Giorgio Agamben, Sergei Eisenstei, political art, East European Studies
Recreating Reality: Waltz With Bashir, Persepolis, and the Documentary Genre
Author(s):
Jacqueline Ristola (see profile)
Date:
2016
Group(s):
Film Studies
Subject(s):
Animation, Documentary, Film theory
Item Type:
Article
Tag(s):
animated documentary
Love at Loss: Jean-Luc Marion’s Concept of Erotic Reduction and Paul Thomas Anderson’s "Magnolia"
Author(s):
Irina Schulzki (see profile)
Date:
2015
Subject(s):
Cinematography, Film theory
Item Type:
Book chapter
Tag(s):
Film studies, phenomenology, subjectivity, Philosophy and Film, Postpostmodernism
Teorias do Cinema (Facom-UFBA, 2017.2)
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Film studies, Film theory
Item Type:
Syllabus
O Mundo, o mundo: da alegoria da globalização à revelação do comum
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2013
Group(s):
Film Studies
Subject(s):
China, modern (post-1911), Film studies, Film theory, Globalization
Item Type:
Article
Tag(s):
allegory, Chinese cinema, Jia Zhangke, World cinema
Cosmopoéticas da descolonização e do comum: inversão do olhar, retorno às origens e formas de relação com a terra nos cinemas africanos
Author(s):
Marcelo R. S. Ribeiro (see profile)
Date:
2017
Group(s):
Cultural Studies, Film Studies, Postcolonial Studies
Subject(s):
Colonialism, Film and politics, Film history, Film theory, Postcolonialism
Item Type:
Article
Tag(s):
African film, commons, cosmopoetics, cosmopolitics, decolonization
(Community) Video Art: DCTV’s Expanded Documentary Practice
Author(s):
Joel Anderson (see profile)
Date:
2017
Group(s):
Film Studies
Subject(s):
Cinema, Film studies, Film theory, Media studies
Item Type:
Article
Acercamientos feministas al cine español y latinoamericano: la mujer como producto y productora de imágenes
Author(s):
Kathryn Anne Everly (see profile)
Date:
2016
Subject(s):
Feminist films, Film theory, Spanish language
Item Type:
Article
Tag(s):
Spanish film, feminist film theory

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